Masterpiece Story: Buddha Dated 338
Buddha dated 338 is a masterpiece of Buddhist art and Chinese art with deep historical significance. It exemplifies the early blending of Indian...
James W Singer 14 December 2025
Samuel F. B. Morse was an American painter who graduated from Yale University and went on to the Royal Academy in England, where he studied painting. Yes, it was he who invented the telegraph and Morse code, no small feats, which allowed for the laying of the transatlantic cable in 1858 and greatly affected the outcomes of both the Mexican-American and Civil War. Disappointed with his success as a painter, Morse turned to inventing.
But before that, Morse painted this masterpiece. From 1830–1832 Morse traveled to Europe to further improve his painting skills stopping in Paris where he created The Gallery of the Louvre; this large oil on canvas painting included miniature artworks of 38 of the Louvre’s most famous pieces including works by Veronese, Tintoretto, Caravaggio, Titian, Jouvenet, Murillo, Poussin, Vernet, and Reni. For this canvas, Morse imaginatively “reinstalled” them in one of the museum’s grandest spaces, the Salon Carré.

Morse included several interesting figures in The Gallery of the Louvre, including himself in the center looking over his daughter Susan’s shoulder as she paints. Also, we see a woman painting alone at the easel, this is presumably his late wife, Lucretia Pickering, and the writer James Fennimore Cooper stands in the corner gesturing to his daughter.
Richard Habersham, a portraitist and former roommate of Morse, is painting a seascape in the forefront, and emerging from the long hall is Horatio Greenough, a sculptor whom Morse met in Paris and who went on to create a colossal marble monument to George Washington. We also see a woman and child with their backs to us, who appear to be from Brittany; this serves as a reminder that the Louvre was open to people from all walks of life.

Morse completed Gallery of the Louvre upon his return to America with the intention of charging 25 cents per viewing of this remarkable work. At the time in the U.S., there were no museums to display Italian or French Renaissance masterpieces, so his intention was to educate the American public.
In 1883, the New-York Mirror wrote: “Here shine in one grand constellation, the brilliant effusions of these great names destined to live as long as the art of painting exists”. However, the viewing public was not as enthusiastic and rejected the artwork. It eventually sold for half of what Morse was asking. Today, Gallery of the Louvre belongs to the Terra Foundation for American Art.
How many famous pieces from the Louvre can you recognize here?

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