fbpx
Connect with us

DailyArtMagazine.com – Art History Stories

Painting of the Week: Fra Filippo Lippi, Madonna and Child with Two Angels

Fra Filippo Lippi, Madonna and Child with Two Angels, ca. 1460-1465, Galleria degli Uffizi, Florence.

Painting of the Week

Painting of the Week: Fra Filippo Lippi, Madonna and Child with Two Angels

On the surface, Fra Filippo Lippi’s, Madonna and Child with Two Angels appears to be another typical Renaissance painting of the Virgin Mary and the Christ Child. It is beautifully painted in bold colours, smooth lines, and fine shadowing. However, looking past the initial beauty reveals a story as scandalous as the painter himself. Madonna and Child with Two Angels is filled with illicit love, broken vows, and unholy models. Let us explore a Lippi masterpiece. Let us explore a Renaissance scandal.

Fra Filippo Lippi, Madonna and Child with Two Angels, ca. 1460-1465, Galleria degli Uffizi, Florence.  Entire painting.
Fra Filippo Lippi, Madonna and Child with Two Angels, ca. 1460-1465, Galleria degli Uffizi, Florence.

Fra Filippo Lippi was a Carmelite monk who was ordained as a priest in 1434. He lived the majority of his life in and around Florence, Italy making him an artist of the Florentine School. The early 15th century was an exciting time to live in Florence. It was the time of great artists like Lorenzo Ghiberti, Masaccio, and Fra Angelico who were laying the painterly foundations of the Italian Renaissance for later artists like Leonardo da Vinci and Michelangelo.

New ideas like humanism, and linear perspective were changing painters’ views of the world. Painting in a more naturalistic style was becoming more acceptable in Christian religious paintings. The Virgin Mary could be painted as a real flesh and blood woman. The Christ Child could be depicted as a real baby and not as a miniature man. The sensuous beauty of the world could be used to magnify the spiritual beauty of the divine. Fra Filippo Lippi used these changing ideas throughout his Madonna and Child with Two Angels. He successfully conveys an image of a beautiful young mother and her plump healthy baby to become the Holy Mother and the Holy Child.

Fra Filippo Lippi, Madonna and Child with Two Angels, ca. 1460-1465, Galleria degli Uffizi, Florence. Detail of Mary's head.
Fra Filippo Lippi, Madonna and Child with Two Angels, ca. 1460-1465, Galleria degli Uffizi, Florence. Detail.

Madonna and Child with Two Angels depicts the two most important people of the New Testament: Mary and Jesus. Mary sits on the left side of the painting facing to the right with her hands in prayer, and her head slightly bowed in sad thought over her child’s fate. She wears the contemporary fashion of a 15th century Florentine noblewoman with pearls intertwined in her hair. The hair is fashionably dressed with a fine and transparent veil, and with a high hairline created by shaving or plucking the forehead. Mary may be a figure from the Bible, but she is presented as a courtly lady from the present full of living grace and charm.

Fra Filippo Lippi, Madonna and Child with Two Angels, ca. 1460-1465, Galleria degli Uffizi, Florence. Detail of Jesus's head.
Fra Filippo Lippi, Madonna and Child with Two Angels, ca. 1460-1465, Galleria degli Uffizi, Florence. Detail.

Jesus, as a child, is held aloft by two angels standing at Mary’s knees. He reaches out to Mary with a tender motion like a real baby would reach for his mother. The angel in the front, and holding Jesus, smiles at the viewer almost inviting the viewing to partake in the domestic scene.

Fra Filippo Lippi, Madonna and Child with Two Angels, ca. 1460-1465, Galleria degli Uffizi, Florence. Detail of background landscape.
Fra Filippo Lippi, Madonna and Child with Two Angels, ca. 1460-1465, Galleria degli Uffizi, Florence. Detail.

The four figures are compacted together and fill the majority of the canvas. The scene is a detail of a larger space implied by the cropping of Mary’s legs, and the front angel’s wings. The larger space in an interior room signified by the window behind the four figures. The window provides an exterior backdrop and frames a view of a Leonardesque landscape depicting a valley below. Based upon all of these elements, it is clear the painting depicts a small group of people sitting by a window inside a building on top of a hill overlooking a valley. The people and location all seem very specific because they are very specific. The viewer sees a person known as Lucrezia Buti, and a location known as the Arno River Valley. The viewer sees a real woman in a real place.

