Baroque

Three 16th-Century Dutchmen You Should Know

Magda Michalska 29 December 2017 min Read

How many painters from the Netherlands do you know? Rembrandt, Bosch, Vermeer… But have you heard of Joachim Patinir, Jan Gossaer, or Maerten van Heemskerck? If not, have a read to find out whether they can be considered among the Netherlandish Old Masters…

Joachim Patinir

Joachim Patinir, Landscape with St Jerome, c.1516-17) Madrid, Prado, dutch painters
Joachim Patinir, Landscape with St Jerome, c.1516-17) Madrid, Prado

Joachim Patinir (Patenier) (c.1480-1523/4) was probably born in Dinant, near Namen (Namur) in modern Belgium. He was a landscape painter and it is thought that some of the rocky outcrops in his art may have been inspired by a cliff above Dinant.

Joachim Patinir, Crossing the River Styx, 1520-24, Madrid, Prado, 16th century dutchmen
Joachim Patinir, Crossing the River Styx, 1520-24, Madrid, Prado

Netherlandish painting in the 16th century witnessed a number of changes, one of which was the development of the landscape as a subject in painting, a genre in its own right. We see it in the work of Patinir, whose focus on a landscape is clear: he often included an aerial perspective to show outlandish rock formations. Figures were not his forte and thus he often asked colleagues to paint the figures, the so-called staffage (here the old man is an example of this practice).

Jan Gossaert

Jan Gossaert, Danaë, 1527, Munich, Alte Pinakothek, 16th-Century Dutchmen
Jan Gossaert, Danaë, 1527, Munich, Alte Pinakothek

Jan Gossaert (also known as Mabuse) was a ‘Romanist’, i.e. a Netherlandish painter who modeled his work on Italian art. He began his career in Antwerp, but in 1508 he traveled to Rome to study the classical and Renaissance art and architecture, which consequently had an enormous impact on his painting. We can see this in his incorporation of marble and architectural elements, or the representation of the human form in a Mannerist manner. Nonetheless, his portraits look very Northern, which makes them a fusion of both influences.

Jan Gossaert, Hercules and Deianeira (1517, Barber Institute of Fine Arts, Birmingham, 16th-Century Dutchmen
Jan Gossaert, Hercules and Deianeira, 1517, Barber Institute of Fine Arts, Birmingham.

 Maerten van Heemskerck

Maerten van Heemskerck, Portrait of Peter Jan Foppeszoon and his Family, (c.1530), Kassel,Staatliche Museen, 16th-Century Dutchmen
Maerten van Heemskerck, Portrait of Peter Jan Foppeszoon and his Family, (c.1530), Kassel, Staatliche Museen

Maerten van Heemskerck was a northern Netherlandish painter and an assistant of the slightly older and widely traveled Haarlem painter Jan van Scorel (1495-1562). Van Heemskerck also traveled to Rome and lived there between 1532 and 1536. He studied and sketched the scenery, art and architecture, and ancient ruins, and Italian influence is evident in his paintings. Compare his Italo-Netherlandish fusion with the work of Jan Gossaert.

Maerten van Heemskerck, Rest on the Flight into Egypt (c.1530), Washington, National Gallery of Art, 16th-Century Dutchmen
Maerten van Heemskerck, Rest on the Flight into Egypt (c.1530), Washington, National Gallery of Art

What do you think of these three Netherlandish painters? Do you find their work original and sophisticated enough to consider them Old Masters?

Get your daily dose of art

Click and follow us on Google News to stay updated all the time

Recommended

Baroque

Peter Paul Rubens in 10 Paintings

A Baroque master and portraitist of the royals, Peter Paul Rubens is probably best known for his often drama-filled religious and mythological...

Anna Ingram 28 March 2024

Baroque

Masterpiece Story: Apollo and Daphne by Gian Lorenzo Bernini

Apollo and Daphne, one of Gian Lorenzo Bernini’s first major commissions, was completed between 1622 and 1625 for Cardinal Scipione Borghese, a...

Maya M. Tola 2 November 2023

Baroque

Frans Hals in 10 Paintings

Frans Hals, the prominent Dutch Golden Age painter, left an enduring legacy through his exceptional mastery of portraiture. The way he captured the...

Nicole Ganbold 30 October 2023

Caravaggio, The Martyrdom of Saint Ursula, 1610, Palazzo Zevallos Stigliano, Naples, Italy. Baroque

Caravaggio’s Last Painting: The Martyrdom of Saint Ursula

In May 1610, Caravaggio completed The Martyrdom of St Ursula. Two months later, he was dead. We investigate the story behind his last commission,...

Catriona Miller 17 March 2024