Connect with us

DailyArtMagazine.com – Art History Stories

Gluck And Her No Prefix, No Suffix Queer Art

Women Artists

Gluck And Her No Prefix, No Suffix Queer Art

Since February is the LGBT history month in the UK where I live, I want to participate in the promotion of tolerance and raising awareness of the prejudices faced by LGBTQ+ people. This is why I would like to feature a queer British artist Gluck who chose to live the way she wanted with no compromise to social conventions.

Beginning

Gluck, Gluck, 1942, the National Portrait Gallery, London, Gluck and her queer art

Gluck, Gluck, 1942, the National Portrait Gallery, London

Gluck was born as a woman Hannah Gluckstein in 1895. Her family was Jewish and owned the Lyons catering empire in London. Her parents were against her artistic dreams, but nevertheless, they trusted her a fund on her 21st birthday that allowed the young girl to make a life of her own. She attended St John’s Wood School of Art between 1913 and 1916 before moving to west Cornwall and joining the artists’ colony in Lamorna where she bought a studio. However, Gluck didn’t want to be a part of any movement and always insisted on one-man exhibitions working her way on her own.

Persona

Gluck, Lilac and Guelder Rose; Manchester Art Gallery; gluck queer art

Gluck, Lilac and Guelder Rose, no date, Manchester Art Gallery

To create Gluck, the young girl chose her own name and to her father’s distress she began dressing androgynously in trousers and ties (she even posed to Tatler society magazine at the beginning of her career). However, Gluck didn’t chase fame, mostly painting flowers and portraits. No prefix, suffix, or quotes, wrote Gluck on the back of each of her prints to make obvious her choice. It wasn’t that she didn’t want to be a woman, and it wasn’t that she wanted to be a man. She just wanted to be Gluck, said Cheska Hill-Wood, gallery manager of the Fine Art Society, with which Gluck was connected. (And this is why I will keep using a female pronoun, as the whole scholarship on Gluck does.)

Love

Gluck, Medallion (YouWe), 1936, private collection. Photo © Christie’s Gluck and her queer art

Gluck, Medallion (YouWe), 1936, private collection. Photo © Christie’s

In 1923, Gluck met an American painter Romaine Brooks, and the two painted portraits of one other.  Brooks’s painting of Gluck Peter (a Young English Girl) was very controversial because of the blatant androgyny of the sitter. Yet the most important woman in Gluck’s life was Nesta Obermer, a socialite married to an American businessman. Nevertheless, both women symbolically married on May 25, 1936. Medallion celebrated the couple’s outing to Fritz Busch’s production of Mozart’s Don Giovanni. As Gluck’s biographer wrote, They sat in the third row, and she felt [that] the intensity of the music fused them into one person and matched their love. It was the first public declaration of Gluck’s love and commitment. Now it is out, she wrote to Nesta, and to the rest of the Universe I call Beware! Beware! We are not to be trifled with.

Romaine Brooks, Peter (A Young English Girl), 1923-1924, oil on canvas, Smithsonian American Art Museum, Gift of the artist, 1970.70

Romaine Brooks, Peter (A Young English Girl), 1923-1924, Smithsonian American Art Museum, Gift of the artist

A Brake-up

Gluck, Requiem, 1964, Private collection. gluck and her queer art

Gluck, Requiem, 1964, Private collection. Courtesy of Brighton Museum & Art Gallery

However, with time Gluck became very possessive and demanding with Nesta, who broke off their relationship in 1944. Moreover, she destroyed all evidence of their life together. So Gluck began a new relationship, as troubled as the one with Nesta, with Edith Shackleton Heald, the first female reporter in the House of Lords. Having moved into Healds’ house in Sussex, Gluck often argued with her and her sister Norma, and on top of that she retired from painting. However, in 1973 she organized an exhibition of fifty-two works at the Fine Arts Society which was really successful with critics and buyers.

Find out more:

Magda, art historian and Italianist, she writes about art because she cannot make it herself. She loves committed and political artists like Ai Weiwei or the Futurists; like Joseph Beuys she believes that art can change us and we can change the world.

Comments

More in Women Artists

  • 20th century

    Maya Deren: Experimental Filmmaker and Voodoo Priestess

    By

    Maya Deren (1917-1944) was an experimental filmmaker hailed as a leading pioneer of avant-garde cinema. She was also a writer, poet, photographer, ethnographer and dancer. Her poetic and surreal, 16 mm films layered dreams and realities together with sensations that transcend through space and time. With...

  • Andy Warhol, Campbell's Soup Cans, 1962, acrylic with metallic enamel paint on canvas, Museum of Modern Art, New York, USA. Andy Warhol, Campbell's Soup Cans, 1962, acrylic with metallic enamel paint on canvas, Museum of Modern Art, New York, USA.

    Art History 101

    Pop Art 101: Everything You Need to Know

    By

    Everyone is familiar with Pop Art and everyone can recognize its most iconic artists and artworks. Cartoon characters, food, everyday products, are only a few of Pop Art’s subjects. However, most of us tend to believe that Pop Art is only the colorful images we see...

  • Conceptual art

    Coca-Cola and the Explosive Art of Cildo Meireles

    By

    Protest Art is challenging and controversial. Political protest requires a focus, and protest art gives us a public space where we can have a conversation, with the artist and with each other. Truly great artists reflect back at us the culture, social conditions, and politics of...

  • 20th century

    Emma Amos: The Story of the Postmodernist African-American Artist

    By

    Emma Amos is a great example of how a female, black artist can effect change and become someone in a racist and sexist time. On May 20th, 2020, Amos left us at the age of 83. We want to honor her life and oeuvre by telling...

  • 20th century

    The Vibrant Paintings of Henrietta Berk

    By

    Born in Wichita, Kansas, Henrietta Berk (1919-1990) was known for painting in bold and bright colors. She moved to San Francisco with her family when she was very young. Berk studied at the San Francisco State College and the California College of Arts and Crafts, Oakland....

To Top

Just to let you know, DailyArt Magazine’s website uses cookies to personalise content and adverts, to provide social media features and to analyse traffic. Read cookies policy