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Art History 101

Pop Art 101: Everything You Need to Know

Errika Gerakiti 19 December 2024 min Read

Everyone is familiar with Pop Art, and everyone can recognize its most iconic artists and artworks. Cartoon characters, food, everyday products are only a few of Pop Art’s subjects. However, most of us tend to believe that Pop Art is only the colorful images we see and that there is nothing more to it. Well, we couldn’t be more wrong. Pop Art has a whole philosophy behind it. Its artists read, observed, and discussed society and its issues. Each artist found his own way to reflect on the contemporary world. So, let’s dive into Pop Art 101 to clear everything up!

Origins of Pop Art

Pop Art originated c. 1955, both in Europe and the USA. In the USA, it found its most classic expression. At first, Pop Art was all about plastic arts. However, it penetrated music, literature, fashion, cinema, graphic arts, and advertising very soon after. It embraced everything “popular”—from which the term Pop Art originated.

In the UK, the Independent Group (IG) founded the movement. Its members were artists, art critics, and architects of the Institute of Contemporary Arts (ICA) in London. The Institute was a meeting place for intellectuals and artists in London, in the same way that cafés were in Paris and exhibition openings were in New York. Lawrence Alloway, an art critic and member of ICA, was the first to use the term “Pop Art” in his essay from 1958. He talked about popular culture, understated by intellectuals, which included advertising, television, cinema, popular idols, science fiction, magazines, and pop music. So, the IG referred to Pop Art in the same way as any art.

Pop Art 101. Nigel Henderson, Head of a Man, 1956, photographs on paper on harcboard, Tate Modern, London, UK.
Pop Art 101: Nigel Henderson, Head of a Man, 1956, Tate Modern, London, UK.

Just what is it that makes today’s homes so different, so appealing?

In 1956, the IG organized an exhibition, This Is Tomorrow, at the Whitechapel Art Gallery in London. It was then that Richard Hamilton presented his very famous collage, Just what is it that makes today’s homes so different, so appealing?

Richard Hamilton, Just what is it that makes today's homes so different, so appealing?, 1956, collage, Tate Modern, London, UK.
Pop Art 101: Richard Hamilton, Just what is it that makes today’s homes so different, so appealing?, 1956, Tate Modern, London, UK.

While looking at it, we see a “Mister Cosmos” kind of guy, holding a lollipop that says “Pop” on it. Pop as popular but also as it is used in comic books to signify an explosion or a loud noise. Also there is a naked young woman, like a call girl, posing provocatively on the couch. The room is filled with all the objects that were considered necessities for the modern household: a TV with a smiling woman talking on the phone, a recorder, an electric vacuum, a big can of ham used as a decoration in the living room, a Ford advertisement, a big photo-romance on the wall. Moreover, outside the window is the luminous entrance to a movie theater.

This piece became one of the defining points of Pop Art, combining modern consumerism, mass culture, media, advertising, comics, and photo-romances.

Pop Art Artists in the USA

In the beginning, American Pop Art was associated with the underground scene. It was a reaction to the globalizing, capitalist reality. Apart from contemporary culture, it was strongly influenced by Dada. The first two artists who started Pop Art were Robert Rauschenberg and Jasper Johns. But others helped elevate its status in the art world: Andy Warhol, Roy Lichtenstein, Tom Wesselmann, James Rosenquist, Claes Oldenburg, Robert Indiana, and others. A series of exhibitions in 1960–1962 established Pop Art as a legitimate art movement.

Pop Art 101. Jasper Jones, Painted Bronze: Ale Cans, 1960, bronze and oil paint, Collection of the artist. New York Times.
Pop Art 101: Jasper Jones, Painted Bronze: Ale Cans, 1960, collection of the artist. New York Times.

Besides the aforementioned subjects, new ones appeared in American artworks, such as food. Cans, hamburgers, ice cream, pies, etc. became the central objects of the artworks. The artists used vibrant colors and huge canvases. However, the approach to the subject was cold and detached. There was no emotion in this celebration of colors and fun-looking art pieces.

Andy Warhol

Andy Warhol is the most famous artist of Pop Art. He not only created art but was also a movie director and a nightclub manager. He mostly used graphic arts and silkscreen prints. Warhol became the most famous artist of the 20th century who portrayed consumerism and advertisement. He also depicted the dark side of life too: death, accidents, executions. There was a bit of darkness in what was generally considered a happy side of art.

Pop Art 101. Andy Warhol, Pink Race Riot, 1963, Financial Times.
Pop Art 101: Andy Warhol, Pink Race Riot, 1963, Gagosian Gallery. Financial Times.

Roy Lichtenstein

Contrary to Warhol, Roy Lichtenstein painted only the bright side of life. His most characteristic works are his comic strips. He also used pop figures of the time, though, such as Mickey Mouse, Donald Duck, and Bugs Bunny.

Pop Art 101. Roy Lichtenstein, Drowning Girl, 1963, oil and acrylic on canvas, Museum of Modern Art, New York, USA.
Pop Art 101: Roy Lichtenstein, Drowning Girl, 1963, Museum of Modern Art, New York City, NY, USA.

