Connect with us

DailyArtMagazine.com – Art History Stories

Titian’s The Death of Actaeon (Metamorphoses VIII)

Titian, The Death of Actaeon, 1556-9, The National Gallery, London, England. Detail.

Renaissance

Titian’s The Death of Actaeon (Metamorphoses VIII)

A whistle-stop tour of each of the seven Poesies, which the Renaissance master delivered Philip II of Spain in the 1550s and early 1560s, finally reaches it’s conclusion with Titian’s The Death of Actaeon.

Revised style and an unsent Poesie

Intriguingly, The Death of Actaeon never actually made its way to the king. For some reason or another it remained in the artists’ studio until his death in 1576. In later life Titian began to revise his own style, and we can see this change, such as a more liberal use of brush strokes, in this painting which continues the story of Actaeon’s punishment from the painting Diana and Actaeon.

Actaeon’s fate

“But when he sees his head and horns reflected for certain in the water, he tries to say ‘Oh, look at me!’ but no voice follows. He groans: that is his voice, and tears run down his altered face. Only his mind remains unchanged. What can he do? Shall he return to his home and the royal palace, or lie hidden in the woods? Shame prevents the one, and fear the other. While he hesitates his dogs catch sight of him.”

Ovid, Metamorphoses III. 200-206
Titian's The Death of Actaeon
Titian, The Death of Actaeon, 1556-9, The National Gallery, London, England.

Titian’s Poesies – A Series


And that’s all folks! We’ve surveyed every single Poesie sent to the King Phillip II of Spain by Titian and explored a range of stories from the Roman poet Ovid. You can find links to all the articles in this series here:

Introduction to Titian and the Poesies


Danaë (1549-50)

Venus and Adonis (1554)


Perseus and Andromeda (1556)

The Rape of Europa (1560-2)


Diana and Actaeon (1556-59)

Diana and Callisto (1556-59)


Thanks for reading!

Isla graduated with a first class BA in Classics from the University of Cambridge in 2018. Her specialisms were Art, Archaeology and the Roman poet Ovid. After graduation she spent a year in Japan, where she interned as a curatorial assistant at the Fukuoka Asian Arts Museum. Currently, Isla is studying for a History of Art MA at Birkbeck, London (part-time). Professionally (full-time) Isla  is the Director of the Kent Academies Network University Access Programme and also a teacher at a school in Kent.

Comments

More in Renaissance

  • dailyart

    Mona Lisa at the Battlefield: the History of Saving Art During World War II

    By

    During walks through the halls of museums, few people think about how these art masterpieces were not always in their place. In turbulent war years, art, like the civilian population, had to be evacuated. How was that even possible at the world’s most terrifying time? Let’s...

  • 20th century

    Max Ernst and Birds: A Relationship Explained Through Paintings

    By

    Max Ernst (1891–1976) was a prolific German avant-garde artist. He was a pioneer in the early 20th century movements of Dada and Surrealism and developed a number of inventive artistic techniques. Ernst had the ability to make the unbelievable believable through his art. For this reason,...

  • 20th century

    Chiharu Shiota’s Installation Art: Drawing in the Air

    By

    Berlin-based artist Chiharu Shiota creates monumental artworks that immerse the visitor in a tangled web of their own imagination. Delicate yarn installations, filling a gallery space, move you from creation to death, and almost impossibly, beyond.

  • Dogs in Paintings Dogs in Paintings

    Animals

    See a Man About a Dog: Dogs in Paintings

    By

    The title sentence is a charming English euphemism, usually used to apologize for one’s imminent departure or absence—generally to conceal one’s true purpose, such as going to use the toilet or going to buy a drink. We, however, will not dwell on that meaning, instead, we...

  • 21st century

    Home and Migration in the Artworks of Zarina Hashmi

    By

    Zarina Hashmi (16 July 1937 – 25 April 2020), was an Indian-American artist and printmaker based in New York City. She was known by her professional name, Zarina. Her works include drawings, prints, and sculptures. She used abstract and geometric forms that associated her with the...

To Top

Just to let you know, DailyArt Magazine’s website uses cookies to personalise content and adverts, to provide social media features and to analyse traffic. Read cookies policy