Masterpiece Stories

Painting Of The Week: J. A. D. Ingres, Paolo and Francesca

Zuzanna Stańska 13 May 2018 min Read

Paolo and Francesca is painting by the French artist Jean-Auguste-Dominique Ingres, produced in seven known versions between 1814 and 1819. The story of Paolo and Francesca is derived from Dante’s Inferno. Today we are going to discuss one of them.

Here we have them both – Paolo kisses Francesca. Francesca was a daughter of a nobleman from Ravenna who had been wed in a politically arranged marriage to a much older man, Giovanni Malatesta, who was physically deformed and wholly absorbed by his continual wars. In Dante’s retelling of the tale, the poet encounters Francesca and Paolo in the second circle of hell, where they have been condemned to fly through the whirlwind in a meaningless embrace for all eternity because of a moment of carnal love. Francesca explained she had spent her time in reading with Giovanni’s attractive younger brother, Paolo; and one day, seduced by the romance of Lancelot and Guinevere, the young Italians were prompted to a trembling kiss. At just that moment, Giovanni happened upon his wife and brother and killed them both.

Paolo and Francesca, Jean Auguste Dominique Ingres, 1856-60, Hyde Collection
Paolo and Francesca, Jean Auguste Dominique Ingres, 1856-60, private collection

The important French neo-classical artist (and one of my favorite ones) Ingres, painted many medieval and Renaissance subjects. He developed a simplified style of strong silhouettes and bright colors based on early Renaissance artists. This manner was designed to fit the historical period of his subjects. When Ingres took up the story around 1814, a new translation of Dante’s masterwork made the Divine Comedy more accessible to French audiences, and the story of Paolo and Francesca in particular quickly became one of the Paris public’s favorite tragedies.

This style of this painting can be called a Troubadour Style – it was for French historical painting of the early 19th century with idealised depictions of the Middle Ages and the Renaissance. It can be seen as an aspect of Romanticism and a reaction against Neoclassicism. In painting, the troubadour style was represented by history painting portraying edifying historical episodes, usually in a form of quiet intimate anecdotal moments.

 

Find out more:

[easyazon_image align=”none” height=”160″ identifier=”0714848689″ locale=”US” src=”https://www.dailyartmagazine.com/wp-content/uploads/2018/05/51HIxDoh2qL.SL160.jpg” tag=”dailyartdaily-20″ width=”138″]   [easyazon_image align=”none” height=”160″ identifier=”0789200600″ locale=”US” src=”https://www.dailyartmagazine.com/wp-content/uploads/2018/05/51l92Bsog4eL.SL160.jpg” tag=”dailyartdaily-20″ width=”138″]   [easyazon_image align=”none” height=”110″ identifier=”3848005565″ locale=”US” src=”https://www.dailyartmagazine.com/wp-content/uploads/2018/05/51l2yVrK9qL.SL110.jpg” tag=”dailyartdaily-20″ width=”93″]

 

Recommended

Masterpiece Stories

Masterpiece Story: Virgin and Child by Elisabetta Sirani

With Virgin and Child as a cornerstone of her reputation, Elisabetta Sirani should be recognized as an important Italian Baroque artist. Far more...

James W Singer 16 August 2026

Masterpiece Stories

Masterpiece Story: Venetia, Lady Digby, on Her Deathbed by Anthony van Dyck

Anthony van Dyck was one of the great portraitists of the 17th century. It is largely through his eyes that we now view the doomed reign of Charles I...

Catriona Miller 17 August 2026

Masterpiece Stories

Masterpiece Story: Ostracon of a Dancer

Ostracon of a Dancer is one of the boldest and most individualized masterpieces of ancient Egyptian art. Its composition and remarkable sense of...

James W Singer 26 July 2026

Masterpiece Stories

Masterpiece Story: Girl in a Blue Dress by Gwen John

Discover how artist Gwen John transformed simple compositions into breathtaking glimpses of her complex inner world.

Candy Bedworth 20 July 2026