Connect with us

DailyArtMagazine.com – Art History Stories

Painting of the Week: Van Gogh’s Seascape near Les Saintes-Maries-de-la-Mer

Vincent van Gogh, Seascape near Les Saintes-Maries-de-la-Mer, 1888, Van Gogh Museum, Amsterdam. Detail.

Painting of the Week

Painting of the Week: Van Gogh’s Seascape near Les Saintes-Maries-de-la-Mer

Vincent van Gogh is one of the most popular painters of all-time. He dominates Post-Impressionism. He fills art books. He inspires modern viewers. In celebration of the working liaison DailyArt Magazine has with the Van Gogh Museum during May, let us celebrate this often misunderstood artist. His visual complexity was as deep as his mental complexity. Seascape near Les Saintes-Maries-de-la-Mer is from the permanent collection of the Van Gogh Museum and is often overshadowed by van Gogh’s more popular works such as The Starry Night. Let us explore this expressive image. Let us explore this van Gogh painting.

Vincent van Gogh, Seascape near Les Saintes-Maries-de-la-Mer, 1888, Van Gogh Museum, Amsterdam.
Vincent van Gogh, Seascape near Les Saintes-Maries-de-la-Mer, 1888, Van Gogh Museum, Amsterdam.

Vincent van Gogh sold only a few paintings during his lifetime. The cliché of the starving and struggling artist could easily be applied to many years of his life. Van Gogh was not a financially successful artist despite his wildly popular reputation after his death. Sadly, van Gogh never knew the global reputation he would one day achieve. The irony is that while the few paintings he sold during his lifetime were for meagre prices, now his paintings easily fetch millions. A record-setting example is his Portrait of Doctor Gachet, which sold on 15 May 1990 in 3-minutes for 82,500,000 USD to a Japanese collector. Quite a stark and ironic contrast to van Gogh’s personal experience!

Vincent van Gogh, Seascape near Les Saintes-Maries-de-la-Mer, 1888, Van Gogh Museum, Amsterdam. Enlarged Detail.

Seascape near Les Saintes-Maries-de-la-Mer is one such painting that remained with Vincent van Gogh until his death and later acquired by the Van Gogh Museum. It is a beautiful symphony of blue, green, and white with dashes of yellow and red. The vibrant colours of the Mediterranean Sea are expressively applied with thick and textured strokes. Vincent van Gogh abandoned the paintbrush when he painted Seascape near Les Saintes-Maries-de-la-Mer in June of 1888, and instead used a palette knife. The knife allowed unmixed paint to be smeared and layered to form impasto. This impasto adds depth to the painting because the physically thick paint layers can add shadows and dimension to the flat canvas. The unmixed paint found in some areas of the scene also intensifies the colours’ vibrancy. Unmixed reds clash against unmixed greens. Pure white pops against pure blue. A cacophony of colour echoes the crashing sounds of the waves. Energy and movement are felt in the work.

Vincent van Gogh, Seascape near Les Saintes-Maries-de-la-Mer, 1888, Van Gogh Museum, Amsterdam. Enlarged Detail of Boat.
Vincent van Gogh, Seascape near Les Saintes-Maries-de-la-Mer, 1888, Van Gogh Museum, Amsterdam. Enlarged Detail.

The dazzling intensity of Seascape near Les Saintes-Maries-de-la-Mer is achieved through Vincent van Gogh’s handling of line, pattern, form, and colour. Lines are sometimes sharpened or blurred depending on where they are found. Patterns are established in the rhythmic succession of waves moving toward the viewer. Forms are expressed through highlights and shadows. Colours are used throughout- sometimes harmoniously, sometimes harshly. Vincent van Gogh ultimately believed that colours were used to express his emotions and feelings, and not necessarily objective reality. Colours were subjective to van Gogh. He used them to paint his subjective reality—–his view of the world.

Vincent van Gogh, Seascape near Les Saintes-Maries-de-la-Mer, 1888, Van Gogh Museum, Amsterdam. Enlarged Detail of Sky.
Vincent van Gogh, Seascape near Les Saintes-Maries-de-la-Mer, 1888, Van Gogh Museum, Amsterdam. Enlarged Detail.

