fbpx
Connect with us

DailyArtMagazine.com – Art History Stories

A Hero and Mythical Creatures: Famous Spiders in Art

Yorimitsu and his servant slay tsuchigumo, Tsuchigumo emaki 土蜘蛛絵巻 (Earth Spider Picture Scroll), second-generation copy of the handscroll painting, Tosa Nagataka School, 1825, Tokyo National Museum, Tokyo, Japan.

Just Weird

A Hero and Mythical Creatures: Famous Spiders in Art

Spiders disturb the majority of the people. Even though they are much smaller, and thus much less powerful than us, we cannot help but fear their presence. Perhaps it is the horrid looks that do not fit our aesthetic, or perhaps the fear of the unknown; not knowing just when and where they might appear. Whatever it might be, spiders appear many times in myths and in art throughout history, symbolizing both positive and negative concepts.

In Pop Culture

Spiders in art: Cullen Bunn, Neil Edwards, Spider-Man, Marvel: Season One. Marvel Comics.
Cullen Bunn, Neil Edwards, Spider-Man, Marvel: Season One. Marvel Comics.

When talking about spiders, one of the first things that comes to mind is the superhero classic Spider-Man. There have been hundreds and thousands of comic book issues, cartoons, and many movie reboots of Spider-Man since the publication of the first issue in 1962. Many different writers and artists elaborated on his origin and all the relevant characters, altering the story in new directions. After more than five decades, Spider-Man is still a huge part of pop culture, being easy to identify with for most people.

Spiders in art: Jack Kirby, Amazing Fantasy: Introducing Spider-Man, 1962, Marvel Comics.
Jack Kirby, Amazing Fantasy: Introducing Spider-Man, 1962, Marvel Comics. Comic Book Brain.

Spiders in Japanese Mythology

Tsuchigumo is a yokai, a mythical Japanese monster, which appears in stories as a giant spider. It uses its shape-shifting abilities to lure its prey.

Spiders in art: Yorimitsu strikes at the beautiful woman, Tsuchigumo emaki 土蜘蛛絵巻 (Earth Spider Picture Scroll), second-generation copy of the handscroll painting, Tosa Nagataka School, 1825, Tokyo National Museum, Tokyo, Japan.
Yorimitsu strikes at the beautiful woman, Tsuchigumo Soushi 土蜘蛛絵巻 (Earth Spider Picture Scroll), second-generation copy of the handscroll painting, Tosa Nagataka School, 1825, Tokyo National Museum, Tokyo, Japan.

One appearance of the said creature is in the picture scroll Tsuchigumo Soushi. Here it is disguised as a beautiful woman. Yorimitsu and his servant Watanabe no Tsuna are in a mansion that seems to be haunted by many eerie creatures. In later parts of the story, an appealing woman pays a visit to Yorimitsu. Yorimitsu is in awe because of her beauty, however, he sees something weird about the woman and senses the danger. He strikes his sword at her and the woman disappears, leaving a trail of blood behind. Yorimitsu and his servant follow the trail to a cave near a mountain, where they find a gigantic spider. After they slay the Tsuchigumo, many smaller spiders and skulls emerge out of its body.

Spiders in art: Yorimitsu and his servant slay tsuchigumo, Tsuchigumo emaki 土蜘蛛絵巻 (Earth Spider Picture Scroll), second-generation copy of the handscroll painting, Tosa Nagataka School, 1825, Tokyo National Museum, Tokyo, Japan.
Yorimitsu and his servant slay tsuchigumo, Tsuchigumo Soushi 土蜘蛛絵巻 (Earth Spider Picture Scroll), second-generation copy of the handscroll painting, Tosa Nagataka School, 1825, Tokyo National Museum, Tokyo, Japan.

Tsuchigumo Soushi is an excellent example of otogizoshi emaki, picture scrolls of short stories. Although the scrolls are usually painted in a simple style, this particular scroll shows painting styles of yamato-e, classical Japanese painting style, and the Kamakura period, which are more intricate in comparison to styles of other scrolls. Kamakura period artists favored the warrior class, and a more realistic approach was preferred.

Spiders in art: Utagawa Kuniyoshi, Minamoto no Yorimitsu-ko no yakata ni tsuchigumo yokai o nasu zu 源頼光公館土蜘作妖怪圖 (The Earth Spider Conjures up Demons at the Mansion of Minamoto no Raiko), 1843, private collection.
Spiders in art: Utagawa Kuniyoshi, Minamoto no Yorimitsu-ko no yakata ni tsuchigumo yokai o nasu zu 源頼光公館土蜘作妖怪圖 (The Earth Spider Conjures up Demons at the Mansion of Minamoto no Raiko), 1843, private collection. Sotheby’s.

