Post-Impressionism

The Story of an Excessively Electric Friendship Between Van Gogh and Gauguin

Magda Michalska 13 February 2024 min Read

People say that you shouldn’t live with your friends because your friendship may deteriorate. The story of the friendship between Vincent van Gogh and Paul Gauguin can be used as an example!

An Initially Innocent Exchange

Vincent van Gogh, Two Sunflowers, 1887, The Metropolitan Museum of Art, New York, NY, USA.
Vincent van Gogh, Two Sunflowers, 1887, The Metropolitan Museum of Art, New York, NY, USA.

They met for the first time in Paris in 1887. Vincent van Gogh had left Antwerp and to join his brother Theo. Meanwhile, Paul Gauguin was returning from Martinique with his exotic and colorful set of paintings. He fascinated Van Gogh as an artist who made “art of the future.” Gauguin, in turn, initially saw the Van Gogh brothers as merely a potential new connection to the art market and the source of money which he needed so badly. Subsequently, they exchanged a couple of paintings: Van Gogh sent two studies of sunflowers (one of them above) and Gauguin sent On the Shore of the Lake, Martinique (Negresses) from 1887. This unique correspondence started their exchange of letters and ideas.

A Yellow House Filled with Artists

Vincent van Gogh, The Yellow House (The Street), September 1888, Van Gogh Museum, Amsterdam, Netherlands.
Vincent van Gogh, The Yellow House (The Street), 1888, Van Gogh Museum, Amsterdam, Netherlands.

In 1888, they both left Paris. Gauguin traveled to Brittany to explore the countryside and search for the roots of existence among the “primitive” peasants. Van Gogh moved to Arles in the south of France where his dream of establishing a commune for artists to live and work together began to develop. He rented a yellow house and invited Gauguin to come to live with him. Surprisingly or not, Gauguin agreed. Yet, before his arrival, they both continued to exchange paintings and letters.

Two Independent Artists

Vincent van Gogh, Self-Portrait Dedicated to Paul Gauguin (Bonze), 1888, Harvard Art Museum, Cambridge, MA, USA.
Vincent van Gogh, Self-Portrait Dedicated to Paul Gauguin, 1888, Harvard Art Museum, Cambridge, MA, USA.

The period before Gauguin’s transfer to the “Studio of the South” was a very prolific time for both of the artists. They worked hard on shaping their original styles and philosophies. They both considered themselves special: Gauguin thought of himself as an outcast rejected by society; Van Gogh looked up to Gaugin, regarding himself as a monk or disciple of the “new art”.

Paul Gauguin, Self-Portrait Dedicated to Vincent van Gogh (Les Misérables), 1888, Van Gogh Museum, Amsterdam, Netherlands.
Paul Gauguin, Self-Portrait Dedicated to Vincent van Gogh (Les Misérables), 1888, Van Gogh Museum, Amsterdam, Netherlands.

Gauguin moved in on October 23rd, 1888. They lived together for two months. They ate, worked, and debated about art. As winter approached, they were forced to spend more and more time together. Their different and strong personalities clashed too often, to the point that Van Gogh called their relationship “excessively electric”. Their debates grew even more heated and they worked very intensely but in two completely different ways.

Van Gogh painted rapidly and preferred painting from nature, Gauguin on the other hand, chose to work from memory in a slow and methodical manner. At the end of December, Van Gogh, exhausted and distressed, threatened Gauguin with a knife. He then cut off part of his own ear. Gauguin fled, never to see Van Gogh again.

Sunflowers Remained

Paul Gauguin, Sunflowers on an Armchair, 1901, The State Hermitage Museum, St. Petersburg, Russia.
Paul Gauguin, Sunflowers on an Armchair, 1901, Hermitage Museum, St. Petersburg, Russia.

Gaugin having left Arles, the pair continued to exchange letters until Van Gogh’s death 19 months later. Gauguin traveled to Tahiti soon after, in April 1891. Although his style remained different, the intense discussions with Van Gogh left a mark on his painting. One such example was the sunflower, Van Gogh’s favorite flower which accompanied their friendship from the very beginning.

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