Lucrezia Buti was a beautiful nun who lived in the nearby city of Prato. One day in early 1456 when 50 year old Fra Filippo Lippi was visiting Prato, he chanced to view the 21 year old lovely sister and became instantly besotted with her. Whether it was true love at the end, it was scandalous lust at the beginning. Fra Filippo Lippi abducted the half-his-age Lucrezia Buti and by pleading, grovelling, and begging to her, Lucrezia Buti finally agreed to renounce her vestal vows and become his mistress. Nine months later, their first child was born, and he was named Filippino Lippi. Their baby boy now permanently cemented their illicit union. The stain of scandal permanently dyed their lives like red ochre on white cotton.

Fra Filippo Lippi, Madonna and Child with Two Angels, ca. 1460-1465, Galleria degli Uffizi, Florence. Detail of front angel.
Fra Filippo Lippi, Madonna and Child with Two Angels, ca. 1460-1465, Galleria degli Uffizi, Florence. Detail.

Fast forward to 1460 when it is believed Fra Filippo Lippi began his Madonna and Child with Two Angels, Lippi decided to use his mistress and former nun as the model for the Virgin Mary. Lippi also decided to use his 4 year old son as the angel in the foreground. Historical records indicate that Fra Filippo Lippi and Lucrezia Buti had a second son, Alessandro, and therefore he could easily be the stand-in for the Christ Child. In essence what Lippi painted was a family portrait with the trappings of a holy scene. The sinful models contrast against the saintly subjects. Sin and salvation blend together.

Fra Filippo Lippi, Madonna and Child with Two Angels, ca. 1460-1465, Galleria degli Uffizi, Florence. Detail of Mary's praying hands.
Fra Filippo Lippi, Madonna and Child with Two Angels, ca. 1460-1465, Galleria degli Uffizi, Florence. Detail.

Fra Filippo Lippi was a colourful figure of the 15th century. He not only engaged in a May-December relationship with a nun, had two illegitimate children with her, painted her and their love children as the Madonna and Child, but he also dabbled in forgery and embezzlement. He was nearly thrown into jail but was saved by his patron, Cosimo de’ Medici, because his artistic merit outweighed his criminal activity. Fra Filippo Lippi was frequently on the edge of total disgrace. He flaunted convention and lived as he pleased despite his monastic vows. Madonna and Child with Two Angels is the culmination of Lippi’s life. It fuses Renaissance ideals with Renaissance vices. It blends the holy with the unholy. It blends the sacred with the profane. Madonna and Child with Two Angels is a masterpiece of beauty and gossip. This is a Lippi legend. This is a Lippi scandal.

James W. Singer is an art historian and fine art photographer.  He earned a Bachelor of Arts in Art History from the University of Florida.  Singer has sold works at local galleries and art shows throughout Florida.  He currently writes “Painting of the Week” articles for DailyArt Magazine.

Comments

More in Painting of the Week

  • 20th century

    Diego Rivera’s Life in Self-Portraits

    By

    Diego Rivera is mostly famous for his controversial mural for the Rockefeller family and for being the husband of Frida Kahlo. Yet in his lifetime, he was the more famous one in their marriage, and definitely the more successful and appreciated one, too. No one could...

  • Architecture

    Everything You Should Know About Islamic Art

    By

    Bright colorful mosaics, stunning arches, amazing constructions in the middle of the desert, beautifully ornate calligraphy, incredible rock crystal goblets, refined metalwork are just a few of the Islamic art wonders that have fascinated for centuries. They are all the embodiment of Muslim beliefs and ideals....

  • Ancient

    Masterpiece of the Week: Mithras Slaying the Bull

    By

    Mithras Slaying the Bull is a compilation of the entire religious and symbolic images of Mithraism. It reflects promised immortality and personal salvation. It helps followers seek inner peace and cosmic redemption. It helps souls’ journeys through the otherworld. Mithras Slaying the Bull is a masterpiece...

  • Copyrights Svetlana Petrova & Zarathustra the Cat 10 Funniest Daily Art Magazine Articles Copyrights Svetlana Petrova & Zarathustra the Cat 10 Funniest Daily Art Magazine Articles

    dailyart

    Cheer Me Up! 10 Funniest DailyArt Magazine Articles Ever

    By

    Celebrate our magazine’s 5th birthday with us! For this occasion we prepared a list of the 10 funniest (or quirkiest?) articles in DailyArt Magazine! We hope they will pick up your mood and maybe get you searching for more fun with art. 1. The Best Star...

  • Art State of Mind

    5 Best DailyArt Magazine Articles As Selected By Our Readers

    By

    There’s no magazine without its readers, and we’re so grateful for all of you! This year DailyArt Magazine is celebrating five happy years, and we’d like to invite you on a journey through our best and most popular articles. Pop culture, sex, cats: we have it...

To Top