Masterpiece Stories

Masterpiece Story: Two Sisters (On the Terrace) by Pierre-Auguste Renoir

Zuzanna Stańska 25 February 2022 min Read

This beautiful painting by Pierre-Auguste Renoir is known under two titles. The first one – Two Sisters (in French: Les Deux Sœurs) was given to the painting by the artist himself, and the second – On the Terrace (Sur la Terrasse) by its first owner Paul Durand-Ruel.

Pierre-Auguste Renoir depicted the radiance of lovely young women on a warm and beautiful day. The older girl wears a female boater’s blue flannel. Renoir worked on the painting on the terrace of the Maison Fournaise, a restaurant located on an island in the Seine in Chatou, a Western suburb of Paris. The artist spent much of his time there in the spring of 1881. Over the railings of the terrace you can see shrubbery and foliage with the River Seine behind it.

Pierre-Auguste Renoir Two Sisters On the TerracePierre-Auguste Renoir Two Sisters (On the Terrace)Pierre-Auguste Renoir, Two Sisters (On the Terrace), 1881, Art Institute of Chicago
Pierre-Auguste Renoir, Two Sisters (On the Terrace), 1881, Art Institute of Chicago, Chicago, IL, USA.

The painting was already under way by April 19, 1881, when, at lunch in Chatou with the American painter James McNeill Whistler, Renoir spoke of postponing a planned trip to London:

The weather is fine and I have my models; that’s my only excuse.

-Pierre-August Renoir, art-Renoir.

In real life the girls were not actually sisters. Jeanne Darlot (1863-1914), a future actress who was 18 years old at the time, posed as “the elder sister”. Unfortunately, the identity of the model for the “younger sister” is unknown.

Pierre-Auguste Renoir Two Sisters On the Terrace Pierre-Auguste Renoir Two Sisters (On the Terrace) Pierre-Auguste Renoir, Two Sisters (On the Terrace), 1881, Art Institute of Chicago, detail
Pierre-Auguste Renoir, Two Sisters (On the Terrace), 1881, Art Institute of Chicago, Chicago, IL, USA. Detail.

The painting was presented to the public for the first time at the 7th Impressionist exhibition in the spring of 1882. In 1883 it was known to be in the collection of Charles Ephrussi (the one portrayed by his great grand-nephew, Edmund de Waal, in his book The Hare with Amber Eyes), an art collector and publisher. However, in 1892 the painting was again returned to the collection of the Durand-Ruel family. Now it is in the collection of the Art Institute of Chicago.

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