Donald Ellis Gallery, a New York-based dealer of Native American art, will show Native American drawings and other artworks in the Frieze Viewing Room, opening tomorrow. This online exhibition will offer art fair visitors a window into the fantastic native artistic traditions of the United States and Canada.
Kovinatilliak Parr, Untitled (Caribou and Walrus Hunt) (E4245), Cape Dorset, Nunavut, mid 1960s. Coloured pencil on paper, 50.17 × 64.77 cm. Image courtesy Donald Ellis Gallery.
Of the 36 items to appear in the gallery’s exhibit, 27 are drawings. Dating from 1800 through the 1960s, they come from nations in western Canada, Alaska, the Plains, and the American Southwest. These brightly-colored drawings depict people, animals, and cultural events in a variety of styles. However, offerings will also include three-dimensional objects such as a Haida shaman’s rattle and Tsimshian chest.
Bent-corner chest (N4387), Haisla or Coast Tsimshian, ca. 1840-1860, Red cedar, red turban snail opercula. Length: 71.12 cm, width: 48.26 cm, height: 43.82 cm. Image courtesy Donald Ellis Gallery.
The gallery emphasizes the great importance of Native American drawings, which served as permanent records in cultures without written traditions. The accompanying texts stress the sophistication and the diversity of these drawings, while pointing out the differences between Native American and Euro-American ideas about the art form.
Ledger Drawings
Attributed to Nah-hi-yurs (aka Carl Matches), Ledger drawing (P4224-12). Southern Cheyenne, Central Plains, ca. 1875-78. Graphite and coloured pencil on lined paper, 15.56 × 20.96 cm. Image courtesy Donald Ellis Gallery.
The biggest portion of the exhibition contains Ledger Drawings from Great Plains cultures such as the Cheyenne and Crow. Ledger Drawings record cultural history, such as battles and ceremonies, on pages from European ledger books. This tradition was not commercial when it began in the 1870s, but it quickly gained a market among non-native American collectors. One particularly noteworthy example will also appear in a special Forever exhibition curated from different Frieze Viewing Room displays.
Frieze Viewing Room
Memory Aid (S3936), anonymous artist, Navajo, Arizona or New Mexico, ca. 1920. Paint on muslin, 43.18 × 85.09 cm. Image courtesy Donald Ellis Gallery.
The Frieze Viewing Room is the online stand-in for this year’s Frieze Masters and Frieze London fairs. It will be live from October 9-16, 2020 and will feature displays from more than 250 galleries. Visit the Frieze website to learn more and create an account to access the Viewing Room.
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Alexandra Kiely is an independent art historian based in the greater New York area. Her work focuses on making art, architecture, and art museums understandable to a general audience. She is the author of The Art Museum Insider, a book that guides those without art history training to have more informed and empowered experiences with art. Visit her website, A Scholarly Skater, and follow her on Instagram.
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