Siemon Scamell-Katz: An Ode to the Sublime

Montaine Dumont 19 May 2022 min Read

Welcomed in a Parisian pop-up gallery on rue Saint-Gilles, the exhibition The End of Otherness presented, for the first time in France, some selected works by British artist Siemon Scamell Katz. From April 6 to April 16, 2022, Parisians were able to discover the art of this abstract painter who explores the sublime. Let’s discover his work through this exhibition!

Siemon Scamell-Katz: Painting 20:04
Oil and Enamel on Aluminium
Winter Saltmarsh East Anglia UK
1220mm x 1520mm

Siemon Scamell-Katz, Painting 20:04, Winter Saltmarsh, East Anglia, UK. Artist’s website.

Inside Scamell-Katz’s Career

Siemon Scamell-Katz is a contemporary painter working between Norfolk, UK, and Paris, France. His career path was particularly captivating; before becoming an artist, Scamell-Katz was first a specialist in human behavior.

As the founder of a company specializing in behavioral analysis, he had developed eye tracking technology with his team. This equipment, which used sensors that tracked and measured what people were looking at, allowed him to understand and analyze the way in which our eye and our brain precisely observe an object. Scamell-Katz also defined himself as a specialist in “how specialized the human brain is in interpreting icons and symbols and how those symbols are the stimulus to memory and interpretation thus of meaning.”

Siemon Scamell-Katz: Painting 21 : 03
Oil and Enamel on Aluminium

Siemon Scamell-Katz, Painting 21:03. Artist’s website.

His artistic approach was thus born from his research on human ocular perception; noting that,

All landscape painting is interpreted through a scholarly ‘frame’ of vision.

Siemon Scamell-Katz produced a series of abstract paintings in oil and enamel on aluminum representing landscapes freed from this frame of vision and the interpretations that flow from it. He wanted the viewer, detached from any symbolism or interpretation, to be invited “to look without seeing, but to feel.” Abstraction was naturally the way that Siemon Scamell-Katz used to carry out his reflections.

As a reminder: by abstraction we mean any figuration in art, to keep only a reality reduced to the purest expression containing only the essentials of its vibrations and colors.

Siemon Scamell-Katz: Siemon Scamell-Scatz painting one of his works of art
Source : Siemon Scamell-Scatz's Twitter account

Siemon Scamell-Katz painting one of his works of art. Artist’s Instagram.

The First Exhibition in France

In April 2022, Siemon Scamell-Katz exhibited for the first time in the French capital. On this occasion, a gallery in the 3rd arrondissement of Paris presented 12 new abstract works by the artist to the public. These oil and enamel paintings on aluminum resulted from a long process, with the artist applying successive thin glazes to create vibrating surfaces. To realize these 12 art pieces, Siemon Scamell-Katz drew inspiration from his travels to the Greek islands of Hydra and Tinos, where he worked over the summer of 2021.

Siemon Scamell-Katz: Painting 19:01
Oil and Enamel on Aluminium
Response to Michael C Dickman’s “Blight of the Fumble Bee”
610mm x 610mm

Siemon Scamell-Katz, Painting 19:01. Artist’s website.

The particularity of this event was that the works could also be experienced by reading text written by Rachel Cusk, an author nominated for the Booker Prize in 2021 and the National Book Critics Circle Award in 2022, and Scamell-Katz’s wife. Both art and text were published in the book, Quarry; presenting the works of the British artist in parallel with the poetic touch of his wife.

Siemon Scamell-Katz: Rachel Cusk
Source : New York Times

The award-winning writer Rachel Cusk. The New York Times. 

Vanishing the Sublime

Together, the two arts, painting and literature, tended to reach the sublime. Transporting the viewer into a post-human landscape, the art of Siemon Scamell-Katz, supported by the wonderful literary work of Rachel Cusk, invited the viewer to meditate, ponder, and awaken their senses through his marvelous landscapes.

Like Mark Rothko and Zao Wou Ki, Scamell-Katz created his own interior and timeless space, drawing the public into a whirlwind of colors. It was on these colors that the movement and vitality of this space were based, where the concrete and the figurative no longer had their place. Rachel Cusk’s words responded to the painter’s brushstrokes to better guide the viewer’s gaze and perception.

Siemon Scamell-Katz: Painting 19:17
Oil and Enamel on Aluminium
Spring Cala Cartoë Sardinia ITALY
1220mm x 1520mm

Siemon Scamell-Katz, Painting 19:17, Spring Cala Cartoë, Sardinia, Italy. Artist’s website.

The works of Siemon Scamell-Katz and Rachel Cusk, gathered in the pop-up gallery on rue Saint-Gilles, invited us to stimulate our senses, to dream, and to dive into this abstract, poetic and colorful universe.

This exhibition suggested that the Sublime is no longer out of our reach.We as humans have influenced the landscape, which over the past 150 years has usually been unhelpful or destructive. Our intervention in the landscape has made us part of it, for good or ill. The show aimed to contemplate that end of otherness: to show that we are part of the Sublime.

Siemon Scamell-Katz

Siemon Scamell-Katz: The End of Otherness

Installation view: The End of Otherness exhibition in a pop-up gallery at 28 rue Saint-Gilles, Paris, April 2022. Artists’s LinkedIn.


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