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Europa in Focus: Rape and Rebirth

Titian, Rape of Europa, ca. 1560-1562, Isabella Stewart Gardner Museum

Special Occasion And News

Europa in Focus: Rape and Rebirth

If you read my articles, you’ll know that I tend to get political. With the European Elections coming up this weekend, I wouldn’t be myself letting it pass unnoticed. Hence, I dedicate this post to Europa, a woman after whom the entire continent takes its name.

Paestum red-figure chalice krater signed by Assteas, Europa on the bull,
370-360 BC, Museum of Sannio

Who Is She?

Europa was a Phoenician woman who had two brothers, Cilix (who gave his name to Cilicia in Asia Minor) and Cadmus who brought the alphabet to mainland Greece. Zeus became infatuated with Europa and according to the oldest Cretan stories recounting god’s numerous love affairs with women, Zeus approached the girl as a tame white bull who joined her herd. Europa, enchanted by the creature, climbed on his back to decorate his horns with flowers, but the mischievous god seized the opportunity and sprang into the ocean.

Titian, Rape of Europa, ca. 1560-1562, Isabella Stewart Gardner Museum

What Came Next?

Zeus swam across the water to reach the island of Crete, where he revealed his identity to scared Europa. She accepted him and his gifts (e.g. a necklace made by Hephaestus, a javelin that never missed and even the constellation in the shape of a bull called Taurus). From their union their son Minos was born who became the first king of Crete. Historically, from this man the first European civilization of Minoans took the beginning.

Valentin Serov, The Rape of Europa, 1910, Private Collection

Europa and Land

Ancient Greeks often identified lands or rivers with female figures. No surprise than, that in one of the Homeric hymns the name Europa is used to describe the western shore of the Aegean Sea.

Félix Vallotton, Rape of Europa, 1908, Musée des Beaux-Arts de Berne

Europa and Art

Rape, or Abduction, of Europa is a motif recurring in art. We have ancient vases, marble sculptures and, of course, painting. As with many stories from mythology, it often served as just a pretext to show a magnificent landscape, like in Claude Lorrain or Rembrandt.

Claude Lorrain, Coast Scene with the Rape of Europa, 1600-1682, Royal Collection, Windsor Castle, UK
Rembrandt, Abduction of Europa, 1632, Getty Center

In the end, I invite all our European readers to go vote this weekend. Whether on a bull or on foot- go straight to the ballot box! 🙂

Gustave Moreau, The Abduction of Europa, 1869, Wadsworth Atheneum, Hartford, CT, US

Magda, art historian and Italianist, she writes about art because she cannot make it herself. She loves committed and political artists like Ai Weiwei or the Futurists; like Joseph Beuys she believes that art can change us and we can change the world.


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