10 Women Impressionists You Must Know
Impressionism, with its enduring popularity, has produced some of the most beloved artists to be etched onto our collective consciousness. But how...
Natalia Iacobelli 27 March 2025
Forget everything you know about Nordic culture just being about Vikings, IKEA, and excessive coffee consumption. The Nordic countries have produced some of the most fascinating women artists in history—painters who blended light, color, and emotion in ways that would make even the northern lights jealous. These women broke barriers, defied expectations, and, let’s be honest, probably drank a lot of strong coffee while doing it. Many of them worked in a time when female artists struggled to gain recognition, yet they pushed through societal constraints with sheer talent and persistence. Their work tells stories of domestic life, spirituality, nature, and deep emotions, proving that Nordic art is as complex and beautiful as the landscapes that inspired them. Meet the amazing Nordic women artists!
Harriet Backer, Blue Interior, 1883, National Museum, Oslo, Norway. Museum’s website.
Harriet Backer (1845–1932) was one of Norway’s most accomplished painters, celebrated for her ability to capture the quiet beauty of everyday life. She was a pioneer among female artists in Scandinavia, earning widespread recognition at a time when women struggled for acceptance in the art world. Her work often featured intimate, domestic scenes bathed in natural light, giving them a warmth and realism that made viewers feel like they were stepping into the room.
Blue Interior is a perfect example of her mastery of color and atmosphere. The painting’s deep blues and soft light create a sense of peace and contemplation, showcasing her talent for portraying the interplay of light and shadow. Backer’s dedication to her craft made her an important role model for future generations of women artists.
Bertha Wegmann, Young Woman Seated, ca. 1882, National Museum, Oslo, Norway. Museum’s website.
Bertha Wegmann (1847–1926) was a Danish painter who became one of the most respected portrait artists of her time. Born in Switzerland but raised in Denmark, she studied art in Germany before returning to Copenhagen, where she became the first woman to be accepted into the Royal Danish Academy of Fine Arts. Her portraits were known for their incredible realism, sensitivity, and depth, capturing the subtle expressions and personalities of her subjects.
Young Woman Seated is a testament to her skill, with its delicate interplay of light and detail, making the subject appear almost lifelike. Her ability to convey emotion through a simple pose or glance set her apart, and her success helped pave the way for other women in the Danish art scene.
Anna Ancher, Sunlight in the Blue Room, 1891, Skagens Museum, Skagen, Denmark.
Anna Ancher (1859–1935) was a key figure in the Skagen painters, a group of artists who gathered in the northernmost part of Denmark to capture the region’s unique light and way of life. Unlike many of her contemporaries, she focused less on grand narratives and more on intimate, everyday moments infused with natural beauty.
Sunlight in the Blue Room is a striking example of her ability to capture light in a way that feels almost tangible. Her paintings often depict women engaged in quiet activities—reading, sewing, or simply sitting in thought—yet there is an emotional depth to her work that goes beyond mere domesticity. Ancher was ahead of her time in her use of color and form, making her a key figure in modern Danish art.
Hilma af Klint, The Swan, nr 17, group IX, series SUW, 1914–1915. Hilma af Klint Foundation. Photo by Moderna Museet/Albin Dahlström. Wikimedia Commons (public domain).
Long before abstract art became mainstream, Hilma af Klint (1862–1944) was creating groundbreaking spiritual and symbolic works that defied traditional artistic norms. Born in Sweden, she was deeply influenced by her interest in Theosophy and mysticism, believing that higher spiritual forces guided her paintings.
Svanen (The Swan) is a mesmerizing piece filled with bold colors and geometric forms, reflecting her belief in the universe’s interconnectedness. Despite her pioneering work, she remained largely unknown in her lifetime, choosing to keep much of her art hidden until after her death. Today, she is finally gaining the recognition she deserves as one of the true pioneers of abstract art—predating even Wassily Kandinsky.
Ellen Thesleff, Echo, 1891, private collection.
Ellen Thesleff (1869–1954) was a Finnish painter known for her expressive use of color and bold brushwork. Influenced by both Symbolism and Expressionism, she created works that felt almost musical in their energy and movement.
