Connect with us

DailyArtMagazine.com – Art History Stories

Crash Course in Impressionism – Courtauld Impressionists: From Manet to Cézanne

Museums And Exhibitions

Crash Course in Impressionism – Courtauld Impressionists: From Manet to Cézanne

The Courtauld Gallery will remain closed for a while, as it is being transformed. But this does not mean we cannot see the Impressionist masterpieces from their collection. The National Gallery opened an exhibition that allows us to see paintings both from the Courtauld Gallery and the National Gallery.

Camille Pissarro

Camille Pissarro, The Boulevard Montmartre at Night, 1897, The National Gallery London - Impressionists

Camille Pissarro, The Boulevard Montmartre at Night, 1897, The National Gallery London

The exhibition is set in the three rooms of The Wohl Galleries and within those packs over forty paintings by twelve artists. It is a crash course in Impressionism and Post-Impressionism. Each artist presented through the lens of just few works, creating a condensed impact.

Claude Monet

Claude Monet, Antibes, 1888, The Samuel Courtauld Trust, The Courtauld Gallery, London - post-Impressionists

Claude Monet, Antibes, 1888, The Samuel Courtauld Trust, The Courtauld Gallery, London

Because we only get a glimpse of each artist’s oeuvre their individual styles are brought into sharp focus. They stop being the blended group of Impressionists and Post-Impressionists. Each of them stands on his own, each different from the rest.

Edouard Manet

Edouard Manet, Bar at the Folies-Bergere, 1882, The Samuel Courtauld Trust, The Courtauld Gallery, London

Edouard Manet, Bar at the Folies-Bergere, 1882, The Samuel Courtauld Trust, The Courtauld Gallery, London


The fact that Manet’s and Monet’s paintings hang next to each other is interesting. Either an ironic joke at the expense of people who mix those painters up. Or an attempt to educate them once and for all. So that never ever again a Manet is confused with Monet!

Edgar Degas

Edgar Degas, Young Spartans Exercising, ca 1860, The National Gallery London

Some of the painters are represented by their most typical work, others through works that stand out from their oeuvre. This work of Edgar Degas is very different from the ballet dancers he is mostly associated with. A strong and simple composition, so full of clarity and discipline.

Georges Seurat

Georges Seurat, Young Woman Powdering Herself, ca 1888-90, The Samuel Courtauld Trust, The Courtauld Gallery, London - post-impressionism

Georges Seurat, Young Woman Powdering Herself, ca 1888-90, The Samuel Courtauld Trust, The Courtauld Gallery, London


I was blown away by Georges Seurat’s Young Woman Powdering Herself. Right next to it were a lot more known Bathers at Asnières. But the young woman was so full of charm I could not stop looking at her. It is a good chance to discover some of the less known works of those artists.

Henri Toulouse-Lautrec

Henri de Toulouse-Lautrec, Jane Avril in the Entrance to the Moulin Rouge, putting on her Gloves, ca 1892, The Samuel Courtauld Trust, The Courtauld Gallery, London

Jane Avril famous from Henri Toulouse-Lautrec posters is shown here not in her scene persona, but outside of Moulin Rouge. The painting is very different from the typically loud and full of warm colours posters created by this artists. It’s almost as if it tried to highlight how very different real life is from the stage. All the way to complete change of the colour palette.

Honoré Daumier

Honore Daumier, Don Quixote and Sancho Panza, ca 1868-72, The Samuel Courtauld Trust, The Courtauld Gallery, London


Daumier typically associated with his prints and drawings here has a chance to show his painter’s skills. His palette dark, his paintings focused on reflecting the atmosphere more than anything else. It is interesting to observe how different medium of expression impacts his work.

Paul Cézanne

Paul Cézanne, The Card Players, ca 1892-6, The Samuel Courtauld Trust, The Courtauld Gallery, London

Cézanne is quite well represented, there are a few of his still lives, several landscapes. They all give us a great sense of his focus on structure, but nothing drives it home like this painting. It shows he was a painter consistent in his explorations, but not limited by them.

