Medea: Contemporary Artists Revisit Ancient Greek Tragedy
Seventeen international contemporary artists offer their personal interpretations of the powerful Ancient Greek myth of Medea, showcasing the themes...
Natalia Iacobelli 5 June 2023
min Read19 April 2023
Colombian artist, Fernando Botero, demonstrates how differently we can all view the same object. Although Botero is known for depicting everything in a voluptuous and voluminous way, he argues that his intention isn’t to represent weight. Instead, his aim is to give prominence to volume. Here is what Botero wants to say with his art. Read about Boterismo in art!
As well as being an outstanding painter, Botero has created sculptures that are also found all over the world. Because his figures have one main characteristic (absolutely all of his figures are depicted in large, exaggerated volume) his works are easily recognizable. This personal trademark is appreciated internationally. In fact, he is one of the most renowned Latin American artists in the world. Yet the Colombian artist claims that there is more to his art than portraying the body in a different way.
Fernando Botero focuses exclusively on painting, sculpting, and drawing figures who appear to be proportionally exaggerated. This perception of the human form, with its rounded sides and attention to the body forms, makes him the creator of what we know today as “Boterismo.” At first sight, his figures have bodies that, according to modern beauty standards, would be categorized in a negative way. However, the author insists that, on the contrary, he is highlighting the natural shape of the body, with its curves and its sensuality. Botero does not paints bodies where the natural volume is highlighted. By giving more prominence to the volume he makes figures more plastic, and more monumental.
Botero transforms his models as he paints them, without the need for any reference figures. His first step is to modify them in his mind. Then he adapts them to his unique style. His love of volume is not only for people. He also paints animals in the same way, always exaggerating their curves and rounding the edges.
Botero argues that painters should look more on the positive side. He emphasizes that art is just a celebration of life. Thus he chooses gentle themes for his paintings. He notes that painters have often worked on the exaltation of life, even in the midst of great tragedies.
For example, Impressionism: has there ever been a depressing Impressionist painting? Even during times of war and national tragedies, painting seemed to maintain a positive attitude toward life. Today it’s different. Botero believes that now art is more about creating a scandal or causing shock. Traditionally, that’s not what was done. Kindness predominates in his art, but from time to time he expresses his social commitment and paints pictures of torture.
According to the artist, bulls have always been an absorbing subject for him. For this reason, he does not agree with the prohibition of bullfights in Catalonia and Bogotá. In his judgment, everyone has the right to have hobbies. It is not the only cruel thing in life: hunting and fishing are cruel. People who eat lobsters and throw them into the pot are also cruel, but nobody says anything about that. This consummate artist maintains a very straightforward position on this subject.
In painting, his masterful handling of oil, pastel, and watercolor is outstanding. He also draws in charcoal, pencil, bistre, and sanguine on canvas and paper. While he does sculpt in bronze giving his sculptures a variety of patinas, he mainly sculpts in Carrara marble.
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