Masterpiece Story: Death and the Miser by Hieronymus Bosch
Death and the Miser is a masterpiece of morbid curiosity. It reflects on the tension between the pursuit of wealth and the inevitability of death,...
James W Singer 2 November 2025
6 November 2025 min Read
In the 1890s, Henri de Toulouse-Lautrec was part of a group of young avant-garde artists whose color lithography served as a vehicle for innovative printmaking. Over time, he rose to prominence as one of Paris’s leading poster designers, creating striking advertisements for many of the city’s most celebrated performers.

Aristide Bruant was a French cabaret performer, humorist, and owner of his own nightclub. Known for his signature look—a broad hat, bright red scarf, heavy cloak, and high boots—he performed songs in a rough, commanding voice that depicted the struggles and grit of working-class Paris, far removed from the world of his wealthy patrons. This poster, commissioned by Bruant, is one of Toulouse-Lautrec’s most dramatic. The artist condensed the personality into three bold shapes symbolic of Bruant himself—black cape, red scarf, and black hat.

Bruant started his career performing in café-concerts, where he developed a blend of singing and comedy that eventually earned him a spot at the famous Le Chat Noir club. He quickly became a standout figure in Montmartre’s vibrant nightlife. When Henri de Toulouse-Lautrec began frequenting the cabarets, Bruant became one of the first performers the artist chose to feature in his now-iconic posters.
Toulouse-Lautrec’s design for Bruant was striking in its simplicity, capturing the performer’s bold personality while also showcasing the artist’s distinctive style. Through sharp shapes and contrasting colors, the poster became a symbol not only of Bruant’s fame but also of Lautrec’s growing reputation.
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