Our Painting of the Week is The Lighthouse at Honfleur by Georges Seurat. Since December 2 is Seurat’s birthday, let’s learn a little more about what made his paintings so unique.
The first thing you’ll probably notice about this painting, as well as Seurat’s famous A Sunday Afternoon on the Island of La Grande Jatte, is that it’s made of tiny little dots. To 21st-century eyes, it might look pixilated. But, of course, pixels didn’t exist in Seurat’s day. So, what’s going on here?
Seurat (1859-1891) developed and practiced a style that came to be known as Neo-Impressionism. Neo-Impressionism was very interested in optics, which is the study of light, particularly as it relates to sight. Seurat and other Neo-Impressionists wanted to use new ideas in optics to make more effective paintings. The dots that you see in The Lighthouse at Honfleur represent one way in which Seurat attempted to do that. He believed that putting tiny dots of complimentary colors next to each other and letting the viewer’s own eyes mix them would create more effective colors than he could achieve by mixing paint. This practice is also sometimes called Pointillism or Divisionism depending on whether dots or short lines of color were used.
The term Neo-Impressionism suggests that Seurat’s art had something in common with Impressionists, and he did exhibit at the eighth Impressionist exhibition in 1886. He also shared subject matter, including landscapes, bathers, and scenes of modern life, with artists like Monet and Renoir. The seascape in The Lighthouse at Honfleur is one we can easily imagine Monet also choosing. However, Seurat is more correctly considered a Post-Impressionist – someone who started with the Impressionists’ ideas and developments but then took them in his own direction. Unlike the Impressionists, whose very name came from their emphasis on spontaneity and momentary visual “impressions”, Seurat’s focus was thoughtful and scientific. Besides reading widely on optics, he also made many studies before completing major paintings like La Grand Jatte.
Amory, Dita. “Georges Seurat (1859–1891) and Neo-Impressionism.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. (October 2004).
“The Lighthouse at Honfleur“. National Gallery of Art.
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