In this depiction of Tsuchigumo, Yorimitsu can again be seen, this time laying sick in bed. Two of his servants, Watanabe no Tsuna and Sakata no Kintoki, are seen playing Go. Go is two-player strategy game played on a square board. The other two, Urabe no Suetake and Usui no Tadamitsu, are gazing at the flow of demons conjured by the spider. This can be seen behind Yorimitsu. This piece is a woodblock print, common in Edo period when Japan was isolated from the rest of the world because of the restrictions put by the government. Artists in this period cherished and transformed the styles of the past.

Spiders in Greek Mythology

Spiders in art: Brian Micheal Bendis, Mark Bagley, Stuart Immonen, The Story of Arachne, Ultimate Spider-Man, 2000, Marvel Comics.
Brian Micheal Bendis, Mark Bagley, Stuart Immonen, The Story of Arachne, Ultimate Spider-Man, 2000, Marvel Comics. Pinterest.

Aside from being the goddess of wisdom, Athena was the head of the spinning and weaving industries. She was said to be unmatchable in the art of weaving. According to the myth, Arachne was a pupil to whom she taught weaving, and also whom she later challenged. Athena, however, was defeated by the mortal. Devastated by this unexpected turn, and with the madness brought upon one when pride and loss mix together, Athena struck Arachne on the forehead with the shuttle that was in her hand at the time. Arachne was deeply offended by this act, and so she hung herself. Athena later turned her into a spider, doomed to weave exquisitely, but forever.

Spiders in art: Diego Velazquez, Las Hilanderas, 1657, Museo Nacional del Prado, Madrid, Spain.
Diego Velazquez, Las Hilanderas, 1657, Museo Nacional del Prado, Madrid, Spain.

It is thought that, though not for certain, the Baroque painting Las Hilanderas by the Spanish master Diego Velázquez, portrays said myth, hence the popular name The Fable of Arachne. Athena can be seen in the background with her helmet, standing in front of Arachne’s embroidered piece for the competition, in this painting shown as famous Titian’s The Rape of Europa.

Titian, Rape of Europa, 1560 - 1562, Isabella Stewart Gardner Museum, Boston, MA, USA.
Titian, Rape of Europa, 1560 – 1562, Isabella Stewart Gardner Museum, Boston, MA, USA.

Spiders have their stable and strong place in the mythologies of many different cultures around the world and thus they became a motif of many works of art. From ancient mosaics through Japanese woodblocks spiders to contemporary pop culture, they are still present causing fear and admiration.


Discover more critters and creepy crawlies in art:

Comments

More in Just Weird

  • The Physical Impossibility of Death in the Mind of Someone Living 1991 2170 x 5420 x 1800 mm | 85.5 x 213.4 x 70.9 in Glass, painted steel, silicone, monofilament, shark and formaldehyde solution Formaldehyde Image: Photographed by Prudence Cuming Associates © Damien Hirst and Science Ltd. All rights reserved, DACS 2012 The Physical Impossibility of Death in the Mind of Someone Living 1991 2170 x 5420 x 1800 mm | 85.5 x 213.4 x 70.9 in Glass, painted steel, silicone, monofilament, shark and formaldehyde solution Formaldehyde Image: Photographed by Prudence Cuming Associates © Damien Hirst and Science Ltd. All rights reserved, DACS 2012

    20th century

    The Story of Damien Hirst’s Famous Shark

    By

    This shark is considered the iconic work of British art from the 1990s and has become a symbol of Britart worldwide. It was funded by Charles Saatchi who in 1991 offered to pay for whatever artwork the artist wanted to create. The shark itself cost Damien Hirst £6,000...

  • Animals

    7 Images of Dürer’s Animals that Are Better than Trip to a Zoo

    By

    Albrecht Dürer‘s keen interest in nature was a typical manifestation of the Renaissance. Animals were not generally considered to be appropriate subjects for serious art until the 18th century. Paintings of animals were considered to be simply a demonstration of technical skill, and as such did...

  • Animals

    Hieronymus Bosch’s Creepy Owls

    By

    Hieronymus Bosch was an Early Netherlandish painter. He must have lived in two worlds simultaneously – the real one and a world of his imagination. His work is known for macabre and nightmarish depictions of hell, fantastic imagery, detailed landscapes, and illustrations of religious concepts and narratives. There are...

  • Animals

    Famous Lobsters in Art

    By

    Lobsters, large marine crustaceans, have been eaten by humans since prehistoric times. They became a delicacy by the Roman period. They were also popular among the Moche people of Peru. Historically, lobsters weren’t a very common subject of artists’ interests, but they appeared from time to...

  • Animals

    Why Was Matisse Obsessed With Goldfish?

    By

    Goldfish here, goldfish there, in a bowl, in a tank, on a table, by the window, goldfish everywhere. Having been looking at Henri Matisse’s work recently, I realized there was a period in which Matisse was obsessed with goldfish. But, why? A little investigation The fish...

To Top