Artist Stories

The Works of Yves Klein: Lover of Blue

Guest Profile 22 October 2019 min Read

Yves Klein was born in late April of 1928 in Nice, France. His mother, Marie Raymond, was a renowned member of the Art Informel movement, which involved abstract styles and gesture painting. His father, Fred Klein, was known for his landscapes in a Post-Impressionist style. While he received no formal training from his parents, he was destined for greatness.

In 1942, Klein began studying at the École Nationale de la Marine Marchande and the École Nationale des Langues Orientales. There, he became acquainted with two young creatives who would also go on to become famous in their own rights. Claude Pascal, a poet, and Arman Fernandez, a sculptor, became Klein’s close friends. The three boys shared interests including judo, literature, religious studies, and music.

Yves Klein, Ant 131, 1961.
Yves Klein, Ant 154, 1961, San Francisco Museum of Modern Art, San Francisco, CA, USA.

In Klein’s own account, a pivotal moment in his career occurred when the young men once spent the afternoon on a beach. The boys, just teenagers at the time, metaphorically divided the universe among themselves. Pascal chose the written word and language as his domain, Fernandez chose the physical world, and Klein chose space. For Klein, space represented a vast infinity in which he took great interest. It was this choice that would spark his later fascination with the idea of infinite space, the muse for his work.

After school, Klein began his artistic career with a study of monochromes. In 1956, Klein debuted with a solo exhibition in Paris called Yves: Propositions Monochromes. The monochromes featured three colors: pink, blue, and gold. The audience, however, was disappointed with the exhibition. It was this disappointment that caused Klein to pursue with a singular color.

Yves Klein: Lover of Blue
Yves Klein, IKB 191, 1962. Wikimedia Commons (public domain).

After the failed Paris exhibition, Klein sought the help of a Parisian art supplier and chemist named Édouard Adam. Together, the men created a shade of blue that would become famous around the world. Made from dry pigment and resin, the new formula was entitled International Klein Blue (IKB).

International Klein Blue is unique in several ways. To create the signature shade, Klein and Édouard suspended pure, a dry ultramarine pigment in clear synthetic resin and other solvents. To maintain vibrancy, a colorless carrier is used, it does not dull individual pigment particles. Today, the only manufacturer of IKB is the Yves Klein Estate. The shade is proprietary (though not patented) and has never been sold or recreated for any purpose.

Yves Klein: Lover of Blue
Yves Klein at Anthropométries de l’époque bleue. Yves Klein Archives.

With the creation of IKB, Klein entered into a period of his career known as the Blue Period. This period featured over 200 monochrome paintings and sculptures that explored the vibrant shade in a number of different ways. Though he did not name these works before his death, his widow, Rotraut Klein-Moquay, would later assign a number to each after his death.

IKB pigment was highly versatile and could be applied with a brush, spray, roller, or placed directly onto canvas. Klein began the Blue Period in 1956 with a series of monochromes that were created using paint rollers, which easily spread the pigment onto a cotton canvas.

Yves Klein, SE 274.
Yves Klein, SE 324, c. 1961. Lempertz.

Klein continued to experiment with different types of monochromes through the end of his career, but also expanded his work into more unusual and provocative ideas. In 1960, Klein began the Anthropometry series. Works in this period involved nude female models who would cover their bodies in IKB paint and press their bodies against canvases to create prints.

Yves Klein, La Terre Bleue
Yves Klein, La Terre Bleue, 1988. Bailly Gallery. 

Klein’s expansion into more controversial performance art boost his notoriety in the art community and placed him in the public eye with live performances and exhibitions. Klein continued to work until his death in 1962.

Yves Klein, Relief Eponge Bleu
Yves Klein, Relief Eponge Bleu, 1960. Staedel Museum.


About the author

Emma Welsh is a passionate writer who loves putting pen to paper (or fingertips to keyboard) whenever she can. In her spare time, Emma loves to be with her family, enjoying the outdoors and finding the next great taco truck!

 

Recommended

Rusiñol's painting of a garden view depicting a hedge maze with a sculpture in the center with trees. and filtered sunlight in the distance. Artist Stories

The Beautiful Gardens of Santiago Rusiñol

Santiago Rusiñol i Prats was a prolific painter, draftsman, playwright, novelist, poet, and cultural activist from the late 19th and early 20th...

Maya M. Tola 4 July 2022

Artist Stories

The Andy Warhol Diaries: Artistic Collaborations

Love him or hate him, Warhol’s art is notable for his use of mass production and pop culture. As Christopher Makos said in a 2011 interview...

Rachel Witte 6 August 2022

Artist Stories

5 Things You Should Know About Anna Boch

Anna Boch was a Belgian painter. Curious about the trends of her time, such as Pointillism, Luminism, and Art Nouveau, she dedicated much of her life...

Tommy Thiange 11 April 2022

Artist Stories

Whistler vs. Ruskin: How to Fling a Pot of Paint and Win a Trial

After paying a visit to the newly inaugurated Grosvenor Gallery in London, John Ruskin wrote a stinging review of the modernist exhibition. The...

Ruxi Rusu 6 May 2022