Connect with us

DailyArtMagazine.com – Art History Stories

Where Is Van Gogh’s Biggest Art Collection Outside of Amsterdam? In the Kröller-Müller Museum!

Vincent Van Gogh, Still Life with a Plate of Onions, 1889, Kröller-Müller Museum, Otterlo, Netherlands.

Museums And Exhibitions

Where Is Van Gogh’s Biggest Art Collection Outside of Amsterdam? In the Kröller-Müller Museum!

The Kröller-Müller Museum in Otterlo, Netherlands, is home to the second largest collection of works by Vincent Van Gogh (1853-1890) in the world; the first being in his namesake museum in Amsterdam. It raises the question, why does the Kröller-Müller museum own so many?

 Kröller-Müller art museum, Van Gogh gallery
The Van Gogh Gallery in the Kröller-Müller Museum, Otterlo, Netherlands. Kröller-Müller Museum.

Listed below are some of the most interesting and/or beautiful works of art from the Kröller-Müller Museum’s Van Gogh collection, alongside facts about the connection between the Kröller-Müller matriarch and the 19th century artist.


Although Van Gogh is now known as one of the best painters in art history, his work was not sought after until after his death in 1890. Painting was not a financial windfall for Vincent. However, after his death, one collector saw more in his art, calling him, “one of the spirits of modern art.” But what does a German shipping heiress and Vincent Van Gogh have in common?

Portrait of Joseph Roulin, Kröller-Müller
Vincent van Gogh, Portrait of Joseph Roulin, Feb-March 1889, Kröller-Müller Museum, Otterlo, Netherlands.
Van Gogh, Cafe Terrace at night,Kröller-Müller
Vincent van Gogh, Terrace of a Cafe at Night, c. September 1888, Kröller-Müller Museum, Otterlo, Netherlands.

Helene Kröller-Müller and Van Gogh

Helene Kröller-Müller (1869-1939), is credited with being one of the first art collectors to recognize Van Gogh’s artistic genius, as well as the man behind the canvas.

Country road in Provence, Kröller-Müller
Vincent van Gogh, Country Road in Provence by Night, May 1890, Kröller-Müller Museum, Otterlo, Netherlands.
Self-portrait of Van Gogh, Kröller-Müller
Vincent van Gogh, Self-Portrait, June 1887, Kröller-Müller Museum, Otterlo, Netherlands.

Between 1908-1929, under the artistic vision of Helene, her family purchased at least 91 paintings and over 180 sketches.

The Potato Eaters, 1885, Kröller-Müller
Vincent van Gogh, The Potato Eaters, April-May 1885, Kröller-Müller Museum, Otterlo, Netherlands.
The Ravine, Van Gogh, Kröller-Müller
Vincent van Gogh, The Ravine, December 1889, Kröller-Müller Museum, Otterlo, Netherlands.

The Dutch artist painted close to 900 works over a 10 year span, not to mention his sketches. Ranging from landscapes, portraits, and still life paintings: Helene Kröller-Müller was on a personal mission to collect as many of his works as possible, under the artistic advisement of H.P. Bremmer.

Wheat sheaves and rising moon, Van Gogh
Vincent van Gogh, Landscape with Wheat Sheaves and Rising Moon, July 1889, Kröller-Müller Museum, Otterlo, Netherlands.
Pink Peach Trees, Van Gogh, Spring, Kröller-Müller
Vincent van Gogh, Pink Peach Trees, March 1888, Kröller-Müller Museum, Otterlo, Netherlands.

A Similar Spiritual Journey


Part of Helene’s attraction to the artist’s works stemmed from her own personal spiritual journey, something partly encouraged by Bremmer. The artist’s personal letters helped Helene to define her own spiritual beliefs as she left her parent’s home to start her own family. She is quoted as saying:

“Vincent’s letters helped to raise me up in that respect. They taught me that a path, an independent path, must be slow but as a result more wonderful.”

– Helene in a letter to Sam van Deventer, June 21, 1914.
Sorrowing Old man
Vincent van Gogh, Sorrowing Old Man, May 1890, Kröller-Müller Museum, Otterlo, Netherlands.
Chestnut Trees, Van Gogh, Kröller-Müller
Vincent van Gogh, Blossoming Chestnut Trees, May 1890, KMM, Otterlo, Netherlands.

