In 2006, British artist Jason deCaires Taylor installed the first undersea sculpture park in the Caribbean. Since that time he created several other sites including ones at Cancun, Mexico, the banks of the Thames in London and the waters of Canary Island Lanzarote. Taylor’s unique installations are a culmination of his skills and experiences as a sculptor, conservationist, and scuba diver. He is a key contributor of the eco-art movement.
The sculptures are made from a special pH-neutral cement with a texture that encourages growth of coral and habitation of underwater creatures. The corals, sponges, fish, crustaceans and worms live on and alter the surface of the statues – the sea claiming the works, altering and engaging with the pieces in a completely organic way.
The Raft of the Lampedusa
The Raft of the Lampedusa resting on the floors off of Lanzarote is a homage to Théodore Géricault’s Raft of the Medusa (1891). 13 bodies piled in an inflatable raft. In Taylor’s words, the work is not intended as a tribute or memorial to the many lives lost but as a stark reminder of the collective responsibility of our now global community.
Infusing hope and phoenix-like resurrection is Reclamation. Purple sea fans spread and filter the water. It offers a sense of revival to the viewer and home to the ocean life teaming on its surface.
Silent Evolution in Museo Subacuático de Arte off of Cancun, was one of the most provocative pieces – with 400 casts of locals grouped together. The scale and weight were massive. They are a key example of the awareness and conservation these parks are working to create.
[easyazon_image align=”none” height=”110″ identifier=”1452118876″ locale=”US” src=”https://www.dailyartmagazine.com/wp-content/uploads/2018/11/512N13EiYrL.SL110.jpg” tag=”dailyartdaily-20″ width=”103″] [easyazon_image align=”none” height=”110″ identifier=”4863132166″ locale=”US” src=”https://www.dailyartmagazine.com/wp-content/uploads/2018/11/51Ub2Rj1VyL.SL110.jpg” tag=”dailyartdaily-20″ width=”83″]