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Painting of the Week: Francisco Toledo, Frog

Painting of the Week

Painting of the Week: Francisco Toledo, Frog

This is an unusual watercolor diptych by the late Mexican artist Francisco Toledo, who died this year. The work encompasses two totally opposite scenes; the sensual and intimate painting on the left hand side called Sapo con tortuga (The Frog with a Turtle), and the crowded yet alienating painting on the right, named Sapo con coches (The Frog with Cars). Both are unrealistic, magical and symbolic. They bring us to the omnipresent animal in Toledo’s oeuvre – a frog. The colours are very natural and organic while the vision is metaphorical and inspired by ancient, Zapotec legends.

Francisco Toledo, frog Sapo con coches,sapo con tortuga, circa 1970s
Francisco Toledo, Sapo con coches, sapo con tortuga, watercolor, c. 1970s, private collection. Source: Sotheby’s.

The Frog with a Turtle

In the first part of the diptych, Toledo uses Mayan symbolism and creates an erotic and playful picture. This is shown as, in prehispanic cultures of Mexico, frogs were symbols of luck and of a fortunate turn of events as their sudden appearance predicts the rain. Turtles, on the other hand, were also very potent, revered creatures in pre-columbian societies and were associated with fertility and vitality. 

Francisco Toledo, Sapo con tortuga, detail.
Francisco Toledo, Sapo con tortuga, detail.

We the viewers, catch the frog and the turtle in flagranti. The closed eyes, the extended tongue and the open and stretched hands of the frog allude to joy, pleasure and satisfaction. It is a play between the animals, with the cane as a prop to unite them. It is a game of being close yet distant and above all connected and intimate. 


This scene is painted in light colors and earthy tones of blue, red, orange and grey. By doing this, the artist brings softer emotions and a warmer atmosphere to show the animalistic and symbolic interplay. 

The Frog with Cars

Francisco Toledo Frog
Francisco Toledo, Sapo con coches, detail.

The second fragment of the work shows an absolutely different range of feelings. The color palette also changes into deeper, darker and colder tones of grey, brown, red and blue. The composition is crowded and the proportions unnatural. The frog is pretty much the same size as the three cars next to her. 


The frog is alone, overwhelmed. Its eyes are also closed and the facial expression does not say much. The animal is immobile, frozen and collected. We do not know where she is going or whether or not the cars will run her over at some point.

Francisco Toledo paints with a soft and caring approach and manages to show a striking contrast between the two parts of this work. In this way, he gives the viewer the subtle range of emotions and very essential, human conditions. Sometimes realism is magical and Toledo found a way to express it skillfully and originally in this painting.


Further reading:

All the Fuss and Feathers in Pre-Columbian Art


The World Of Animals Created By Hans Hoffmann In 16th Century

Painting of the Week: Tarsila do Amaral, Abaporú


Ex political science researcher at the Jagiellonian University. Lover and promoter of Latin American art and design (via blog www.thebananas.pl). In spare time president of the board of FOH Foundation, non profit, pro publico bono organization whose mission is to further safety and professional standards in the entertainment productions industry.

 

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