Connect with us

DailyArtMagazine.com – Art History Stories

The Original Guerilla Girls: Claude Cahun and Marcel Moore

Front page of Paper Bullets by Jeffrey H Jackson, published November 2020.

Women Artists

The Original Guerilla Girls: Claude Cahun and Marcel Moore

A book review of Paper Bullets by Jeffrey H Jackson.

If I asked for your top 10 political artists, does Claude Cahun spring to mind? Marcel Moore? No, I guessed as much. But these two art activists have an audacious life story (and love story) that will leave you breathless.

Claude Cahun and Marcel Moore at the launch of Cahun's book Aveux non Avenus
Claude Cahun and Marcel Moore at the launch of Cahun’s book Aveux non Avenus, photographer unknown, France, 1930. Jersey Heritage Collection.

The Parisienne art world

Cahun and Moore went from avant-garde Parisienne salons to a Nazi jail in Jersey, creating subversive artworks and celebrating their gender-bending sexuality along the way. Their romantic, creative collaboration lasted a life-time.

The art-world glitterati have explored the writings and photography of Claude Cahun and Marcel Moore, and we are fans here at DailyArt Magazine, but now we have a major new research project to recommend to you – Paper Bullets by Jeffrey H Jackson.    

Paper Bullets

Paper Bullets is the first book to fully explore the war-time resistance activities of Cahun and Moore, giving extensive details of their Jersey years. In the book we slip inside the lives of the two artists, Claude Cahun, also known as Lucy Schwob and Marcel Moore, also known as Suzanne Malherbe. Born in France, the two were step-sisters and lovers, experimenting with art, literature and photography in vibrant 1920’s Paris.

Claude Cahun, I am in training, don't kiss me
Claude Cahun, I am in training, don’t kiss me, 1927, Jersey Heritage Collection.

Gender Fluidity

A key part of their work was the questioning of sexual identity and gender identity. We may feel as if discussions around queer culture and gender fluidity are a very modern concern, but in fact Cahun and Marcel were exploring this many years before. In the book Jeffrey H Jackson chooses to assign the two artists feminine pronouns (she/her) although both artists felt they had left such binary identifiers behind. Jackson also identifies them as ‘lesbians’, whereas Cahun and Moore seemed to feel that such definitions were a strait-jacket they wished to cut away. As Cahun said in her own words, ‘Neuter is the only gender that always suits me.’

Marcel Moore (left) and Claude Cahun (right)
Marcel Moore (left) and Claude Cahun (right), untitled self-portraits, 1928, Jersey Heritage Collection, St Helier, Jersey. Jersey Heritage Collection

The Jersey sisters

The issue of pronouns was always going to be a tough path for Jackson to negotiate. And it is true that in Jersey, Cahun and Moore were mindful that the small island was much more conservative than Paris, so had consciously reverted to their original birth names (Lucy and Suzanne) and emphasised their sisterly bond rather than living openly as lovers. Most in the art world however, know the two as Cahun and Moore and will often use the accepted gender-neutral pronoun ‘they’. The singular ‘they’ seems to incite ire and criticism from many quarters, although it is much more common now and in fact has been in use in the English language since the 14th Century!  

Postcard of the St. Brelades Bay Hotel
Postcard of the St. Brelades Bay Hotel, Jersey Heritage Collection, St Helier, Jersey. Jersey Heritage Collection.

A thrilling tale

Paper Bullets reads like a well-paced, nail-biting thriller. Jeffrey H Jackson leads us through a novel-like tale of intrigue, scandal and plucky war-time resistance. Cahun and Moore moved to Jersey in 1937 for a quieter life. However three years later, Jersey was invaded. The Allies, faced with sparing much-needed troops to fight for an out of the way, sparsely populated island, essentially let the Nazi’s take Jersey. Cahun and Moore had two choices: keep their heads down at home, stay quiet and hope the Nazi’s never realised who they were. Or alternatively flee to mainland England, as many Jersey residents did. In fact, they chose a third option – to stay and to fight. They used their intelligence, their guile, and their art to fight back against the oppressor.

Claude Cahun and Marcel Moore
Claude Cahun and Marcel Moore at home, photographer unknown. Jersey Heritage Collection, St. Helier, Jersey. Jersey Heritage Collection.

