Contemporary Art

Anselm Kiefer’s Burning Writings in Doge’s Palace in Venice

Magda Michalska 20 June 2022 min Read

Apart from the Biennale that is taking place in the Venetian Giardini at the moment, Venice never ceases to offer stunning exhibition spaces for contemporary artists. Anselm Kiefer (b. 1945), a German painter, sculptor, and installation artist, whose works you can find on display in Peggy Guggenheim Venice, was first invited in 2019 to decorate one exquisite room of one of the most prestigious buildings in Venice, the Doge’s Palace (Palazzo Ducale). Known for very tactile works, this site-specific exhibition features some burning writings, straw, and shoes…

Why Kiefer?

Anselm Kiefer venice: Poster for the exhibition Anselm Kiefer at the Doge’s Palace, Venice, Italy. Museum’s website.

Poster for the exhibition Anselm Kiefer at the Doge’s Palace, Venice, Italy. Museum’s website.

Anselm Kiefer has been working on this series of gigantic paintings since 2020, which touch upon such themes as the role of artists in the contemporary world, the reflection on Venetian history, and the role that Venice played in the creation of art. Kiefer was commissioned to celebrate the 1600th Anniversary of the Foundation of Venice.

The works are all installed in one spacious room of the Sala dello Scrutinio, engaging closely with the original 33 historical paintings by Jacopo Tintoretto, Palma il Giovane, and Andrea Vicentino, who painted the scenes of Venetian triumph on the ceiling after the city fire of 1577. After almost 300 years, it was the first time that something else has been superimposed over the original paintings. Historically, something like that happened when the Doge and significant nobles dictated the change of tastes or needs of the Republic.

Rise from the Ashes

Anselm Kiefer venice: Sala dello Scrutinio, 15th century, Doge’s Palace, Venice, Italy. Mike’s Travel Guide.

Sala dello Scrutinio, 15th century, Doge’s Palace, Venice, Italy. Mike’s Travel Guide.

As the original paintings were installed after the fire had destroyed earlier decorations, Kiefer’s paintings offer a commentary on the potential of fire, which by burning destroys and also creates. This explains the motto he has selected for this exhibition from the writings of a Venetian philosopher, Andrea Emo: “Questi scritti, quando verranno bruciati, daranno finalmente un po’ di luce” (in English “These writings, when burned, will finally cast a little light”).

Kiefer comments on life’s cyclical nature — how the previous paintings burnt, so his will be destined for the trash once the exhibition is over. However, he also points out that sometimes positive effects can emerge from the cancellation of something else, of the past.

Anselm Kiefer venice: Installation view: Exhibition Anselm Kiefer at the Doge’s Palace, Venice, Italy. Photo by Andrea Avezzù. Weltkunst.

Installation view: Exhibition Anselm Kiefer at the Doge’s Palace, Venice, Italy. Photo by Andrea Avezzù. Weltkunst.

Burning Writings

Anselm Kiefer venice: Installation view: Exhibition Anselm Kiefer at the Doge’s Palace, Venice, Italy. The Washington Post.

Installation view: Exhibition Anselm Kiefer at the Doge’s Palace, Venice, Italy. The Washington Post.

I was wowed when I first entered the Sala dello Scrutinio filled with Kiefer’s tactile canvases which engage with the original room from the chromatic and thematic points of view. It was moving to see how much work he put into the creation of these enormous, engaging installations. Each canvas tells a story on its own, but when put together, they all are elements of a tale of the cycle of life, the history of humanity, and history of Venice, which is a perfect metaphor for the passage of time itself. As the glory of once unbeatable Serenissima Republic is now faded, it helps retell the story of cultural exchanges, trade passages between East and West, and the stratification of myths and universal symbols.

Kiefer’s Interests

Anselm Kiefer venice: Anselm Kiefer. Photo by Peter Rigaud c/o Shotview Syndication. Gagosian.

Anselm Kiefer. Photo by Peter Rigaud c/o Shotview Syndication. Gagosian.

Anselm Kiefer had completed a law degree before deciding to switch to making art. He turned to found objects and organic material like straws, plants, and clothes to comment on his World War II trauma and the post-war German identity. His works often refer to philosophy, Jewish mysticism, music, and literature. His main areas of interest are mechanisms of collective memory, cultural exchanges between East and West, and relationships between this universe’s macrocosm and humans’ microcosm. He moved to France in the 1990s where he built his studio which is constructed of a network of underground corridors connecting many of his installations.

I really recommend you visit this striking exhibition when in Venice. It will be displayed in the Doge’s Palace until October 29, 2022.

Recommended

Contemporary Art

Mat Collishaw and the Genetic Algorithms

Snark.art and OG.Art have announced Heterosis, a groundbreaking art collection and immersive metaverse experience brought to life by established...

Agnieszka Cichocka, 6 March 2023

Theaster Gates, A Heavenly Chord, 2022. Leslie speakers, Hammond B3 Organ, and sound, dimensions variable. © Theaster Gates. Courtesy Theaster Gates. Photo: Jim Prinz Photography Contemporary Art

Last Chance to See: Theaster Gates: Young Lords and Their Traces

Theaster Gates is known for his urban revival and commitment to public service through the acquisition of neglected buildings around the...

Jennifer S. Musawwir 1 February 2023

Portrait of Veronica Ryan with her exhibition, Along a Spectrum, 2021, Spike Island, Bristol, UK.  Contemporary Art

Meet Veronica Ryan, The 2022 Turner Prize Winner

A great example of resilience and coherence, Veronica Ryan is the latest winner of the Turner Prize, an annual prize awarded to British contemporary...

Carlotta Mazzoli 2 January 2023

Contemporary Art

Xaviera Simmons Enlightens at the Queens Museum

Xaviera Simmons: Crisis Makes a Book Club at the Queens Museum in New York (open until March 5, 2023) is an expansive solo exhibition of recent work...

Jennifer S. Musawwir 22 December 2022