Art Heist
Painted sometime between 1503 and 1519 in Florence, Italy, the Mona Lisa (also known as La Joconde or La Gioconda), with her tender half-smile, is perhaps the world’s most famous human art object. However, the theft of the Mona Lisa in 1911 was perhaps the easiest art heist of the century! We’re going to take a close look at the bones of this tale, and also ask a difficult question: Is the Mona Lisa really worthy of her reputation? Or, like so many modern celebrities, is she just famous for being famous?
Intrigue
The art heist is usually a tale full of intrigue, espionage, and secrets, much loved by novelists and filmmakers. This tale starts on an ordinary morning in summertime Paris. Handyman and part-time petty criminal Vincenzo Peruggia strolls freely out of the Louvre with the Mona Lisa under his arm. And so begins Lisa’s journey to international stardom.
Lisa Leaves the Louvre
Italian Vincenzo Peruggia had been working on and off within the Louvre, cleaning and reframing paintings. In fact, he constructed the glass case that held Leonardo da Vinci’s Mona Lisa. Clearly, she caught his eye. Because on August 20, 1911, he entered the gallery as a normal visitor. He hid in a broom closet all night. And then at 7 am the next day, August 21, he calmly lifted Lisa off the four iron pegs that held her on the wall, and removed her from the glass case he had constructed himself. He wrapped her in a workman’s smock and headed out into the sunny street.
She Is Missing!
There was one minor hiccup in his plan, as the external door to the street was locked. He removed the doorknob—still no luck! However, a friendly plumber saw him struggling. He recognized him as a fellow Louvre craftsman and released him to freedom. Mon Dieu! It was lunchtime the next day before anyone realized that Lisa was missing. And it was not the staff who noticed, but an artist who had been hoping to copy her.
A Comedy of Errors
A catalogue of disasters and missteps followed. All employees were interviewed. The police questioned Peruggia at his home twice (yes, twice!) but let him go without charge. The Louvre staff seemed to have little interest in monitoring or recording the movement of their artworks. Rather laissez-faire of them! While galleries across Europe were instigating excellent security measures (including bolting paintings to walls), the Louvre seemed quite unbothered by such things.
Did Picasso Do It?
At this point, enter Pablo Picasso, who is one of our suspects! “The Wild Men of Paris” were a group of young artists, including Pablo Picasso, Andre Breton, Henri Matisse, Georges Braque, and the poet Guillaume Apollinaire. They were firebrands of modern art, striding around Paris, behaving badly. The poet had declared that museums should rid themselves of their old art, to make way for the new. Apollinaire’s Belgian secretary, Honoré-Joseph Géry Pieret, had a habit of slipping small museum artefacts into his pockets for his friends.
Where is Lisa?
Pieret had previously stolen Iberian statues from the Louvre for Picasso. The artist admitted that these prized treasures were the inspiration for his work Les Demoiselles d’Avignon. The authorities wondered: Apollinaire was famous for declaring that museums should be burned to the ground. Rumor had it that Picasso was not averse to a bit of art theft. Did they take the Mona Lisa? What a caper that would be!
Police arrested Picasso and Apollinaire, who turned into blubbering babies under examination, pleading they knew nothing about Lisa. They hid, however, the fact that they had other stolen artefacts. The trail turned cold, even after the audacious artnapping story spread across the globe. The press whipped up a frenzy of suspicion and false leads.
Lisa in Hiding
All this time, Lisa lay hidden in Peruggia’s humble room in Paris, a few miles from the Louvre. She lay in the false bottom of a trunk, under the bed. But our daring thief didn’t seem to know what his next step would be. For two years, he (almost literally) sat on Lisa, until November 1913, when he took her to Florence, Italy, trying to sell her on to a dealer. The potential buyer immediately informed the authorities and the police. Quelle horreur!
Thief or Hero?
Peruggia was arrested in Italy in December 1913. Claiming that he wanted to return the Mona Lisa to her homeland, he was hailed as something of a national hero and sentenced to just one year and 15 days in prison. No one is entirely clear why he took Lisa. Was he telling the truth about his desire to repatriate her? Some say he was in cahoots with forgers, who planned to make money from making copies. Or, perhaps, he fell under her magical spell? Suffice it to say, he was not a criminal mastermind; though the Louvre authorities and the police didn’t cover themselves in glory either.
Small and Plain
Although Italian in origin, the Mona Lisa has been in France since 1797. She was a gift from Leonardo to the French King Francis I. He kept her in his opulent bathroom. This painting is a portrait of a young woman, Lisa del Giocondo (nee Gherardini), wife of a wealthy Florentine silk merchant. She sits on a wooden poplar board just 30 cm tall. Plain, brown, unsigned, undated. Hidden beneath layers of ancient varnish. For many years, she was not especially popular with the public, who much preferred Leonardo’s other works. Let’s be honest—this is not the best painting in the Louvre.
Louvre Ladies