South American Art

The Embroidered Life of Arthur Bispo do Rosário

Natalia Tiberio 29 March 2024 min Read

Arthur Bispo do Rosário is a mythic figure in Brazilian art. He never considered himself an artist and he spent many years living in a psychiatric hospital. His works represent the world around him, but also what was inside his head. Suffering from schizophrenia, he heard voices that would guide him on the recreation of objects for the day Jesus would come to earth. He was an outsider, marginalized for being a Black man, poor, and mad. Nowadays, his works are acclaimed around the world.

Arthur Bispo do Rosário was born in 1909 in Japaratuba, a city in Brazil’s Northeast region, early on in his life, he started to study in the Naval School, later moving to Rio de Janeiro to join the Navy. During the eight years he spent as a sailor, he traveled to many places that became subjects he embroidered years later on his textiles. 

After leaving the Navy, he took jobs like bus washer, bodyguard, and domestic worker to make ends meet. In 1938, Bispo do Rosário had a psychotic break in which he went to church and stated that he had received a mission from Heaven to recreate the Universe for doomsday. He was then sent to a psychiatric hospital for treatment and later on was admitted to the asylum Colônia Juliano Moreira, where he lived until he died in 1989. 

Arthur Bispo do Rosário: Arthur Bispo do Rosário, Grande Veleiro, Museu Bispo do Rosário, Rio de Janeiro, Brazil.

Arthur Bispo do Rosário, Grande Veleiro, Museu Bispo do Rosário, Rio de Janeiro, Brazil.

Creating His World

Without any formal art training, Bispo do Rosário created a rich body of work of textiles, sculptures, assemblages, and collages. He used to say that he created objects with “all the things in the world” to show to the Heavens. He produced the objects mainly with what he could get his hand on; scraps of metal, plastic, and paper. Old clothes or the inmates’ uniforms were torn and shredded so he could make threads of it to embroider the pieces.

Of all his work, the textiles are the most special and display beautiful embroideries representing parts of his life and what was on his mind at the time. The Manto da apresentação is a cape created for the day Bispo do Rosário “would introduce himself to Jesus” and is exquisitely embroidered with colorful figures of ordinary objects and words.  

Other relevant textiles are the Estandartes or banners where he embroidered stories of his past and recreated places where he had been.


Not an Artist

The relation of art and madness in Bispo do Rosário’s work is quite intriguing. We don’t know whether his mental state fueled his art or the opposite. In addition, he never considered himself an artist – nor the objects he produced works of art. He always said he produced them because he had to and because he was following orders from the voices that guided him.

Although art therapy workshops were introduced at Colônia Juliano Moreira while Bispo do Rosário was an intern, he never joined the classes. However, a big part of what the interns produced is now part of the collection of Museu Bispo do Rosário. In addition, the museum looks after the legacy of the artist. 

Arthur Bispo do Rosário: Arthur Bispo do Rosário, Atenção Veneno. Photo by Rodrigo Lopes via Jornal Cruizeiro.

Arthur Bispo do Rosário, Atenção Veneno. Photo by Rodrigo Lopes via Jornal Cruizeiro.

The World Discovers Bispo do Rosário

At the end of the 1980s, Bispo do Rosário’s works were discovered by the wider public when MAM-Rio (Museum of Modern Art of Rio de Janeiro) puts on an exhibition with his objects. His work was celebrated in the 1995 Venice Biennale, representing the Brazilian pavilion, and in 2012, in the São Paulo Biennial, one whole floor, from the three that make the biennial space, was dedicated to him and his art.

Today, Bispo do Rosário is one of the most important names in Brazilian contemporary art and his objects travel the world to join important exhibitions.

Arthur Bispo do Rosário: Arthur Bispo do Rosário, Lutas, Museu Bispo do Rosário, Rio de Janeiro, Brazil.

Arthur Bispo do Rosário, Lutas, Museu Bispo do Rosário, Rio de Janeiro, Brazil.

Get your daily dose of art

Click and follow us on Google News to stay updated all the time


Rosana Paulino is part of a generation of provocative Latin American women artists South American Art

Five Contemporary Women Artists from Latin America You Need to Know

When we speak about contemporary art in Latin America, women artists are at the center stage. Working around various mediums and highlighting themes...

Natalia Tiberio 19 June 2023

South American Art

Fernando Botero and His Remakes of Classic Masterpieces

I must tell you something in secret – I love Fernando Botero’s works. Many of his works were inspired by classic art. Or maybe...

Zuzanna Stańska, Aniela Rybak-Vaganay 15 September 2023

Anita Malfatti, Silly Woman (Boba), 1916 South American Art

Modernism in Brazil: One Week That Has Changed It All

In 1922, Semana de Arte Moderna (The Modern Art Week) was held in Brazil. Marking the official beginning of Modernism in Brazil, the event lasted an...

Vithória Konzen Dill 15 November 2023

South American Art

Art and Ritual: Culture of the Enigmatic Moche People

The Moche were an ancient, Indigenous people of Andean Peru. They are considered to be one of the most influential civilizations of the ancient...

Marga Patterson 8 November 2023