Contemporary Art

Mire Lee to Create New Artwork for Tate Modern’s Turbine Hall

Carlotta Mazzoli 29 April 2024 min Read

Tate Modern, one of London’s premier art institutions, has unveiled its latest collaboration in the Hyundai Commission series. Acclaimed contemporary artist Mire Lee, known for her visceral kinetic sculptures, will be the next artist to grace the iconic Turbine Hall with her innovative work.

Over the past ten years, Tate Modern has partnered with Hyundai Motor to bring innovation and research to contemporary art. What started as support for acquiring nine works by the renowned South Korean artist Nam June Paik soon became a long-lasting partnership between the museum and the South Korean company.

So much so that in 2019, Hyundai and Tate’s alliance gave birth to the Hyundai Tate Research Centre: Transnational, which fosters deeper connections between Tate and artists, curators, scholars, and organizations on a global scale.

Among the initiatives promoted by this collaboration, the Hyundai Commission is the most groundbreaking and popular. Since 2015, the Commission has been transforming Tate’s Turbine Hall into a location for spectacular site-specific installations. It’s given millions of visitors each year a unique chance to engage with the work of some of the most prominent contemporary artists.

In the past, the Turbine Hall has hosted an impressive array of contemporary masters, including Abraham Cruzvillegas, Philippe Parreno, Cecilia Vicuña, SUPERFLEX, Tania Bruguera, and Kara Walker. Their works have garnered immense praise and public interaction, solidifying the Hyundai Commission series as a highlight in Tate Modern’s annual calendar.

Mire Lee Tate: Installation view of Mire Lee’s Endless House: Holes and Drips, 2022, at 59th Venice Biennale, Venice, Italy. Photograph by Sebastiano Pellion di Persano. Art Asia Pacific.

Installation view of Mire Lee’s Endless House: Holes and Drips, 2022, at 59th Venice Biennale, Venice, Italy. Photograph by Sebastiano Pellion di Persano. Art Asia Pacific.

2024 Hyundai Commission

For 2024, the Hyundai Commission chose Mire Lee and her kinetic sculptures to be presented inside the London museum. Lee’s upcoming site-specific work for Tate Modern’s Turbine Hall promises to be a groundbreaking exploration of space, form, and sensory experience. Scheduled to be open to the public from October 8, 2024, to March 16, 2025, this installation marks Lee’s first major presentation in the UK, offering audiences a unique opportunity to engage with her provocative sculptures firsthand.

Mire Lee is one of today’s most intriguing and original contemporary artists and we are delighted she will be creating her first work in the UK here at Tate Modern. Lee produces powerful sculptures, and we look forward to seeing how she transforms the iconic Turbine Hall with her subversive, multi-sensory forms.

Karin Hindsbo

Director of Tate Modern. Tate’s Press Release.

Mire Lee Tate: Installation view of Mire Lee’s Black Sun, 2023, New Museum, New York City, NY, USA. Photograph by Dario Lasagni. Tina Kim Gallery.

Installation view of Mire Lee’s Black Sun, 2023, New Museum, New York City, NY, USA. Photograph by Dario Lasagni. Tina Kim Gallery.

Mire Lee’s sculptures offer a sensorial encounter, exploring the relationship between organic forms and mechanical elements. We anticipate delving into Lee’s unique perspective in her upcoming work for the Hyundai Commission, fostering a profound understanding of interconnectedness.

DooEun Choi

Art Director of Hyundai Motor Company. Tate’s Press Release.

As Tate Modern redefines contemporary art for global audiences, Mire Lee’s selection brings fresh anticipation and excitement to the London art scene. It promises to be a landmark event for 2024, inviting visitors to immerse themselves in a world of sensory exploration and artistic innovation.

About Mire Lee

Known for her kinetic sculptures that blend organic forms with industrial elements, Lee’s work challenges traditional notions of materiality and form. Her sculptures, often constructed from industrial materials like steel rods, cement, silicone, oil, and clay, evoke a sense of tension between softness and rigidity. They invite viewers to explore the intersections of nature and technology, almost resembling living organisms combined with machine parts.

Mire Lee Tate: Mire Lee in her studio. Photograph by Melissa Schriek / The New York Times. Tina Kim Gallery.

Mire Lee in her studio. Photograph by Melissa Schriek / The New York Times. Tina Kim Gallery.

Born in South Korea in 1988 and based between Amsterdam and Seoul, Lee’s artistic journey has captivated audiences worldwide. She has a sculpture and media art background and received her BA and MA from the Seoul National University College of Fine Arts.

She has exhibited her work internationally in renowned institutions such as the New Museum (New York, USA), the Biennale di Venezia (Venice, Italy), Busan Biennale (Busan, South Korea), Kunstverein Freiburg (Freiburg, Germany), Antenna Space (Shanghai, China), and the 15th Biennale de Lyon (Lyon, France), to name a few.

Her installations, characterized by oozing liquids and unsettling mechanized movements, create immersive environments that provoke introspection on themes of emotion and human desire. Mire Lee’s ability to transform spaces with her multi-sensory installations aligns perfectly with Tate Modern’s commitment to pushing artistic boundaries and challenging conventional perspectives.

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