The art collector saw a little of herself in the artist’s life. Eva Rovers states that:

“It was this recognition that increased her fascination with [his] paintings. He, too, had freed himself from a faith and its attendant rituals that had become bourgeois…[I]t was that decision not to paint religious subjects but to search for the true faith in daily life in nature that held such an appeal for Müller…”

– Eva Rovers, He Is the Key and the Antithesis of so Much: Helene Kröller-Müller’s Fascination with Vincent Van Gogh, pp. 264-65.
Loom with Weaver, Van Gogh,
Vincent van Gogh, Loom with Weaver, 1884, KMM, Otterlo, Netherlands.
Dab Drying Barn, Van Gogh, Kröller-Müller
Vincent van Gogh, Dab-drying Barn in Scheveningen, May 1882, KMM, Otterlo, Netherlands.

A Legacy


Before the Kröller-Müller national art museum opened, Helene showcased her purchased paintings and drawings throughout her home and family business. She also made a name for herself by opening up the works to the public. Providing the opportunity for the everyday man to view her art collection was a move on her part in establishing a “cultural monument” with which to leave the Dutch nation.

Collecting Van Gogh’s art was not part of a single-minded focus on Helene’s part. Rather, the art spoke to her which is why she found herself collecting it at such an astronomical rate. So many of her purchases translated into Van Gogh’s works being highly sought after at other auctions throughout Europe.

In Church, Van Gogh,
Vincent van Gogh, In Church, Oct 1882, KMM, Otterlo, Netherlands.

Work(s) Referenced:

  • Rovers, Eva. “He is the Key and the Antithesis of so Much”: Helene Kröller-Müller’s Fascination with Vincent Van Gogh.” Simiolus: Netherlands Quarterly for the History of Art 33, no. 4 (2007): 258-72. Source: JSTOR, 2020.


Read more about Vincent van Gogh:

Art historian (art lover, artist), coffee drinker, writer, Mom to 2 girls, and wife to a pilot. BA in History and an MA in Art History. Favorite art style is Impressionism. Favorite theme is the Annunciation. Located in Central Kansas.

 

Comments

More in Museums And Exhibitions

  • Portrait of Elena Luksch-Makowsky Portrait of Elena Luksch-Makowsky

    dailyart

    Elena Luksch-Makowsky: From St. Petersburg, through Vienna to Hamburg

    By

    On the 24th of September, the Belvedere Museum in Vienna opened an in-sight exhibition dedicated to Elena Luksch-Makowsky, a Russian painter and sculptor. She was one of the central figures of the Vienna Secession. The exhibition is a sequel to the City of Women exhibition at the...

  • 19th Century

    Clark Art Institute Highlights

    By

    The Clark Art Institute, often referred to as “The Clark,” was founded in 1950 to house the extensive art collection of Sterling and Francine Clark. The galleries opened to the public in Williamstown, Massachusetts in 1955. The museum has since expanded its original collections through new...

  • 19th Century

    Why Don’t We Study Frédéric Bazille’s Works?

    By

    Undoubtedly you all have heard of Claude Monet, Auguste Renoir, Alfred Sisley or Edouard Manet. Yet, fewer of you will have heard of Frédéric Bazille, a friend and fellow painter of all of the above. Hence, we ask, why did he disappear from the mainstream history...

  • 19th Century

    Art History 101: Self-Portraits You Should Know

    By

    Mirror mirror on the wall, who’s the fairest of them all? Self-portraits are closely tied with the existence of mirrors. Although mirrors have existed since antiquity, during the renaissance cheaper and better mirrors made in Venice came onto the market. This was one of the reasons...

  • 19th Century

    Painting of the Week: Winslow Homer, Summer Squall

    By

    The crashing waves roar with a deafening thunder, and the foamy spray flies with a quickening speed. Great gusts of wind blow the waters over the rocks and over the sea shore. A storm of monstrous size lands aground and wreaks havoc upon humanity and nature....

To Top

Just to let you know, DailyArt Magazine’s website uses cookies to personalise content and adverts, to provide social media features and to analyse traffic. Read cookies policy