Women Artists

5 Things You Should Know About Michaelina Wautier

Vithória Konzen Dill 8 January 2023 min Read

Michaelina Wautier was born in Mons in 1604. This Flemish painter has been absent in art history for many years, but her life and work are slowly being rediscovered. She was introduced to the general public in 2018, when the Museum aan de Stroom (MAS) in Antwerp held the first retrospective exhibition of her work. We still don’t have a lot of information about her but here are five important things we do know (and so should you).

Michaelina Wautier, Self-portrait with easel, c. 1640s
Michaelina Wautier, Self-portrait with easel, c. 1640s, private collection. Wikimedia Commons (public domain).

1. She mastered every genre of painting from her time.

While most female artists in 17th-century Netherlands were consigned to painting still lifes and flowers, Michaelina Wautier painted every other genre in both small and large scale. She painted portraits, still lifes, religious themes, and – most unusual for a female artist – history painting. Depicting subjects from classical history, classical mythology, and the Bible, history painting was considered of the highest importance. It was usually banned for female artists (one complicating factor was their lack of access to formal studies of anatomy).

Michaelina Wautier, The Education of the Virgin, 1656, Mauritshuis, The Hague, Netherlands.
Michaelina Wautier, The Education of the Virgin, 1656, Mauritshuis, The Hague, Netherlands. Museum’s website.

2. She was probably born into a high-class family.

In the social context Wautier lived in, women could only receive artistic training at home through private teachers – training in workshops with other male artists was viewed as unacceptable. In general, girls received a minimal education mostly oriented towards marriage, such as music and embroidery. But through Wautier’s paintings, we know that she had an excellent knowledge of classical mythology and symbolism. This indicates an outstanding education and, consequently, indicates the means her family had access to.

Michaelina Wautier: Michaelina Wautier, A garland of flowers, suspended between two animal skulls, a dragonfly above, 1652, oil on panel, 41.1 x 57.4 cm.
Michaelina Wautier, A Garland of Flowers, Suspended Between Two Animal Skulls, a Dragonfly Above, 1652. Sotheby’s.

3. She shared a studio with her younger brother.

Michaelina Wautier was the only daughter among nine children. Charles Wautier, one of her brothers, was five years younger than her and also a painter. Around 1654, they moved to Brussels, where they remained until the end of their lives. In this city, they shared a studio and had a similar clientele (mostly special officers in the service of the Spanish Crown). There are formal links between their works, such as layouts and well-studied light effects, and by sharing the studio it’s possible they collaborated on paintings at times.

Michaelina Wautier: Michaelina Wautier, Head of a Boy, c. 1680, oil on canvas, 41.7 x 33.6 cm.
Michaelina Wautier, Head of a Boy, c. 1680. Wikimedia Commons (public domain).

4. Wautier’s paintings have been misattributed many times.

Many of Wautier’s works have long been attributed to other male artists, including her brother Charles. The painting Everyone His Fancy is a recent example of a misattribution being finally rectified. Only three years ago Katlijne van der Stighelen, an expert on Michaelina Wautier’s work, attributed the painting to her. Until then, it was thought of being by another Flemish painter – Jacob van Oost. It’s likely that many other of her paintings are waiting to be rediscovered and, as that happens, we’ll be able to learn more about her.

Michaelina Wautier: Michaelina Wautier, Everyone His Fancy, c. 1655, 66 x 82 cm.
Michaelina Wautier, Everyone His Fancy, c. 1655. Wikimedia Commons (public domain).

5. She painted excellent nudes.

In a time when women could not study anatomy and, unlike male artists, did not have access to nude models, her ability to paint the human body is impressive. Katlijne van der Stighelen points out that the quality of the anatomy depicted in Wautier’s nudes is completely unseen from a female artist in Europe at the time. Some researchers even wonder about the possibility of her having access to models through her brother since he was also a painter and, most importantly, a man.

Michaelina Wautier: Michaelina Wautier, Triumph of Bacchus, 1643 - 1659, oil on canvas, 270.5 x 354 cm, Kunsthistorisches Museum, Vienna.
Michaelina Wautier, Triumph of Bacchus, 1643-1659, Kunsthistorisches Museum, Vienna, Austria.

Get your daily dose of art

Click and follow us on Google News to stay updated all the time

Recommended

Luisa Roldan, Ecstasy of Mary Magdalene. Women Artists

Luisa Roldán: The Groundbreaking Career of Spain’s First Woman Sculptor

She wrote letters to kings, was Spain’s first documented woman sculptor, and became the official escultora de cámara, or court sculptor, to...

Natalia Iacobelli 30 September 2024

Women Artists

10 Facts to Know About Dorothea Tanning

Dorothea Tanning (1910-2012) was a visionary whose work transcended the conventional boundaries of Surrealism and abstraction. In this “top...

Errika Gerakiti 12 August 2024

Women Artists

Camille Claudel in 5 Sculptures

Camille Claudel was an outstanding 19th-century sculptress, a pupil and assistant to Auguste Rodin, and an artist suffering from mental problems. She...

Valeria Kumekina 24 July 2024

Women Artists

Rosa Bonheur in 10 Paintings

Rosa Bonheur’s paintings are some of the most acclaimed depictions of animals in Western art history, making her one of the most important...

Jimena Escoto 26 June 2024