Women Artists

Leonor Fini: I’m Not a Muse, I’m an Artist

Magda Michalska 3 March 2022 min Read

Leonor Fini didn’t agree with Andre Breton about the role of women in art: the father of Surrealism saw women solely as muses inspiring male genius, whereas Leonor reckoned, and proved with her art, that women can become artists equal to men.


Henri Cartier-Bresson, Leonor Fini in Paris, 1932, source: https://www.leonor-fini.com, leonor fini artist
Henri Cartier-Bresson, Leonor Fini in Paris, 1932. Leonor Fini Website.

She was born in Buenos Aires in 1907 to an Italian mother and Argentinian father. The parents separated early and Leonor moved with her mother Malvina to Trieste, a city in the Austro-Hungarian Empire which at the beginning of the 20th century was a cosmopolitan pot of mixing ethnicities and cultures. This is how she met Avant-garde writers James Joyce and Italo Svevo, who introduced her to modernist thought.


Leonor Fini, Portrait of Mrs Hasellter, 1942, Weinstein Gallery, San Francisco, CA
Leonor Fini, Portrait of Mrs Hasellter, 1942, Weinstein Gallery, San Francisco, CA, USA.

After her schooling in Trieste and Milan, Italy, she traveled to Paris in 1931 with her fiancé who also happened to be a prince… Yet, having met and developed close relationships with Henri Cartier-Bresson and many Surrealists such as Paul Éluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time (oh, Max, he had affairs with so many women!), she abandoned the idea of marrying the prince for the sake of art, especially that just a year later she had her first one-person-show at a gallery directed by Christian Dior.

Despite friendships with the Surrealists, she never stuck with the group, maybe because she couldn’t stand Breton’s misogynistic views, and she retained her own, original style which attracted a lot of interest also in the States, where she was invited to participate in the groundbreaking exhibition at MoMA Fantastic Art, Dada and Surrealism in 1936.


Leonor Fini, The darkroom, 1939, private collection, leonor fini artist
Leonor Fini, The darkroom, 1939, private collection. Mara Marietta.

Quickly did she meet a new lover, the writer André Pieyre de Mandiargues, with whom in the summer of 1939 she traveled to Arcachon in the southwest of France to wait out the war. She spent there a year, mostly hanging out with Salvador and Gala Dali, before moving to Monte Carlo where she met Stanislao Lepri, the young Italian diplomat, who became the love of her life. They moved together to Rome, where Leonor met the Italian actress Anna Magnani and the neorealist director Luchino Visconti, yet as soon as he heard of the liberation of Paris in 1946, she returned to France.

Paris Again

Leonor Fini, The Shepherdess of the Sphinxes, 1941, The Peggy Guggenheim Collection, Venice, leonor fini artist
Leonor Fini, The Shepherdess of the Sphinxes, 1941, Peggy Guggenheim Collection, Venice, Italy.

She was a talented portraitist of her milieu, yet it was for the subjects of her narrative paintings that she became most famous. She treated in her painting the theme of a complex relationship between male and female, often presenting females as more powerful and dominant. Women often take the form of a sphinx, with whom she identified and often gifted it with her own face, while men are shown as weak and androgynous. Apart from sphinxes, other living creatures most popular in her work are cats, her real friends and life companions (Leonor never married and lived only with cats).

Leonor Fini, Stage design for theatre, no date, source: https://www.leonor-fini.com, leonor fini artist
Leonor Fini, Stage design for theatre. Leonor Fini Website.

Moreover, around 1945 she turned to designing stage sets and costumes for the theater (La Scala in Milan), opera (Paris Opera and the Metropolitan Opera Association), ballet (Roland Petit’s company Ballets de Paris and George Balanchine’s ballet Le Palais de Cristal), and cinema (Federico Fellini’s 8 1/2, and John Huston’s A Walk with Love), which she did until 1969.

Leonor Fini in Paris, 1975, photography by Eddy Brofferio, source: https://www.leonor-fini.com, leonor fini artist
Eddy Brofferio, Leonor Fini in Paris, 1975. Leonor Fini Website.

She died in Paris in 1996.

Stanislao Lepri, Gala and Salvador Dalì, Leonor Fini, André Pieyre de Mandiargues in Arcachon, 1940. Leonor Fini Website


Women Artists

Małgorzata Mirga-Tas: Romani Artist Re-Enchanting the Venice Biennale

In an astonishing first for Roma and Traveller people, a Romani artist is representing a national pavilion at the Venice Biennale 2022. Małgorzata...

Candy Bedworth 26 May 2022

Women Artists

Mary Cassatt: An Image of Motherhood

Mary Cassatt was the only American painter who exhibited with the Impressionists. Although she never married or had children of her own, she is best...

Ruxi Rusu 22 May 2022

Anita Steckel, Giant Woman (Empire State), 1974. Smith College Museum of Art, Massachusetts, USA. Women Artists

Anita Steckel: Art, Sex, and Politics

Anita Steckel was a feminist artist of the late 20th century who pushed the boundaries of what was considered acceptable. Her art and beliefs were...

Errika Gerakiti 9 May 2022

Women Artists

Zaha Hadid in 10 Designs

Zaha Hadid was undoubtedly one of the most important architects in the last hundred years. She forged her individual style and blazed a trail for...

Joanna Kaszubowska 19 March 2022