Museum Stories

Why Is the New Paris Bourse de Commerce Museum Worth Visiting?

Vithória Konzen Dill 9 October 2021 min Read

As of May 2021, Paris now has a new art museum to call its own. Located only 500 meters from the Louvre, the Bourse de Commerce Museum is dedicated to contemporary art and holds French billionaire François Pinault’s art collection. After a $195 million renovation, the building that once served as Paris’s commodity stock exchange is now open for visitation.

Bourse Museum Paris. Bourse de Commerce - Pinault Collection, Paris, France.

Dedicated to art from the 1960s to the present, the museum encourages all audiences to open up to art (regardless of experience or level of expertise). The collection is composed of over 10,000 works, featuring paintings, sculptures, videos, photographs, audio works, installations, and performances. Artists such as Mark Rothko, Urs Fischer, and Cindy Sherman are featured alongside emerging artists.

Bourse Museum Paris. Lynette Yiadom-Boakye, Vigil for a Horseman, 2017, Bourse de Commerce - Pinault Collection, Paris, France.

The Bourse de Commerce

The building itself is a work of art and definitely worth seeing. Originally built in the 18th century as storage for corn and flour, it was later converted into the Bourse de Commerce (commodities exchange). Its circular-shaped design was inspired by Roman monuments, and the column in front of the building is a remnant of the old Medici palace which occupied the space in the 16th century. Over the past three years, the structure has been restored and transformed by Japanese architect Tadao Ando to accommodate the art collection.

“My job was to transform this building into a contemporary art museum, without touching the structure that is classified as a historical monument. (…) The idea was to design a lively space that would foster a dynamic dialogue between the new and the old, which is what a site dedicated to contemporary art should be.”

Tadao Ando, architect and project manager. Museum’s webiste.

Bourse Museum Paris. Bourse de Commerce - Pinault Collection, Paris, France.

One of the attractions of the museum is the 1,400m² mural which decorates the underside of a metal and glass dome. It was painted for the Universal Exposition that celebrated the centenary of the French Revolution in 1889, and it has been recently restored. Both the dome and the mural are listed as historical monuments.

Bourse Museum Paris. Bourse de Commerce - Pinault Collection, Paris, France.

The Collection

Titled Ouverture, the inaugural exhibition occupies the ten exhibition spaces of the museum with 200 works from over 30 artists. In-site projects that were either designed for, or adapted to, the context of the Bourse de Commerce have also been installed in the building. Here are some highlights of the museum’s collection:

Bourse Museum Paris. Urs Fischer, Untitled (detail), 2011, Bourse de Commerce - Pinault Collection, Paris, France.

Urs Fischer, Untitled

In the heart of the museum, Urs Fischer’s Untitled is shown for the first time in France. A life-size replica of Giambologna’s The Abduction of the Sabine Women occupies the center of the Rotonda, surrounded by other wax sculptures. The Swiss artist likes to work with mutable materials that burn, expire, or change in order to work on the temporality of his pieces – and that’s exactly what is presented in this installation. On the first day of the exhibition, the monumental candles were lit, and they will gradually disintegrate over the course of the exhibition. The work that was initially whole will be transformed as the candles burn – it is a monument to the passage of time, metamorphosis, and creative destruction.

Bourse Museum Paris. Left: Urs Fischer, Untitled (detail), 2011-2020. Right: Urs Fischer, Untitled (detail), 2011-2020.

Cindy Sherman, Untitled Film Stills

The gallery located on the first floor is dedicated to photography, and, until November 15th, it holds a selection of series and ensembles from the 1970s to 1990. Among these, Cindy Sherman‘s Untitled Film Stills is a must-see. This series consists of black-and-white photographs in which the American artist poses as different characters, playing with female archetypes conveyed by and for men. Taken between 1977 and 1980, the images borrow the aesthetic of film stills and of black and white cinema.

Bourse Museum Paris. Cindy Sherman, Untitled Film Still #21, 1979.