Women Artists

Élisabeth Vigée-Lebrun and the Amazing Women in Her Portraits

Pola Otterstein 6 February 2021 min Read

Élisabeth Vigée-Lebrun and the women in her portraits is a famous reference to every art-lover. The French painter – also known as Madame Lebrun – is considered to have placed her style somewhere between that of a Rococo and Neoclassical artist. As the daughter of a painter, the talent for painting was seemingly in her blood. Already as a teenager, she was recognized for her aptitude and soon began portraying famous people, having learned from masters such as Gabriel François Doyen, Jean-Baptiste Greuze, and Joseph Vernet.

Élisabeth Vigée-Le Brun, Self Portrait with Straw Hat, 1783, National Gallery London, Élisabeth Vigée-Le Brun and the Women in her Portraits
Élisabeth Vigée-LeBrun, Self Portrait with Straw Hat, 1783, National Gallery, London, England, UK.

King Louis XVI of France invited the 23-year old artist to Versailles, where she began portraying Marie Antoinette, becoming her favorite portraitist for over ten years. During a six-year period, Vigée-Lebrun created more than 30 paintings of the queen and her family, becoming the official painter of the royal family almost until their demise during the French Revolution. Thanks to Vigée-Lebrun’s delicate paintings, Marie Antoinette was able to promote an image of herself as a loving wife and mother, having been accused by critics of sexual infidelity, claims which appear to be substantiated by contemporary research.

Élisabeth Vigée-Le Brun, Archduchess Marie Antoinette, Queen of France, 1778, Kunsthistorisches Museum, Vienna, Élisabeth Vigée-Lebrun And The Women In Her Portraits
Élisabeth Vigée-LeBrun, Archduchess Marie Antoinette, Queen of France, 1778, Kunsthistorisches Museum, Vienna, Austria.

Amongst the figures in Vigée-Lebrun’s hundreds of paintings, we can also see other royalty, writers, and influential people of the late 18th and early 19th centuries from around Europe, as she was forced to work in exile from France for many years after the revolution. Famous subjects included Poland’s last king, Stanisław August Poniatowski, as well as Aniela Radziwiłłówna and Helena Potocka. She also portrayed Comtesse de la Châtre and Princess Ana Gruzinsky-Golitsyna.

Princess Galitzyna, Élisabeth Vigée Le Brun, 1797, Baltimore Museum of Art, Élisabeth Vigée-Le Brun and the Woman in her portraits
Élisabeth Vigée-LeBrun, Princess Galitzyna, 1797, Baltimore Museum of Art, Baltimore, MD, USA.

Portrait of Aniela Czartoryska nee Radziwiłł, Élisabeth Vigée-Le Brun, 1802, National Museum of Warsaw, Élisabeth Vigée-Le Brun and the Women in her Portraits
Élisabeth Vigée-LeBrun, Portrait of Aniela Czartoryska nee Radziwiłł, 1802, National Museum of Warsaw, Warsaw, Poland.

Comtesse de la Chatre, Élisabeth Vigée-Le Brun, 1789, The Metropolitan Museum of Art, Élisabeth Vigée-Le Brun and the Women in her Portraits
Élisabeth Vigée-LeBrun, Comtesse de la Chatre, 1789, Metropolitan Museum of Art, New York, NY, USA.

It is noteworthy that Vigée-Lebrun was one of the very few artists of her time who could support herself from her work as an esteemed and sought-after painter. During her travels, she was inducted into the Accademia di San Luca in Rome, became a member of the Société pour l’Avancement des Beaux-Arts in Geneva, and joined the Academy of Fine Arts of Saint Petersburg.

The women in her paintings are quite idealized. All look blossoming and beautiful, introduced to the public in rich colors. More than 650 portraits and 200 landscapes painted by Élisabeth Vigée-Lebrun survive.

In 2015 Arnaud Xainte directed a movie about the great French painter called Le fabuleux destin de Élisabeth Vigee-Le Brun.

https://www.dailymotion.com/video/x6gjaxv
Arnaud Xainte, Le Fabuleux Destin de Elisabeth Vigee LeBrun. DailyMotion.

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