Masterpiece Stories

Masterpiece Story: Virgin and Child Surrounded by Angels by Jean Fouquet

Rachel Witte 19 October 2022 min Read

One look at the 15th-century masterpiece, and you may think it is actually a modern creation. Pops of deep blue and red cherubs form the background of a porcelain-skinned Madonna with her bare breast holding onto baby Jesus. The painting, which is the right panel of The Melun Diptych, is interesting in that the artist seamlessly utilized artistic styles from across Europe. The truth of the matter is that this painting hardly fits in with its counterparts making it stand out as a masterpiece even more.

Jean Fouquet: Jean Fouquet, The Melun Diptych, ca. 1450s. Left panel depicting donors: Étienne Chevalier with his patron saint St. Stephen, Staatliche Museen, Berlin, Germany; Right panel depicting Virgin and Child, Royal Museum of Fine Arts Antwerp, Antwerp, Belgium.

Jean Fouquet, The Melun Diptych, ca. 1450s. Left panel depicting donors: Étienne Chevalier with his patron saint St. Stephen, Staatliche Museen, Berlin, Germany; Right panel depicting Virgin and Child, Royal Museum of Fine Arts Antwerp, Antwerp, Belgium.

Jean Fouquet (ca. 1420–1481)

An astoundingly low amount of Jean Fouquet‘s paintings have withstood the passing of time. And fortunate for us, The Melun Diptych is one of them. While there are not many paintings to discuss, during his lifetime we know that the French artist was a favorite at the court of King Charles VII. Étienne Chevalier, the King’s treasurer in 1452, commissioned this particular artwork. Prior to the French court, the artist studied briefly in Italy. This experience heavily influenced the artwork in question.

Jean Fouquet: Jean Fouquet, Self-Portrait, 1450, Louvre, Paris, France.

Jean Fouquet, Self-Portrait, 1450, Louvre, Paris, France.

Theme

The theme itself, that of the Virgin Madonna and the Child, is nothing revolutionary. However, Fouquet’s rendition stands out amongst similarly themed paintings by other well-known artists of the time. It leans heavily on the notion of the Virgin as a beautiful and divine figure of royal descent. This is further signified by the pristine porcelain white skin, the use of gold, red, and blue pigments, as well as costly gemstones. His painting elevates the subject to an otherworldly representation.

Jean Fouquet: Jean Fouquet, Virgin and Child Surrounded by Angels, ca. 1450s, Royal Museum of Fine Arts Antwerp, Antwerp, Belgium.

Jean Fouquet, Virgin and Child Surrounded by Angels, ca. 1450s, Royal Museum of Fine Arts Antwerp, Antwerp, Belgium.

Jean Fouquet: Raphael, Madonna and Child with the Book, ca. 1503, Norton Simon Museum, Pasadena, CA, USA.

Raphael, Madonna and Child with the Book, ca. 1503, Norton Simon Museum, Pasadena, CA, USA.

Jean Fouquet: Sandro Botticelli, The Virgin and Child (The Madonna of the Book), ca. 1479, Poldi Pezzoli Museum, Milan, Italy.

Sandro Botticelli, The Virgin and Child (The Madonna of the Book), ca. 1479, Poldi Pezzoli Museum, Milan, Italy.

Note the difference in how Fouquet depicted the crown as an actual crown, decorated in precious jewels. This is in opposition to the decorative halos, known as nimbus, in similar art of the time period. Both styles are beautiful, but the French artist’s version shows the wealth and splendor of the French court.

Jean Fouquet: Jean Fouquet, Virgin and Child Surrounded by Angels, ca. 1450s, Royal Museum of Fine Arts Antwerp, Antwerp, Belgium. Detail.

Jean Fouquet, Virgin and Child Surrounded by Angels, ca. 1450s, Royal Museum of Fine Arts Antwerp, Antwerp, Belgium. Detail.

Jean Fouquet: Filippo Lippi, Madonna and Child, ca. 1460s, Galleria degli Uffizi, Florence, Italy. Detail.

