Six Things You Might Not Know About John Singer Sargent
There’s no question that John Singer Sargent (1856–1925) was an artistic superstar. Everyone knows his most famous painting Madame X, but do...
Alexandra Kiely 16 March 2023
Horace Pippin, The Park Bench, 1946, Philadelphia Museum of Art, PA, USA.
It took Horace Pippin 43 years to complete his first oil painting. Why so long? Because poverty, hard physical work, war, and disabilities got in his way. Yet, all the negative experiences didn’t diminish his passion for drawing and at the age of 50 this passion eventually paid off. Here is the story of how Horace Pippin became famous.
A Box of Magic Crayons
School Studies?
Sadly, he couldn’t continue drawing for much longer. When he turned 14, he had to leave school to help his parents make ends meet. He did everything he could: working as a hotel boy, an iron molder, and even as a farm helper. And he continued working until the year in which American merchant ships were sunk by the German fleet and President Woodrow Wilson asked Congress to declare the war on the Central Powers. Consequently, young and healthy American men were sent to Europe to fight the war and 29-year-old Pippin was among them.
No Combat with Black Men
Pippin was assigned to the 369th Infantry Regiment, a division of African American soldiers. This division was later joined by the French Army, since many white American soldiers refused to march with black men. In the painting above Pippin touches upon the issues of segregation that he suffered in the army and observed in his environment. You can see him as one of the soldiers, wearing a World War I uniform.
War Veteran
His battalion was one of four African American regiments to see combat and Pippin, set in the front line, was shot in the right shoulder. He described this experience:
I will say this much, I say no man can do it again. He may have the will but his body cannot stand it. I could tell a new man every time I seen him, for he would duck every time a shell came over.
– Horace Pippin, HERB.Social History for Every Classroom.
Although the wound might have saved his life, he became disabled, which prevented him from finding any proper job on his return to West Chester, Pennsylvania. He barely made a living.
Painting as Therapy
Now married and doing some odd jobs for a few pennies, Pippin found for himself a way to deal with the horrendous memories of the war and the frustrating present situation: he began to draw again. First on discarded cigar boxes or by burning images onto wood panels using a hot poker. Later, he turned to oil in 1928. Painting had become his mental and physical therapy. To paint, he held with his left arm the right wounded arm, which was clasping the brush. It took him three years to complete the first painting. Initially, he would produce a maximum of three or four paintings per year.
Primitive Means Good?
a double bind for any Black artist: one is either excluded from the canon because one is Black (read: inferior) or included because one is Black (read: primitive).
“I Tell My Heart to Go Ahead”
Hence, nowadays we should step away from harmful categorizing and look with fresh eyes at such painters like Pippin. His drive and passion for painting saved him from falling apart after the war and the lack of professional training was not even an issue for him. Because the need to express what came to his mind was stronger and this strength we should remember above all.
The pictures… come to me in my mind and if to me it is a worthwhile picture I paint it… I do over the picture several times in my mind and when I am ready to paint it I have all the details I need.
– Horace Pippin, National Gallery of Art.
Just as Pippin was becoming famous (solo shows in Philadelphia, New York, San Francisco, and Chicago) and museums began buying his works, Pippin died in 1946. However, in the last year of his life, he produced 75 paintings! What a leap from 3 to 75! Horace Pippin was indeed a man of great perseverance and patience which, in the end, bought him recognition and respect.
We love art history and writing about it. Your support helps us to sustain DailyArt Magazine and keep it running.
DailyArt Magazine needs your support. Every contribution, however big or small, is very valuable for our future. Thanks to it, we will be able to sustain and grow the Magazine. Thank you for your help!
Magda, art historian and Italianist, she writes about art because she cannot make it herself. She loves committed and political artists like Ai Weiwei or the Futurists; like Joseph Beuys she believes that art can change us and we can change the world.
Recommended
Broncia Koller-Pinell: An Artist Lost to Time
If you are like me, it is entirely probable that you have never heard of Broncia Koller-Pinell (1863–1934). It has nothing to do with the quality...
Rachel Witte 27 January 2023
7 Not Just Blue Masterpieces by Yves Klein
Although he only lived 34 years, it could seem that Yves Klein lived more than one life. This French artist initially devoted himself to the...
Camilla de Laurentis 26 January 2023
Exploring John Singer Sargent’s Unknown Drawings
John Singer Sargent (1856–1925) is primarily known and celebrated for his massive virtuoso portraits of late 19th and early 20th-century American,...
Alexandra Kiely 12 January 2023