Connect with us

DailyArtMagazine.com – Art History Stories

Titian’s Diana and Callisto (Metamorphoses VII)

Titian, Diana and Callisto, 1556-59, The National Gallery, London, England. Detail.

Renaissance

Titian’s Diana and Callisto (Metamorphoses VII)

In a series of articles we are meeting each of the seven Poesies, which Titian delivered Phillip II of Spain in the 1550s and early 1560s. So far we have encountered the stories of Danaë, Venus and Adonis, Perseus and Andromeda, The Rape of Europa and Diana and Actaeon. Today’s Poesie, Diana and Callisto, previous and the final one, all revolve around stories about the goddess Diana. This one is particularly exciting because it completes a pair with Diana and Actaeon.

The Story of Callisto

Callisto is a nymph who has been raped by Jupiter and is now pregnant. However, being a follower of Diana she should be a virgin. The other nymphs reveal the pregnant belly to the virgin-goddess, who then orders Callisto into exile.

Mighty Diana punishes Callisto

Titian's Diana and Callisto
Titian, Diana and Callisto, 1556-59, The National Gallery, London, England.

“Nine crescent moons had since grown full when the goddess faint from the chase in her brother’s hot sunlight found a cool grove out …. “let’s bathe our bodies naked in the flowing water.” Callisto blushed: all of them took off their clothes: one of them tried to delay: hesitantly the tunic was removed and there her shame was revealed with her naked body. Terrified she tried to conceal her swollen belly. Diana cried ‘Go, far away from here: do not pollute the sacred fountain!’ and the Moon-goddess commanded her to leave her band of followers.”

Ovid, Metamorphoses II. 453-465

Once again, the scene abounds with female nudes and Titian has the opportunity to portray a pregnant belly and he chooses to make it fairly grotesque. Like in Diana and Actaeon the gaze of each figure is in a different direction and holds a very individual expression.

Titian’s Poesies – A Series


Be sure not to read about Diana and Actaeon, a twin to our painting. And find out about the previous Poesies too: Danaë (1549-50), Venus and Adonis (1554), Perseus and Andromeda (1556), The Rape of Europa (1560-2) and Diana and Actaeon (1556-9). The final Poesie to be uncovered is The Death of Actaeon, click here to find out more.

Four things to look out for in the Poesies

1. The female nude, which would be hard to miss.


These famous paintings achieve many things, not least their depictions of the female nude from all possible angles.

2. D-R-A-M-A, again, hard to miss.


Their greatest feat however is the way Titian captures the drama of the stories from Metamorphoses. Each Poesie focuses on the moment just before the climax. They are incredible to behold even if you don’t know the myth behind them and can even captivate and engage the most astute viewer because of their specificity to the Ovidian poem.


3. Pairings.

They’re marvelous as stand-alone paintings, in pairs and as a set. Taken as duos the paintings often mirror each other visually.

4. Drapery, dogs and dead-pan stares.

As a set the Poesies offer coherent motifs, such as the dogs, the red drapery, and the power play of the gaze.

Isla is a Classicist and lover of learning about art. She recently moved to London, having spent a year in Japan after graduating from the University of Cambridge.

Comments

More in Renaissance

  • dailyart

    Painting of the Week: Pierre-Jacques Volaire, Eruption of Mount Vesuvius

    By

    The ground shakes and rumbles as the nearby mountain awakens. Smoke emerges from its peaks and the volcano stirs from its slumber. The land trembles more and a fiery blast shoots into the air as lava spews from the magma chamber. Liquid earth flows down the...

  • dailyart

    Introducing the Cleveland Museum of Art

    By

    The Cleveland Museum of Art is a major American art museum, renowned for the quality and breadth of its collection. It includes more than 61,000 works of art ranging over 6,000 years, from ancient to contemporary pieces. Its story began with a group of civic leaders...

  • dailyart

    Poetry without Motion: Endymion by George Frederick Watts

    By

    Is there anything more beautiful than Endymion by the English ‘Symbolist’ artist George Frederick Watts? Through the subtle contrasts of color and the piece’s form, he made a simple image of two entwined lovers visually fascinating. He captures the narrative of the drama at its most tender...

  • 21st century

    The Many Rebirths of Venus

    By

    Sandro Botticelli’s The Birth of Venus is iconic in western art. Alongside the Mona Lisa, it is probably a contender for “most famous painting.” Unsurprisingly the renowned Renaissance picture has inspired reconfiguration, reproductions, and references in artworks ever since. So, let us explore some rebirths of...

  • Art Travels

    Art Travels: Angkor Thom, Cambodia

    By

    Angkor Thom or the ‘great city’ was the last Khmer empire’s capital from the 12th century until its abandonment in the 16th century. At its peak, the city was home to a population of around 1 million people. Angkor Thom contains the remains of a large...

To Top

Just to let you know, DailyArt Magazine’s website uses cookies to personalise content and adverts, to provide social media features and to analyse traffic. Read cookies policy