Filippo Lippi, Madonna and Child, ca. 1460s, Galleria degli Uffizi, Florence, Italy. Detail.

Colors

Breaking down the use of color even further, the red and blue hues symbolize other meanings that add to the regal depth of the painting. During the Renaissance, the color blue was most often associated with the Virgin Mary, as it was synonymous with her purity and regal nature. Red, likewise, was associated with power and authority. The pearls once again point to the Madonna and Christ Child. Gold can be seen as a symbol of power or status. Used together, with the abnormally white skin tones of the main figures, this painting literally screams of power, faith, and wealth.

Jean Fouquet: Jean Fouquet, Virgin and Child Surrounded by Angels, ca. 1450s, Royal Museum of Fine Arts Antwerp, Antwerp, Belgium. Detail.

Jean Fouquet, Virgin and Child Surrounded by Angels, ca. 1450s, Royal Museum of Fine Arts Antwerp, Antwerp, Belgium. Detail.

Agnes Sorel

Art historians have argued, going back and forth on the identity of the model for the painting. Most notably argued is Agnes Sorel. The woman, the first recognized mistress of the French King, Charles VII, is said to have dressed rather provocatively. It is said that her style of dress heavily inspired Fouquet, which is reflected in the painting where the Virgin Mary appears to be about to nurse her child, her bare breast out on display. She died at the young age of 28, suspected of being poisoned.

Jean Fouquet: Jean Fouquet, Virgin and Child Surrounded by Angels, ca. 1450s, Royal Museum of Fine Arts Antwerp, Antwerp, Belgium. Detail.

Jean Fouquet, Virgin and Child Surrounded by Angels, ca. 1450s, Royal Museum of Fine Arts Antwerp, Antwerp, Belgium. Detail.

See the Art

Originally, the two panels hung in the Collegiate Church of the Notre-Dame, commissioned to hang over the grave of Fouquet’s patron at the time. However, the panels are no longer together. The left panel that depicts Étienne Chevalier and his patron Saint, is located at Staatliche Museen in Berlin. The right panel is located at the Royal Museum of Fine Art in Antwerp. The artwork in its entirety combines outside regional influences. The left side, depicting Etienne and the Saint, recalls Flemish influences of the time. The Madonna? It shows Italian influence. The latter more than likely influenced by the artist’s years in Italy.

P.S. If you want to see the painting in person, we have great news! The Royal Museum of Fine Arts Antwerp reopened just recently after more than a decade-long renovation of the museum.

Recommended

Beatriz Milhazes, Sonho Tropical, 2017, White Cube Gallery, London, UK. Detail. Masterpiece Stories

Masterpiece Story: Sonho Tropical by Beatriz Milhazes

Sonho Tropical is a visual feast of abstract art infused with the passion for a Brazilian landscape. Beatriz Milhazes fuses European modernity with...

James W Singer 13 March 2023

Aaron Douglas, Judgment Day, 1939, oil on tempered hardboard, National Gallery of Art, Washington, DC, USA. Detail. Masterpiece Stories

Masterpiece Story: Judgement Day by Aaron Douglas

Judgment Day by Aaron Douglas is a masterpiece of Black history. It encapsulates the dynamic culture of the Harlem Renaissance through its striking...

James W Singer 27 February 2023

Henry Ossawa Tanner, Sand Dunes at Sunset, Atlantic City, 1885, White House, Washington DC, USA. Detail. Masterpiece Stories

Masterpiece Story: Sand Dunes at Sunset, Atlantic City by Henry Ossawa Tanner

Sand Dunes at Sunset, Atlantic City is a masterpiece of Black art and history. It was painted by Henry Ossawa Tanner during a time of incredible...

James W Singer 13 February 2023

Ten Symbols of Longevity, Joseon Dynasty, ca 1866-1910, ink and color on silk, Ewha Womans University Museum, Seoul, South Korea. Detail. Masterpiece Stories

Masterpiece Story: Ten Symbols of Longevity

Ten Symbols of Longevity is a landscape masterpiece of Korean art. It is a beautiful world filled with earthly perfection and cosmic energy. The...

James W Singer 30 January 2023