A whistle-stop tour of each of the seven Poesies, which the Renaissance master delivered Philip II of Spain in the 1550s and early 1560s, finally reaches it’s conclusion with Titian’s The Death of Actaeon.
Revised style and an unsent Poesie
Intriguingly, The Death of Actaeon never actually made its way to the king. For some reason or another it remained in the artists’ studio until his death in 1576. In later life Titian began to revise his own style, and we can see this change, such as a more liberal use of brush strokes, in this painting which continues the story of Actaeon’s punishment from the painting Diana and Actaeon.
“But when he sees his head and horns reflected for certain in the water, he tries to say ‘Oh, look at me!’ but no voice follows. He groans: that is his voice, and tears run down his altered face. Only his mind remains unchanged. What can he do? Shall he return to his home and the royal palace, or lie hidden in the woods? Shame prevents the one, and fear the other. While he hesitates his dogs catch sight of him.”Ovid, Metamorphoses III. 200-206
Titian’s Poesies – A Series
And that’s all folks! We’ve surveyed every single Poesie sent to the King Phillip II of Spain by Titian and explored a range of stories from the Roman poet Ovid. You can find links to all the articles in this series here:
Thanks for reading!
Isla graduated with a first class BA in Classics from the University of Cambridge in 2018. Her specialisms were Art, Archaeology and the Roman poet Ovid. After graduation she spent a year in Japan, where she interned as a curatorial assistant at the Fukuoka Asian Arts Museum. Currently, Isla is studying for a History of Art MA at Birkbeck, London (part-time). Professionally (full-time) Isla is the Director of the Kent Academies Network University Access Programme and also a teacher at a school in Kent.