James Rosenquist

Rosenquist had a background in advertising, which strongly influenced his approach to Pop Art. He brought something new to the movement by painting enormous faces of glamorous women inspired by advertisements. His most famous work, I Love You with My Ford, was deliberately painted to resemble an advertisement.

Pop Art 101: James Rosenquist, I Love you with my Ford,
Pop Art 101: James Rosenquist, I Love You with My Ford, 1961, Moderna Museet, Stockholm, Sweden.

Claes Oldenburg

During the 1960s, Claes Oldenburg started working on some of his most famous pieces, the soft objects. They remind one of Dali‘s soft watches and Magritte‘s transformations. Oldenburg’s soft sculptures quickly became part of Pop Art’s early international successes. However, they were not his only well-known works. The artist also created gigantic sculptures, often using them to satirize consumerism, the Vietnam War, and other aspects of contemporary society.

Pop Art 101. Claes Oldenburg, Soft Toilet, 1966, mixed media, Whitney Museum of American Art, New York, USA.
Pop Art 101: Claes Oldenburg, Soft Toilet, 1966, Whitney Museum, New York City, NY, USA.

Pop Art Artists in Europe

Pop Art in Europe, much like in the USA, had little interest in stylization. Instead, it reflected on popular culture. Although these works can sometimes appear critical of the contemporary world, this was not necessarily the intention. More often, the artists simply offered an observation or commentary rather than a moral judgment.

Richard Hamilton

In his famous work, $he, Richard Hamilton used tiny images to portray the modern American housewife. A small plastic object that is stuck high on the surface symbolizes the female curves and glance. The white curvy shape below is her apron. The red color on the floor signifies blood. The toaster mixed with the electric vacuum tube and the black spots are a reference to Marcel Duchamp.

Pop Art 101. Richard Hamilton, $he, 1958-1961, mixed media, Tate Modern, London, UK.
Pop Art 101: Richard Hamilton, $he, 1958–1961, Tate Modern, London, UK.

Eduardo Paolozzi

Eduardo Paolozzi’s style is more industrial and geometric. His artworks, even though they are Pop, are also melancholic. They depict the impact of technology on human life from a pessimistic point of view.

Pop Art 101. Eduardo Paolozzi, Four Towers, 1962, aluminium, enamel paint, Scottish National Gallery of Modern Art, Edinburg, Scotland, UK.
Pop Art 101: Eduardo Paolozzi, Four Towers, 1962, Scottish National Gallery of Modern Art, Edinburgh, Scotland.

Allen Jones

By using vibrant colors, Allen Jones transformed the image in a way that resembled Surrealism. He mostly made erotic syntheses by mixing couples, hermaphrodites or not, thighs with stockings, etc.

Pop Art 101. Allen Jones, Chair, 1969, mixed media, Courtesy of the artist © Allen Jones, Royal Academy.
Pop Art 101: Allen Jones, Chair, 1969, Royal Academy, London, UK.

Peter Blake

Peter Blake is one of the most famous artists of British Pop Art. He enriched his works with symbolism or elements of the past. One of his most famous pieces, On the Balcony, consists of old family photos, old artworks, magazine covers, and objects from everyday life.

Peter Blake, On the Balcony, 1955-7, oil on canvas, Tate Modern, London, UK.
Pop Art 101: Peter Blake, On the Balcony, 1955–1957, Tate Modern, London, UK.

David Hockney

No one can talk about European Pop Art without mentioning David Hockney. He is its most prominent representative, even though he later moved to the US. He had an eccentric appearance and was associated with The Beatles. While Hockney’s first paintings were influenced by Francis Bacon, he later found his distinctive style. Hockney painted in strong and intense color combinations on big, flat surfaces. His works were related to his own relationships and sexual experiences. By 1964, he was already living in California, where he made references to the luxurious lifestyle of the Hollywood elite.

David Hockney, Peter Getting Out of Nick's Pool, 1966, acrylic on canvas, Walker Art Gallery, Liverpool, UK.
Pop Art 101: David Hockney, Peter Getting Out of Nick’s Pool, 1966, Walker Art Gallery, Liverpool, UK.

Pop Art Today

Whether a reflection of the modern way of living, or a denial of abstract trends, and especially of Abstract Expressionism, Pop Art flourished for many years in Europe and the USA. It became one of the most important artistic expressions of the second half of the 20th century. Even though the core movement dates back to the 1970s, it never actually decayed. In fact, it reinvents itself constantly, as popular culture keeps forever changing. Pop Art will probably never die. Especially nowadays, when the internet has made access to almost everything so easy. We keep on creating new idols and icons, products, ideas, using the new media.

Pop Art 101. Jeff Koons, Bouquet of Tulips, 2019, Paris, France. The Guardian.
Pop Art 101: Jeff Koons, Bouquet of Tulips, 2019, Paris, France. The Guardian.

Yayoi Kusama, Love Is Calling, 2013, © Yayoi Kusama. Artsy.
Pop Art 101: Yayoi Kusama, Love Is Calling, 2013, installation at Institute of Contemporary Art, Boston, MA, USA. Artsy.

Stathis Alexopoulos, Mr. Mouse, colored resin. Artist's webpage.
Pop Art 101: Stathis Alexopoulos, Mr. Mouse. Artist’s website.

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