Vincent van Gogh is commonly known to have suffered from mental illness. He is mad, crazy, and insane in the popular imagination. He cut off a portion of his left ear, what could be more disturbed? Vincent van Gogh was more complex than the “crazy artist” he is sometimes scathingly dismissed as. Vincent van Gogh was a tormented spirit who suffered from epileptic seizures. He moved to the south of France for his health and lived for some time in Arles in 1888. Nearby Arles is Les Saintes-Maries-de-la-Mer. It is 38 km south of Arles and lies on the Mediterranean Sea alongside more famous cities such as Saint-Tropez, Cannes, and Nice.

Vincent van Gogh, Seascape near Les Saintes-Maries-de-la-Mer, 1888, Van Gogh Museum, Amsterdam. Enlarged Detail of Signature.
Vincent van Gogh, Seascape near Les Saintes-Maries-de-la-Mer, 1888, Van Gogh Museum, Amsterdam. Enlarged Detail.

Vincent van Gogh frequently painted en plein air, or outdoors, and Seascape near Les Saintes-Maries-de-la-Mer is such an example. It is verified Vincent van Gogh painted this scene on the beach because sand has been found in the dried paint layers. Painting en plein air was very popular with non-studio painters, and it has therapeutic elements too with its associated sunshine, fresh air, and open spaces. Perhaps Vincent van Gogh painted Seascape near Les Saintes-Maries-de-la-Mer as part of a casual art therapy routine? He was noted as using his paintings to express his emotions and mental states. Whatever his final intentions may have been, one thing is apparent: he was definitely proud of this work. In the bottom left corner, he boldly signed the work in warm red paint against the cool green sea. It is simply “Vincent,” and it almost has an iconic simplicity like a modern pop singer known by one single stage name. Vincent, thank you for painting Seascape near Les Saintes-Maries-de-la-Mer. The world is more beautiful for it.

Works Referenced

  • “Rise of Modernism: Art of the Later 19th Century.” In Gardner’s Art Through the Ages, 12th ed., 879–80. Belmont, CA: Thomson Learning, Inc., 2005.
  • Seascape near Les Saintes-Maries-de-la-Mer.” Van Gogh Museum. Accessed April 26, 2020.

James W. Singer is an art historian and fine art photographer.  He earned a Bachelor of Arts in Art History from the University of Florida.  Singer has sold works at local galleries and art shows throughout Florida.  Singer currently writes “Painting of the Week” articles for DailyArt Magazine.

Comments

More in Painting of the Week

  • Design

    Get Inspired: Jewelry in Rossetti’s Paintings

    By

    Each piece of jewelry in Rossetti’s paintings worn by his models wasn’t invented but copied from actual accessories from the artist’s collection. Pieces were carefully selected to complement the garment, color, and other aesthetic features of the painting. Rossetti kept a cabinet in his house at...

  • Bodies And Erotic Art

    Tattoos – Ancient Ink to Modern Celebrity

    By

    Love them or loathe them, tattoos are a global phenomenon. Inserting pigment under the skin for decorative or ritualistic purposes has been around since prehistoric times. Tattooing is a close relative of scarification and piercing, and examples exist across every continent. Read about tattoo history and...

  • 19th Century

    Painting of the Week: Henri Fantin-Latour, Still Life

    By

    The greatest happiness can be found in the simple pleasures of daily life. Such simplicities could include the taste of fresh fruit, the smell of bold blooms, and the sight of crisp cloth. The stimulation of the senses can enrich lives as a meaningful interaction with...

  • 19th Century

    The Erotic Potential of The Temptation of St. Anthony

    By

    Christianity has brought many popular topics to art over the centuries, yet the interpretation of a religious motif can drastically change depending on the artist and the period. This is especially evident in the 19th century, an era where painters began to experiment with religious stories...

  • 19th Century

    Mythological Femmes Fatales in the Mysterious Symbolist Paintings

    By

    Symbolism developed in the 19th century, it began as a literary movement but quickly moved into other art forms. Symbolist painters rejected the advent of new technologies, scientific thought, and naturalism. Instead, they favored thoughts and feelings. Given the Symbolists love for the written word, Symbolism...

To Top

Just to let you know, DailyArt Magazine’s website uses cookies to personalise content and adverts, to provide social media features and to analyse traffic. Read cookies policy