Fooling the Eye: Illusionistic Games in Andrea Mantegna’s Bridal Chamber
A masterpiece of the early Italian Renaissance, Andrea Mantegna’s Bridal Chamber has been described as the most beautiful room in the world.
Natalia Iacobelli 30 March 2023
min Read13 September 2022
If you would like to spot one woman from the Renaissance who could be called a Top Model – it would be Simonetta Vespucci. Nicknamed La Bella, Simonetta was an Italian noblewoman from Genoa, the wife of Marco Vespucci of Florence and the cousin-in-law of Amerigo Vespucci (the one who came with an idea that what Columbus found is not Asia, but America). She was very beautiful and famous Renaissance artists painted her a lot.
Simonetta, at age 15, married Marco Vespucci. They met in April 1469 while Simonetta was attending church with her parents. Marco was accepted by Simonetta’s father immediately. He was very much in love with her, so the marriage was obvious. It was also practical because Marco’s family was well connected in Florence, especially to the famous Medici family.
Simonetta and Marco were married in Florence and the beautiful girl became instantly popular at the Florentine court. She was discovered by Sandro Botticelli and other prominent painters. The legend says that every nobleman in the city was besotted with her, including the brothers Lorenzo and Giuliano of the ruling Medici family. Lorenzo was pretty busy with affairs of state, but his younger brother was free to pursue her.
At La Giostra (a jousting tournament) in 1475, held at the Piazza Santa Croce, Giuliano entered the lists bearing a banner on which was a picture of Simonetta as a helmeted Pallas Athene painted by Botticelli, beneath which was the French inscription La Sans Pareille – meaning “the unparalleled one.” From then on, Simonetta became known as the most beautiful woman in Florence.
Giuliano won the tournament and the affection of Simonetta, who was nominated “the beauty queen” at that event. It is unknown, however, if they actually became lovers.
Unfortunately, the glorious life of Simonetta ended quickly. A year later, she died, presumably of tuberculosis, on the night of April 26–27, 1476. She was 22 at the time of her death.
Now, we come to the most exciting thing about Simonetta’s story. Botticelli finished The Birth of Venus in 1485, nine years later, after Simonetta’s death. Some have claimed that Venus in this painting closely resembles Simonetta. Some art historians say it’s “romantic nonsense” – to be honest, there is no evidence that Venus has Simonetta’s face. But why wouldn’t she? On the other hand, another art historian suggests that Botticelli also had fallen in love with her. He requested to be buried at her feet in the Church of Ognissanti, the parish church of the Vespucci in Florence. His wish was carried out when he died some 34 years later, in 1510.
Botticelli never wed and expressed a strong disliking to the idea of marriage, a prospect he claimed gave him nightmares. But the story of La Bella Simonetta, the great muse of the great artists and the most beautiful woman of the Renaissance, remains.
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