Titian’s The Death of Actaeon (Metamorphoses VIII)January 13, 2020
A whistle-stop tour of each of the seven Poesies, which the Renaissance master delivered Philip II of Spain in the 1550s and early 1560s, finally reaches it’s conclusion with Titian’s The Death of Actaeon. Revised style and an...
Painting of the Week: John Singer Sargent, Madame XJanuary 12, 2020
Happy Birthday, John Singer Sargent! If you were alive, you would be 164 years old! The world has changed substantially since 12 January 1856, however your legacy has stood enduringly. You are still considered the leading portrait painter...
Picasso Damaged at Tate ModernJanuary 10, 2020
On the 28th of December 2019, a man from the public marred the Picasso painting, Bust of a Woman. The painting is on a long-term loan from a private collector and it has since been removed from public...
January Blues. Blue in ArtJanuary 8, 2020
The January Blues, a well-known mood; festivities have come to an end and the winter is starting to feel gloomy. Therefore, to alleviate the melancholy, here is a trio of famous Blues from 20th-century art history. The Blue...
Titian’s Diana and Callisto (Metamorphoses VII)January 6, 2020
In a series of articles we are meeting each of the seven Poesies, which Titian delivered Phillip II of Spain in the 1550s and early 1560s. So far we have encountered the stories of Danaë, Venus and Adonis, Perseus...
Painting of the Week: Arthur Hughes, April LoveJanuary 5, 2020
Today’s Painting of the Week is April Love, 1855-1856, Arthur Hughes’ most celebrated artwork that embodies Pre-Raphaelites’ soul. Hughes and Pre-Raphaelites We consider April Love, made by Arthur Hughes (1832-1915) a Pre-Raphaelite painting. Though, the artist never actually...
Afro-American Artists Arm in Arm: Charles White and Kerry J. MarshallJanuary 3, 2020
Last month the auction house Sotheby’s sold Kerry James Marshall’s painting Vignette 19 for $16 million. That’s a lot of money for a work by a living artist. But last year the same artist did even better. In May...
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