Claude Monet painted Autumn Effects at Argenteuil in late 1873, which was the moment when the Impressionist movement started to roar on the Paris art scene. The subject is a view of Argenteuil, an expanding industrial centre in the suburbs of Paris.

Argenteuil was a frequent subject for many Impressionists because this little town, just a few miles from the French capital, was a popular weekend resort for yachting, boating and relaxation. Although at first glance the landscape might look untouched by humans, in the distance we see a factory chimney and an old church tower.

Claude Monet, Autumn Effects at Argenteuil, 1873, Courtauld Gallery, Courtauld Institute of Art, London

The picture was painted  out-of-doors in short and quick strokes, probably from Monet’s “Studio Boat” which was moored at Argenteuil. The artist reworked the composition many times and if we look at the right side of the painting, we can still see where he scraped away layers of paint from the trees, probably with the hard tip of his brush.

Utagawa Hiroshige I, Kai Province: Monkey Bridge (Kai, Saruhashi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue), 1853, Museum of Fine Arts, Boston

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