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Surrealism

Meet the Surrealist Rita Kernn-Larsen

Magda Michalska 26 May 2023 min Read

Rita Kernn-Larsen was a Danish Surrealist who moved in the same circles as Pablo Picasso and Max Ernst. Her art reflected the changing world around her, blending dreamlike imagery with personal experiences and exploring new directions in the years following World War II.

Disappointing Denmark


Rita Kernn-Larsen was born in 1904 in Hillerød to a well-off family. She lived in an old castle, had servants, and attended a private school. As a young girl, she was taught sewing by her maid, and this is probably how her passion for art began. She left for Oslo in Norway to attend a drawing school, then returned to Denmark to study in Copenhagen. Yet, disappointed with the teaching methods at the Academy, she moved to Paris in 1929.

Passionate Paris

Rita Kernn-Larsen: Rita Kernn-Larsen, Self-Portrait (Know Thyself), 1937,Peggy Guggenheim Collection, Venice

In Paris, Kernn-Larsen plunged into the middle of the artistic bohème: she met Pablo Picasso, Luis Buñuel, Max Ernst, and Fernand Léger; the latter became her teacher. As she recalled, the Surrealist period “was wonderful. Yes… It really was the best time for me as an artist.” She also met her future husband there, a Jewish-born journalist and art dealer, Isaac Grünberg. In the mid-1930s, she traveled back to Denmark to hold her first solo show and stay in touch with Danish Surrealists.

Long-Lasting London

Rita Kernn-Larsen: Rita Kernn-Larsen, The Party, 1937, Museum Sønderjylland

In 1938 Rita was invited to London by Peggy Guggenheim to hold a solo show in Guggenheim’s new gallery, Guggenheim Jeune. She came specifically for the exhibition but was forced to stay over as the war broke out soon after. As she recalled, the war years meant the end of Surrealism for her.

Slow South of France

Rita Kernn-Larsen, The Women’s Uprising, 1940. Museum Spotlight Europe.

After the war, Rita moved with her husband and daughter to Saint-Jean-Cap-Ferrat, in the South of France, where she lived until 1992. Her art moved towards nature and abstraction; she illustrated several children’s books, and she experimented with pottery, ceramics, and collage. She died in 1998.

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