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See Alexander Calder’s Unique Jewellery

Image source: www.calder.org

Fashion

See Alexander Calder’s Unique Jewellery

Alexnder Calder is one of my favorite sculptors, his mobiles are so light and simple and yet stunning with serene beauty. However, today I won’t write about them but about  jewellery pieces he would make for his wife and his friends. His personal engagement with the creation of every single item makes them unique and very, very expensive nowadays.

Carl Van Vechten, Georgia O'Keeffe at Abiquiu wearing a Calder brooch, NM, 1950. Photo © Van Vechten Trust. Artwork © 2017 Calder Foundation, New York / Artists Rights Society (ARS), New York, calder's jewellery

Carl Van Vechten, Georgia O’Keeffe at Abiquiu wearing a Calder OK brooch, NM, 1950. Photo © Van Vechten Trust. Artwork © 2017 Calder Foundation, New York / Artists Rights Society (ARS), New York.

He started making small pieces already as a boy. He would give them to his sister and her dolls. Then he abandoned them for the sake of sculpture but returned to jewellery making at the age of 29. When he met his future wife, he decided to make a ring for her. “I thought this would do for a wedding ring,” he recalled in 1966, “but Louisa merely called this one her ‘engagement ring’ and we had to go to Waltham, nearby, and purchase a wedding ring for two dollars.”

Peggy Guggenheim wearing earrings by Alexander Calder, 1942© Solomon R. Guggenheim Foundation, Photography © Archivo Cameraphotoepoche, Courtesy of The Calder Foundation, Calder's jewellery

Peggy Guggenheim wearing earrings by Alexander Calder, 1942© Solomon R. Guggenheim Foundation, Photography © Archivo Cameraphotoepoche, Courtesy of The Calder Foundation, New York

After this shy beginning, Calder would gift Louisa a new piece every year, both for wedding anniversaries and her birthdays. They would range from inscribed brooches, statement necklaces, or special buttons for a coat.

Simone de Beauvoir wearing Calder brooch, 1955 Calder's jewellery

Simone de Beauvoir wearing Calder brooch, 1955. Source: Pinterest

According to gallerist Louisa Guinness, Calder’s jewellery was not for everyone, especially that the artist used found material which otherwise would be considered debris, or pieces of wire and glass, or even kitchen cutlery. He was not interested in the market value of the material, but in the aesthetic of the design. And the designs were undoubtedly his, exhibiting typical Calderian motifs like the spiral.

Man Ray, Louisa Calder wearing a Calder necklace. Pinterest, Calder's jewellery

Man Ray, Louisa Calder wearing a Calder necklace. Pinterest

Hence, the jewellery was worn by Calder’s friends such as Peggy Guggenheim, Simone de Beauvoir or Georgia O’Keeffe.  It was like a secret club, people would wear it and you had to be bold and brave, it was like wearing a funny hat … people would look at you. It wasn’t for everyone, it wasn’t for the timid, said Guinness. He made them with his own hands and was never really without wire and a pair of pliers in his pocket, [which] he would take out and start playing with.

Find out more:

If you’re keen on jewellery, have a read about: Jewellery in Rossetti’s paintings and Architecture or Jewelry? Josef Hoffmann’s Modern Brooches.

 

Magda, art historian and Italianist, she writes about art because she cannot make it herself. She loves committed and political artists like Ai Weiwei or the Futurists; like Joseph Beuys she believes that art can change us and we can change the world.

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