fbpx
Connect with us

DailyArtMagazine.com – Art History Stories

Our Dad is an Artist: Thomas Gainsborough’s Daughters

Artists' Stories

Our Dad is an Artist: Thomas Gainsborough’s Daughters

British portrait and landscape painter Thomas Gainsborough was born on this day in 1727. Happy Birthday, Thomas! To celebrate, let’s talk about a topic that was very important to him – his daughters Mary and Margaret.

Portrait of the Artist's Two Daughters Gainsborough's daughters

Thomas Gainsborough, Portrait of the Artist’s Two Daughters, c. 1758. London, Victoria and Albert Museum.

There are lots of stories in art history about artists training their daughters to be successful painters. In fact, many of the historical female artists we talk about here and on the DailyArt app got into the profession through their fathers. Thomas Gainsborough really wanted to be one of those artist fathers. He hoped that his daughters would become landscape painters since this was his favorite type of art. Sadly, it wasn’t to be. Neither of Gainsborough’s daughters was at all interested in pursuing painting.

Even though they decided not to become artists themselves, Gainsborough’s daughters still have a place in art history, as their father’s favorite subjects. Gainsborough painted Mary and Margaret many times throughout his life. This shows how much he cared about them since it’s well known that he much preferred to paint landscapes when he wasn’t working on commission.

The Painter's Daughters Chasing a Butterfly Gainsborough's daughters

Thomas Gainsborough, The Painter’s Daughters Chasing a Butterfly, 1755-6. London, National Gallery of Art.

The first known painting of Gainsborough’s daughters is this lovely scene of the girls (about ages three and five) chasing a butterfly. Some people have interpreted this painting as an allegory. It might refer to the innocence of childhood, or, by contrast, to the dangers of being frivolous. It’s hard to be sure. Gainsborough was definitely keen to make sure his daughters didn’t become vain and shallow, but he isn’t known for painting meanings like this into his works. A few years later, we see the girls hugging each other and holding a cat. Only the girls’ faces are fully realized. The rest is sketch-like, so the cat is difficult to see. Gainsborough enjoyed painting animals, so that’s probably why we see his girls with so many different creatures. Even as adults, he once showed them with a dog.

The Artist's Daughters with a Cat Gainsborough's daughters

Thomas Gainsborough, The Artist’s Daughters with a Cat, 1759-61. London, National Gallery of Art.

Once you’ve seen Gainsborough’s daughters a few times, they’re easy to recognize. If you take a look at Gainsborough’s self-portrait, you’ll see the family resemblance.

Thomas Gainsborough, Self Portrait, circa 1758-1759, National Portrait Gallery - London

Thomas Gainsborough, Self Portrait, circa 1758-1759, National Portrait Gallery, London.

In the painting below, Mary and Margaret sit with sketchbooks in front of a statue. It seems that they learned at least a few drawing skills before losing interest. Unlike in all the works we’ve seen so far, they are not dressed alike here. We might assume that they began to show their individuality more as they got older, or at least that their father gave them more credit for being individuals as they got older. However, they were twinning once again when their father painted their portrait about seven years later.

Gainsborough's daughters

Thomas Gainsborough, Portrait of Artist’s Daughters, 1763-4. Worcester Art Museum.

In case you’re wondering, the closeness implied by these portraits isn’t just a dad’s wishful thinking (like their potential painting careers were). Mary and Margaret Gainsborough were genuinely very close throughout their entire lives. Except for during Mary’s brief and unhappy marriage, they always lived together. And their individual portraits are still together at the Tate in London.

Gainsborough's daughters Margaret Gainsborough

Thomas Gainsborough, The Artist’s Daughter Margaret, c.1772. London, Tate Britain.

Gainsborough's daughters Mary

Thomas Gainsborough, The Artist’s Daughter Mary, 1777. London, Tate Britain.

In case you’re not familiar with the birthday boy

Thomas Gainsborough was a popular and influential British painter of the 18th century. He is best known for his fashionable portraits of British aristocrats and nobility, like the “Blue Boy” and the Duchess of Devonshire. However, his heart was truly in landscape painting. He painted lots and lots of beautiful scenes of the British countryside, which were inspiration to several later generations of landscape painters. Today, Gainsborough is appreciated for his contributions to both genres.

Sources:

 

Alexandra believes that enjoying the art of the past is the closest she can get to time travel, only much safer. When she’s not being an art historian, she can usually be found ice skating and dancing. Visit her at ascholarlyskater.com.

Comments

More in Artists' Stories

  • Arenig School Arenig School

    20th century

    Arenig School. Wild Bohemians and Welsh Mountains

    By

    Welcome to a rollicking adventure with the Arenig School of automatic painting starring Augustus John, James Dickson Innes, and Derwent Lees. Arenig Fawr is a majestic mountain in Snowdonia in Wales. Between 1911 and 1913 three unconventional artists lived and breathed the wild landscape here, possessed...

  • 20th century

    Kyffin Williams and the Welsh Landscape

    By

    The Welsh landscapes have inspired artists, poets, and writers for generations. But, for one 20th century artist, they were more than just a subject for the canvas, they were a metaphor for melancholic isolation, for power, and comfort. John Kyffin Williams was born in 1918 in...

  • 21st century

    Paula Rego and Other Strong Women

    By

    A couple of years ago, I wrote a very short article about Paula Rego’s fairy tale-like works. Yet, only recently I found out that we were born in the same month just a few days apart, which makes her somehow special to me. As she turned...

  • Franz Marc, The Large Blue Horse, 1911 Franz Marc, The Large Blue Horse, 1911

    20th century

    Franz Marc: The Painter Who Loved Horses

    By

    The German Expressionist movement had many faces. One of the most interesting of them was that of the painter Franz Marc. Marc looked to the natural world as an antidote to modern life, from which he felt increasingly alienated. This is why we find so many paintings...

  • Art Nouveau

    Aubrey Beardsley: Sharp Blacks and Whites of the Victorian Era

    By

    Aubrey Beardsley was an extremely talented draughtsman of the Victorian era. As a young boy he suffered from tuberculosis yet decided to live his life to the fullest instead of staying in bed. Oscar Wilde himself helped to launch his career. Beardsley lived only 25 years...

To Top