Paul Gauguin

Paul Gauguin, Nevermore, 1897, The Samuel Courtauld Trust, The Courtauld Gallery, London


As you scroll through this article you will notice that there are quite a few paintings of women. They all seem very focused, introspective and detached. Even when they look straight at the viewer they seem not to connect with us. As if they are occupied by their own internal struggle and problems. It is a pity that no woman painters are presented in the exhibition.

Pierre-Auguste Renoir

Pierre-Auguste Renoir, At the Theatre, 1876-7, The National Gallery London

Impressionists were often inspired by photography. This painting is a clear example of this trend. Clearly it is captured like a photo frame, with the feeling of being transient and unfinished. Just snapped and captured in the moment, an ambition that Impressionism shared with photography.

Pierre Bonnard

Pierre Bonnard, Blue Balcony, 1910, The Samuel Courtauld Trust, The Courtauld Gallery, London


The exhibition has its highlights, but it also has its worse moments. For example, I was not convinced by Pierre Bonnard’s works selected. They felt like they did not meet the mark set by the other painters. Nor did they tell me anything new about Bonnard as a painter.

Vincent van Gogh

Vincent van Gogh, A Wheatfield with Cypresses, 1889, The National Gallery London

Yet, it only took a few steps to allow our eyes to rest on true masterpieces. This was the main charm of this show, it was like a box of chocolates, compact and varied and most of them very, very tasty. It did not aim to change our ideas about Impressionists and Post-Impressionists. Rather it makes sure we’re acquainted with them and with Samuel Courtauld, without whose passion for art those paintings would never be brought together in the United Kingdom.

Exhibition information:

Courtauld Impressionists: From Manet to Cézanne

The National Gallery, London

Until 20 January 2019

Standard admission: £7.50 Mon – Sun

Here is some more related reading:

Pierre-Auguste Renoir, The Theatre Box – you can see this painting at the exhibition

Montmartre – The Home To Many Inspirations

Monet’s Bordighera Paintings – A Backgroud Story For A Love Affair

When Art Hurts: The Story Of The French Painter Auguste Renoir

Art historian by education, data geek by trade, art and book lover by passion, based in London in love with Europe and travelling around it. You can visit my book blog here: https://bookskeptic.com/

Comments

More in Museums And Exhibitions

  • 20th century

    David Wojnarowicz: Love and Rage in the Time of Cholera

    By

    Sex, spirituality, love, and loss – for the artist, writer, and activist David Wojnarowicz these were the main subjects of art which he created from the 1970s to the early 1990s when he died of AIDS. Always hard-lined, he created a body of work that spanned...

  • The Ragpicker by Edouard Manet The Ragpicker by Edouard Manet

    19th Century

    Now at the Frick – Manet: Three Paintings from the Norton Simon Museum

    By

    I love small exhibitions, because they allow me to savor each artwork and absorb all sorts of little details I wouldn’t otherwise. Manet: Three Paintings from the Norton Simon Museum, a trio of paintings by Édouard Manet (1832-1883) on loan to the Frick Collection in New...

  • dailyart

    Green Vault Theft: Dresden Stolen Jewels

    By

    Earlier this week, on Tuesday November 25, burglars broke into the Green Vault museum, at the Royal Palace Dresden, Germany, and stole priceless jewels! This is possibly the most serious art theft since WWII because of the historical value of the 18th-century jewelry in question. “This...

  • dailyart

    Fighting for Visibility in Berlin: In Conversation with the Curator

    By

    I have managed to ask a couple of questions of Dr. Yvette Deseyve, the curator of the exhibition Fighting for Visibility. Women Artists in the Nationalgalerie before 1919 that you can visit in Berlin until March 2020. If you want to find out more about it,...

  • 20th century

    Sacred and Beauty in Russian Art at Gallerie d’Italia in Vicenza

    By

    The spirituality of the ancient iconographic models and the symbology of Russian art reach the city of Palladio, a UNESCO World Heritage Site, Vicenza, to demonstrate that even today these are a universal resource for creating new artistic languages. The exhibition Kandinsky, Goncharova, Chagall. Sacred and...

To Top

Just to let you know, DailyArt Magazine’s website uses cookies to personalise content and adverts, to provide social media features and to analyse traffic. Read cookies policy