Echo is one of her most striking paintings, capturing a woman’s voice reverberating across a vast landscape. There is something deeply emotive and atmospheric about her work, as if she were painting not just what she saw but what she felt. Thesleff was unafraid to experiment with different styles and techniques throughout her career, making her one of Finland’s most innovative and exciting artists.
Ester Almqvist, Noah’s Thank-offering, Nationalmuseum, Stockholm, Sweden. Museum’s website.
Ester Almqvist (1869–1934) was a Swedish artist whose work blended religious themes with raw emotion and striking compositions. She was one of the first female artists in Sweden to fully embrace Expressionism, using dramatic color and movement to tell stories. Noah’s Thank-offering is a powerful, almost cinematic depiction of biblical gratitude, filled with dynamic energy and deep symbolism. Almqvist’s work often carried a sense of urgency and drama, making her one of the most captivating storytellers in Scandinavian art.
Júlíana Sveinsdóttir, Rocky Coast near the Vestmanna Islands, 1946, National Gallery of Denmark, Copenhagen, Denmark. Museum’s website.
Júlíana Sveinsdóttir (1889–1966) was one of Iceland’s most celebrated landscape painters, capturing the raw and untamed beauty of her homeland. Her paintings often depict the country’s rugged coastlines, dramatic cliffs, and ever-changing weather, making the viewer feel the power of nature. Rocky Coast near the Vestmanna Islands is a breathtaking example of her ability to convey both the harshness and serenity of the Icelandic landscape. Her work stands as a testament to her deep connection to her surroundings and her ability to translate that love onto the canvas.
Hannah Ryggen, We Are Living on a Star, 1958. Photo by Thor Nielsen, Kunstkritikk.
Hannah Ryggen (1894–1970) was a Norwegian textile artist who used her work as a form of political and social commentary. We Are Living on a Star is one of her most famous pieces, a woven masterpiece that reflects on the interconnectedness of humanity and the tragedies of war. In a tragic twist of fate, this very tapestry was damaged in the 2011 terrorist attack on Norway’s government quarter, where it was on display. The attack, which shook the nation, added an unintended but poignant layer to Ryggen’s work, reinforcing its message about the fragility of peace and the ever-present threats to society. At a time when textile art was often dismissed as mere craft, Ryggen elevated it to high art, using her medium to speak out against injustice and oppression.
Tove Jansson, Mysterious Landscape, ca. 1930–1939, Ateneum, Helsinki, Finland. Museum’s website.
Best known as the creator of the Moomin books, Tove Jansson (1914–2001) was also an incredibly talented painter. Mysterious Landscape showcases her love for the eerie and fantastical, capturing a dreamlike world that feels both inviting and unsettling. While her whimsical Moomin illustrations have made her a household name, her paintings reflect a more introspective and sometimes darker side. Her fine art often depicted mysterious, atmospheric landscapes and deeply personal themes, influenced by her experiences during World War II and her unconventional life. Jansson was a true Renaissance woman—an illustrator, novelist, and painter whose creativity knew no bounds.
Karin Mamma Andersson, About a Girl, 2005. Courtesy of Magnus Karlsson, Stockholm; Stephen Friedman Gallery, London; and David Zwirner, New York © Karin Mamma Andersson / BUS 2007. Moderna Museet.
Karin Mamma Andersson (born 1962) is one of Sweden’s leading contemporary painters, blending nostalgia with a sense of unease. Her works often feature surreal, dreamlike settings with distorted perspectives and figures that seem to exist in a world between memory and imagination.
About a Girl exemplifies her ability to create scenes that feel both familiar and unsettling, using muted colors and layered compositions. Her work is often described as cinematic, drawing inspiration from Nordic storytelling traditions, historical imagery, and modern pop culture. Andersson has gained international acclaim, proving that Nordic women painters continue to push artistic boundaries into the 21st century.
These ten remarkable women defied the odds and left an indelible mark on the art world. From cozy interiors and sunlit rooms to abstract visions and eerie dreamscapes, their work continues to inspire and captivate audiences worldwide. Their contributions remind us that art is not just about technique but also about perspective, perseverance, and passion. Whether painting the quiet moments of daily life or exploring the depths of the human psyche, these Nordic women artists deserve to be celebrated, studied, and, most importantly, remembered.
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