Six Female Artists of the Hudson River School

Alexandra Kiely 4 March 2017 min Read

The Hudson River School, a movement in American landscape painting, was America's first independent artistic tradition. It was very popular in the middle half of the nineteenth century due to its focus on American scenery and nationalism. Notable Hudson River School artists include Thomas Cole, Frederick Edwin Church, and Albert Bierstadt. Books about the Hudson River School usually focus on the male artists, but there’s much more to the story. Many women also painted the American landscape in the nineteenth century, as both professionals and amateurs. While they’re not as well known today as their male counterparts, many were very highly regarded in their time. In honor of International Women's Day, meet six female Hudson River School artists below.

Louisa Davis Minot (1788-1858)

[caption id="attachment_3620" align="aligncenter" width="620"]Niagara Falls from the American Side by Louisa Davis Minot Louisa Davis Minot; Niagara Falls from the American Side; 1818; New York Historical Society[/caption] Louisa Davis Minot is known only through two paintings of Niagara Falls. They are spectacular and show that she was skilled and well-trained. Many artists painted Niagara Falls, and Minot’s hold their own against any of the others. She also wrote a vivid description of the Falls, which was published in North American Review in 1815.

Sarah Cole (1805-1857)

[caption id="attachment_3621" align="aligncenter" width="620"]Ancient Column Near Syracuse by Sarah Cole Sarah Cole; Ancient Column Near Syracuse; c. 1848; Neville-Strass Collection[/caption] Sarah Cole was the younger sister of Hudson River School founder Thomas Cole and a talented artist in her own right. The scenes she chose to paint were often similar to her brother’s, which isn’t surprising given that they were close and are known to have gone on sketching trips together. In addition to her own works, she also made some copies of paintings by her brother.

Eliza Pratt Greatorex (1819-1897)

[caption id="attachment_3618" align="aligncenter" width="620"]Landscape near Cragsmoor, NY by Eliza Pratt Greatorex Eliza Pratt Greatorex; Landscape near Cragsmoor, NY; 1863; Samuel Dorsky Museum of Art, New Paltz, NY[/caption] Eliza Pratt Greatorex achieved great respect in American art and New York society alike. In fact, she was successful enough to be able to support herself and her young children through her art after being widowed in 1858. Greatorex painted scenes of the northeastern United States and of Europe. She was the first woman to attain membership in the National Academy of Design – showing the esteem in which she was held during her career.

Helen Mary Knowlton (1832-1918)

[caption id="attachment_3661" align="aligncenter" width="620"]Beach Scene by Helen Mary Knowlton Helen Mary Knowlton; Beach Scene; unknown date; current location unknown[/caption] Helen Mary Knowlton studied under French-trained landscape painter William Morris Hunt and eventually took over teaching his class at his request. She also trained in Munich, Germany, which was popular at the time. Knowlton had a Luminist’s interest in showing lighting effects and an Impressionist’s loose method of handling paint. In addition to teaching and painting, she wrote extensively about art and was a longtime art critic for the Boston Post.

Laura Woodward (1834-1926)

[caption id="attachment_3622" align="aligncenter" width="620"]Jungle Rain, Palm Beach by Laura Woodward Laura Woodward; Jungle Rain, Palm Beach; unknown date; private collection[/caption] Laura Woodward was originally from New York, where she first painted and exhibited her work. However, she moved to Florida in the second half of her life, and that’s where she made some of her most compelling paintings. They show Florida’s landscape and foliage, and they’ve been credited with making people interested in travelling to Florida in the early-twentieth century. Her work also convinced Henry Flagler to establish the Hotel Royal Poinciana in Palm Beach. Though the scenery is very different between her northern and southern subjects, both share a vibrant color palette.

Mary Josephine Walters (1837-1883)

[caption id="attachment_3619" align="aligncenter" width="620"]Landscape with Three Ladies Sitting Under a Tree by Mary Josephine Walters Mary Josephine Walters; Landscape with Three Ladies Sitting Under a Tree; unknown date; private collection[/caption] Mary Josephine Walters studied with Hudson River School leader Asher Durand, and their work has obvious stylistic similarities. She was a full-time professional artist and exhibited at major institutions like the National Academy of Design and the San Francisco Art Association. Her works present detailed views of scenery in New York’s Hudson River Valley. They often feature lots of foliage and beautiful effects of light.
Sources: “Artist Bios”. Nature and the American Vision, The Hudson River School Feb 26 – May 8, 2016. Milwaukee: Milwaukee Art Museum, 2016. Lynch, Courtney A. Soaring Sights: Luminist Landscapes by Female Hudson River School Painters (1825-1875). New York: Hawthorne Fine Art, 2017. MacLean, Maggie. “First American Women Painters”. History of American Women. November 13, 2015. MacLean, Maggie. “Eliza Greatorex: Painter, Illustrator and Pen and Ink Artist”. History of American Women. April 16, 2016. Manthorne, Kathie. “Eliza Pratt Greatorex: Becoming a Landscape Painter”. In The Cultured Canvas: New Perspectives on American Landscape Painting. Nancy Siegel ed. Durham, NH: University of New Hampshire Press, 2011. p. 185-216. Pollack, Deborah C. “Laura Woodward (American, 1834-1926)”. Siegel, Nancy. “’We the Petticoated Ones’: Women of the Hudson River School”. In The Cultured Canvas: New Perspectives on American Landscape Painting. Nancy Siegel ed. Durham, NH: University of New Hampshire Press, 2011. p. 148-184. Siegel, Nancy & Jennifer Krieger. Remember the Ladies: Women of the Hudson River School. Catskill, NY: Thomas Cole National Historic Site, 2010.



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