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10 Paintings For Which You Will Love Ca’ Pesaro in Venice

Wassily Kandinsky, White Zig Zags, 1911, Ca’Pesaro – Galleria Internazionale d’Arte Moderna, Venice, Italy.

Museums And Exhibitions

10 Paintings For Which You Will Love Ca’ Pesaro in Venice

Tourists in Venice usually do a couple of typical things: they visit San Marco Cathedral and the Doge’s Palace, drink a glass of Aperol Spritz, sometimes have a gondola ride. But we have some good information for you – we’ve added another thing to your obligatory Venice bucket list. And this is… a visit to Ca’Pesaro – International Gallery of Modern Art.

The museum contains 19th- and 20th-century collections of paintings and sculptures, including masterpieces by Klimt and Chagall, and remarkable works by artists such as Kandinsky, Klee, and Moore, as well as a rich selection of works by Italian artists like Boccioni, De Pisis, Sironi, Morandi, De Chirico, Burri etc and an important section on graphic art. Feeling intrigued?

Here are ten reasons to fall in love with Ca’Pesaro:

1. Gustav Klimt, Judith II (Salome)

Gustav Klimt, Judith II (Salome), 1909, Ca'Pesaro - Galleria Internazionale d'Arte Moderna, Venice
Gustav Klimt, Judith II (Salome), 1909, Ca’Pesaro – Galleria Internazionale d’Arte Moderna, Venice, Italy.

The painting presents Judith, the Biblical heroine (read about Judith in art here). Judith’s sexualized femininity is interestingly and contradictorily combined with her masculine aggression.

2. Pierre Bonnard, Nude in a Mirror

Pierre Bonnard, Nude Before a Mirror, 1931, Ca'Pesaro - Galleria Internazionale d'Arte Moderna, Venice
Pierre Bonnard, Nude Before a Mirror, 1931, Ca’Pesaro – Galleria Internazionale d’Arte Moderna, Venice, Italy.

The painting presents the much-repeated subject of Marthe, the artist’s wife captured in her dressing room. Those interior scenes, focused on the ritual of bathing or dressing in front of the mirror, were very important to Bonnard.

3. Henry Moore, Helmet no 2

Henry Moore, Helmet no. 2, c. 1950, Ca'Pesaro - Galleria Internazionale d'Arte Moderna, Venice
Henry Moore, Helmet no. 2, c. 1950, Ca’Pesaro – Galleria Internazionale d’Arte Moderna, Venice, Italy.

Echoing the surrealism that was an early influence on the sculptor, this compact bronze merges mechanistic form with animistic feeling. The shape suggests a Nazi helmet, unsurprising given Moore’s deeply humanistic response to the sufferings caused by the Second World War.

4. Giorgio di Chirico, Troubadour

Giorgio di Chirico, Troubadour, 1950, Ca'Pesaro - Galleria Internazionale d'Arte Moderna, Venice
Giorgio di Chirico, Troubadour, 1950, Ca’Pesaro – Galleria Internazionale d’Arte Moderna, Venice, Italy.

After having long looked at the history of art and the Old Masters, de Chirico turned to introspection, and with this painting he returned from his original metaphysical period of 1915-1917.

5. Wassily Kandinsky, White Zig Zacs

Wassily Kandinsky, White Zig Zags, 1911, Ca'Pesaro - Galleria Internazionale d'Arte Moderna, Venice, Italy.
Wassily Kandinsky, White Zig Zags, 1911, Ca’Pesaro – Galleria Internazionale d’Arte Moderna, Venice, Italy.

This painting documents the period when the artist moved from the lyrical abstraction to the subsequent geometrical period.

6. Umberto Boccioni, Portrait of My Sister Reading

Umberto Boccioni, Portrait of My Sister Reading, 1909, Ca'Pesaro - Galleria Internazionale d'Arte Moderna, Venice
Umberto Boccioni, Portrait of My Sister Reading, 1909, Ca’Pesaro – Galleria Internazionale d’Arte Moderna, Venice, Italy.

This is a very interesting painting from the pre-futurist period of Boccioni, when he became interested in the fin de siécle style of graphics and poster design.

7. Fernand Khnopff, The White Mask

Fernand Khnopff, Portrait of Miss de Rothemaler, 1907, Ca'Pesaro - Galleria Internazionale d'Arte Moderna, Venice
Fernand Khnopff, The White Mask, 1907, Ca’Pesaro – Galleria Internazionale d’Arte Moderna, Venice, Italy.

This is a typical example of symbolist poetics, it shows a women’s face, intended as enigma.

8. Emil Nolde, Flowering plants

Emil Nolde, Flowering Plants, 1909, Ca'Pesaro - Galleria Internazionale d'Arte Moderna, Venice
Emil Nolde, Flowering Plants, 1909, Ca’Pesaro – Galleria Internazionale d’Arte Moderna, Venice, Italy.

Around 1907 colour became Nolde’s preferred medium of expression. This floral mix echoes the impressionist tradition and pushes the subject to the limits of abstraction.

9. Felice Casorati, The Young Maidens

Felice Casorati, The Young Maidens, 1912, Ca'Pesaro - Galleria Internazionale d'Arte Moderna, Venice
Felice Casorati, The Young Maidens, 1912, Ca’Pesaro – Galleria Internazionale d’Arte Moderna, Venice, Italy.

When I first saw this painting, I was stunned. It was created in 1912 but it looks so contemporary! Casorati here stages an improbable contemporary allegory of different female characters.

8. Tancredi, Sojourn in Venice

Tancredi, Sojourn in Venice, 1955, Ca'Pesaro - Galleria Internazionale d'Arte Moderna, Venice
Tancredi, Sojourn in Venice, 1955, Ca’Pesaro – Galleria Internazionale d’Arte Moderna, Venice, Italy.

Tancredi paid a tribute to the city he had studied in with this painting.  It is a combination of light and color in local Venetian tradition, the Tachiste ideas, and American abstract expressionism.


Discover other amazing collections:

Art Historian, founder and CEO of DailyArtMagazine.com and DailyArt mobile app. But to be honest, her greatest accomplishment is being the owner of Pimpek the Cat.

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