Artistic rebellion

The title of Jackson’s book comes from the letters, artworks and propaganda posters that the two produced and distributed in Jersey. These artistic ‘paper bullets’ included calls to local residents to rebel against Nazi rule, and morale-crushing dialogues aimed at Nazi soldiers. Insulting Hitler and scorning the wicked acts of the Nazi Party, these documents and letters came to the attention of the occupying German forces, who were incensed. Slipped secretly into cars, newspapers, magazines, cigarette packets and even directly into soldiers’ pockets, these documents undermined the stranglehold the Nazi’s held over Jersey.  

One of the Paper Bullets.
One of the Paper Bullets. Jeffrey H Jackson’s website.

Hunted and jailed

Hunted down by the secret police, Cahun and Moore were finally betrayed in 1944, and imprisoned. But even in jail, they continued their crusade, fighting the Nazis by reaching out to other prisoners and spreading messages of hope.

The courage shown by these two artists is perhaps even more astonishing when we realise that everything about them was abhorrent to the Nazis. Their non-binary sexuality, their cross-dressing and their surreal art. Not to mention the fact that Lucy was half Jewish and both artists were connected to Communist activities in Paris.

Claude Cahun and Marcel Moore, Self-Portraits reflected in a mirror,
Claude Cahun and Marcel Moore, Self-Portraits reflected in a mirror, 1920, Jersey Heritage Collection, St Helier, Jersey. Jersey Heritage Collection.

Historical research

It is clear that extensive and exhaustive research has gone into this work. The notes and references run to over 40 pages. So, for history lovers this is a treasure trove of original material that is an absolute joy. The only down-side to this book, and sadly it is a big down-side for art lovers, is the size and quality of the images. Obviously, publishers are dependent on the quantity and quality of the original images. But here, we have less than 50 photographs, each covering barely a third of a page each. If you are a Cahun and Moore fan, then read the book for the fantastic story, but rely on your laptop or art reference books to see the artworks sing.

Political resistance

This is a very timely book, given our current climate of political upheaval, with the rise of Trump and right-wing ideology across Europe. It is vital for us to understand the work of artists like Cahun and Moore during times of tyranny and oppression. Paper Bullets ticks all the boxes for us here at Daily Art – artistic resistance, plus feminist history within a book that carries a political punch. The power of art and the impact of political artists makes for a gripping rollercoaster ride that we thoroughly enjoyed.

Paper Bullets by Jeffrey H Jackson is published by Algonquin Books on November 10th 2020.

Read more about Claude Cahun:

Candy’s remote, rain soaked farmhouse clings to a steep-sided valley in rural Wales. She raises cats, chickens and children with varying degrees of success. Art, literature and Lakrids licorice save her sanity on a daily basis.


More in Women Artists

  • Arenig School Arenig School

    20th century

    Arenig School. Wild Bohemians and Welsh Mountains


    Welcome to a rollicking adventure with the Arenig School of automatic painting starring Augustus John, James Dickson Innes, and Derwent Lees. Arenig Fawr is a majestic mountain in Snowdonia in Wales. Between 1911 and 1913 three unconventional artists lived and breathed the wild landscape here, possessed...

  • 20th century

    Kyffin Williams and the Welsh Landscape


    The Welsh landscapes have inspired artists, poets, and writers for generations. But, for one 20th century artist, they were more than just a subject for the canvas, they were a metaphor for melancholic isolation, for power, and comfort. John Kyffin Williams was born in 1918 in...

  • 21st century

    Paula Rego and Other Strong Women


    A couple of years ago, I wrote a very short article about Paula Rego’s fairy tale-like works. Yet, only recently I found out that we were born in the same month just a few days apart, which makes her somehow special to me. As she turned...

  • Franz Marc, The Large Blue Horse, 1911 Franz Marc, The Large Blue Horse, 1911

    20th century

    Franz Marc: The Painter Who Loved Horses


    The German Expressionist movement had many faces. One of the most interesting of them was that of the painter Franz Marc. Marc looked to the natural world as an antidote to modern life, from which he felt increasingly alienated. This is why we find so many paintings...

  • Art Nouveau

    Aubrey Beardsley: Sharp Blacks and Whites of the Victorian Era


    Aubrey Beardsley was an extremely talented draughtsman of the Victorian era. As a young boy he suffered from tuberculosis yet decided to live his life to the fullest instead of staying in bed. Oscar Wilde himself helped to launch his career. Beardsley lived only 25 years...

To Top