Masterpiece Stories

Masterpiece Story: The Theater Box by Pierre-Auguste Renoir

Zuzanna Stańska 27 March 2026 min Read

Entertainments such as cabarets, theaters, and the circus were popular themes among the Impressionist painters whose mission was to portray modern city life. Theater in Paris was a rapidly expanding industry during the 19th century, where it was important to be seen. Hence, it was also a perfect subject for a painter wanting to present a social vanity fair. 

Here we see Pierre-Auguste Renoir’s younger brother Edmond sitting in a theater box with Nini Lopez, a model known as “fish-face”. Edmond uses a pair of opera glasses to scan the audience while Nini holds hers in her hand, her gaze slightly unfocused as if she knows she is being looked at by other operagoers.

Pierre-Auguste Renoir The Theatre Box: Pierre Auguste Renoir, La Loge (Theatre box), 1874, The Courtauld Gallery, London, UK.
Pierre Auguste Renoir, La Loge (Theater Box), 1874, The Courtauld Gallery, London, UK.

Edmond Renoir was a journalist and art critic, and it’s hard to tell anything interesting about him (other than that he looks quite handsome in this painting). Yet there is more to tell about his companion: Nini Lopez was a frequent model for Renoir’s paintings, but this particular one was her first. Known for being serious and punctual, the young woman became the artist’s favorite model between 1875 and 1879, appearing in at least 14 paintings. In 1877, Nini disappeared from Renoir’s painting following her marriage to a third-rate actor in the Montmartre theater. Her mother was quite disappointed, as she preferred her daughter to marry someone from the bourgeoisie.

But back to the painting itself. Renoir was the ultimate painter of the pleasures of the eye. His art centered on the concept of art as something “chic”. A contemporary critic known as Bertall described “chic” as a

“bearing, ease of manner, appearance and impromptu elegance…”

This is what The Theater Box captures with delicate brushstrokes and sensual tones.

The Theater Box was included in the Impressionists’ first group exhibition in 1874. Critics were divided over it: one saw it as a warning of the dangerous temptations of the fashion industry; another praised its elegance. One thing is known for sure—this painting is a hymn to 19th-century French elegance.

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