Photography

Julia Margaret Cameron – The Queen of Pre-Raphaelite Photography

Rute Ferreira 22 March 2024 min Read

The English Victorian artist Julia Margaret Cameron (who was actually born in India and raised in France) was an irreplaceable representative of Pre-Raphaelite photography. With a careful look, Cameron produced portraits of deep sensitivity, marked by the drama she could manage for each scene. Unlike artists who started their careers very early, still close to adolescence, Julia Margaret Cameron began her artistic journey at age 48.

It all started when her daughter gave her a camera as a gift. Julia Margaret Cameron (1815-1879) became a dedicated photographer and began to stage allegorical scenes referring to mythology, literature, and history. This was a tendency that aligned well with the Pre-Raphaelite Brotherhood. In a few words, the movement advocated a return to nature and a way of making art that opposed the speed of industrialization. The early Italian Renaissance painters who came before Raphael, such as Sandro Botticelli, inspired their style.

Pre-Raphaelite Photography by Julia Margaret Cameron Julia Margaret Cameron Queen Of Pre-Raphaelite Photography

In the photograph above, for example, she reenacts the tragedy of William Shakespeare. He is one of the favorite authors of the Pre-Raphaelites.

The subject of this photograph is the division of King Lear’s kingdom between the daughters Regan and Goneril, and the exclusion of their sister Cordelia from the inheritance.

Pre-Raphaelite Photography by Julia Margaret Cameron Julia Margaret Cameron Queen Of Pre-Raphaelite Photography

Cameron’s photographs delight in the meticulousness of detail. She recruited her friends and family, and even her servants, to be her models. One of Cameron’s nieces, Laura Gurney Troubridge, stated that her aunt was unpredictable and that they never quite knew what to expect from her photographs. However, they trusted her absolutely: when Cameron asked them to stand still, they did, even if it took hours. Since she was quite well-off and had a well-established network of contacts, her photographs feature many celebrities of her day, artists, and even scientists.

 Julia Margaret Cameron Queen Of Pre-Raphaelite Photography

The theme of kings and queens was a recurring one in Cameron’s artworks. And, of course, as it was popular at the time, King Arthur was often present in her art. In the case of the two photographs above, Cameron received a commission from the poet Alfred Tennyson, who wrote the book Idylls of King, based on the legends of King Arthur. He asked her to do the photographic illustrations for the book. In response to the request, the artist produced a series of 25 photographs accompanying the poems. Cameron put a lot of effort into obtaining a good result. For example, she used fabric on top of the lens to create a misty atmosphere“. She also paid a lot of attention to costumes.

Pre-Raphaelite Photography by Julia Margaret Cameron

In 1864, the same year she began photographing, Cameron became a member of the Photographic Society of London and Scotland. One year later, she made her first solo exhibition at the Victoria & Albert Museum in London (which at the time was still called the South Kensington Museum).

Cameron masterfully explored theatricality. With the help of elements from the theater, such as costumes and sets, she constructed photographs that tell stories and allow the observer to immerse themselves into an imagined world. Look at this picture of King David. For a moment it is David himself that we see, not Sir Henry Taylor.

Pre-Raphaelite Photography by Julia Margaret Cameron

One of the most interesting things about Cameron’s work, however, is the way she preferred to keep blemishes and other “mistakes” in the final print. Critics at the time believed that it was the photographers’ obligation to eliminate any defects from their works. Cameron, however, did not care. The stains and scratches on the image were part of her aesthetic.

Julia Margaret Cameron’s active years took place over a decade and only declined when she moved with her family to Sri Lanka in 1875. She lacked the materials to develop the photographs and also didn’t really fit into a new community. Despite this, Cameron left an impressive number of photographs, and she recorded all of them very carefully. It is especially due to her well-organized collection that we have access to her works today.

She died in 1879 and her biography was first published seven years later by Julia Prinsep Stephen. Interestingly, Stephen was Cameron’s niece and the mother of the brilliant writer Virginia Woolf.

Get your daily dose of art

Click and follow us on Google News to stay updated all the time

Recommended

Photography

Exhibition Review: Accidentally Wes Anderson

Journey around the entire world through an array of vividly colourful photographical lenses at the Accidentally Wes Anderson exhibition in the heart...

Isabella Wilkinson 18 March 2024

Photograph of Homai Vyarawalla: India’s First Female Photojournalist. Photography

Homai Vyarawalla: India’s First Female Photojournalist

Renowned for her groundbreaking achievements, Homai Vyarawalla (1913-2012) left an indelible mark as a trailblazer in the field of photojournalism.

Nikolina Konjevod 26 February 2024

Photography

Fusion of Photography and Artificial Intelligence by Ivona Tau

Dr. Ivona Tau, coming from Vilnius, Lithuania, is an A.I. artist specializing in generative techniques. She utilizes neural networks and coding as...

Agnieszka Cichocka 27 November 2023

Black Matrilineage, Photography, and Representation: Another Way of Knowing, edited by Lesly Deschler Canossi and Zoraida Lopez-Diago, Leuven University Press, 2022 (cover image) Photography

Black Motherhood in Photography: Book Review of Black Matrilineage, Photography, and Representation

Black Matrilineage, Photography, and Representation: Another Way of Knowing by co-editors Lesly Deschler Canossi and Zoraida Lopez-Diago of the...

Jennifer S. Musawwir 27 February 2023