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Realism

The Tragic Tale of the Gierymski Brothers

Pola Otterstein 26 August 2026 min Read

It is rare to see two siblings as talented and successful as the Gierymski brothers, let alone on the same artistic level. Their story deserves a place in the history of art.

Maksymilian Gierymski, born in 1846 and the elder of the two, started his education in Warsaw. His talents were quickly acknowledged, and he was soon awarded a scholarship that enabled him to continue his studies in Munich, where he quickly became popular. Art collectors and critics were taken by the young man’s realistic yet melancholic pieces. At the age of only 23 he had managed to create an utterly individual painting style, and one of his pieces was duly acquired by Emperor Franz Joseph of Austria. Yet, in contrast to his quick rise to fame in Germany and Austria, Maksymilian felt unappreciated in his native Poland, which he loved dearly.

Landscape at Sunrise, Maksymuilian Gierymski, 1869, National Museum in Warsaw, Gierymski brothers
Maksymilian Gierymski, Landscape at Sunrise, 1869, National Museum in Warsaw, Warsaw, Poland.

Aleksander Gierymski, the younger brother who was born in 1850, took a similar path, also choosing to study at the Academy of Fine Arts in Munich. Thanks to the path that Maksymilian had already forged, and the relative wealth that he had accumulated, Alexander was able to develop his skills with ease and quickly won a gold medal for one of his earliest works.

In a twist of fate so typical for the 19th-century geniuses, Maksymilian Gierymski’s blossoming career and young life were cut tragically short when he died in 1874 at the age of 28, leaving his brother a considerable inheritance. During his life, Maksymilian Gierymski managed to create a remarkable body of works, with most of his best-known and most acclaimed paintings produced during just four years. He was undeniably one of the precursors of Realism in Polish art.

Jewess with Oranges, Aleksander Gierymski, 1880-1881, National Museum in Warsaw
Aleksander Gierymski, Jewish Woman with Oranges, c. 1880–1881, National Museum in Warsaw, Warsaw, Poland.

One year after his elder brother’s death, Aleksander returned to Poland, only to discover that, of his entire family, only one of his two sisters was still alive. The rest of the clan had died a few years earlier, while his other sister had been carelessly buried alive. To Aleksander, this whole string of tragic events became the source of melancholy that found its way into his art. Even though he was successful as an artist, he was never truly satisfied with either his work or his life. Over time, this unhappiness took a toll on him, and he eventually struggled with mental illness. Aleksander Gierymski passed away in a mental hospital in Italy in 1901.

Peasent Coffin, Aleksander Gierymski, 1895, National Museum in Warsaw, Gierymski brothers
Aleksander Gierymski, Peasant Coffin, 1894, National Museum in Warsaw, Warsaw, Poland.

One could say that both brothers’ lives had a tragic end. Both Maksymilian and Aleksander Gierymski shared a love and passion for art, reflected in their undeniable talent—a legacy that continues to live on for the world to appreciate.

River, Maksymilian Gierymski, 1868-1870, Upper Silesian Museum in Bytom, Gierymski brothers
Maksymilian Gierymski, River, 1868–1870, Upper Silesian Museum in Bytom, Bytom, Poland.

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