The acronym YBA (meaning Young British Artists) is probably my third favorite after BYOB and ASAP (I like NASA, too). Have you come across it? It was created in the early nineties to describe a loose group of British artists who shared a similar attitude to art-making, used various materials, and really liked to shock. And, at the time, they all were pretty young.
Although they are not so young anymore, I want to invite you today to a party with the YBAs – the Young British Artists. And if you need predrinks, you can visit our last party with Andy Warhol.
Freeze and the Goldsmiths College of Art
Preparations for the Freeze exhibition which took place 6 August 1988 – 29 September 1988, Surrey Docks, London.
The event that is said to give the beginning to the group was an exhibition Freeze from 1988. It was organized by a few students of Goldsmiths College of Art in London such as Damien Hirst, Sarah Lucas, Angus Fairhurst, and Michael Landy. Their teacher in college, Michael-Craig Martin, described the group:
I spent a lot of years teaching and I’d never seen anything where there was such a large number of people who connected in this way.
What way precisely did he mean?
Found Object
Tracey Emin, My Bed, 1998, at the Turner Prize Exhibition, Tate Gallery, London, UK.
Because Young British Artists was a group of diverse people, there was no single prevailing style that connected them all. They used a variety of media and chose a wide range of different subjects and forms of expression. However, some themes recurred more often than others and one of them was the found object. They used daily objects like cigarettes or fresh food to make installations or sculptures. Here, Tracey Emin used her own bed as a work of art. Not only did she question the concept of art in general, but she also indicated the question of identity: although she called the bed My Bed, it looked like the bed of any other person. Hence, we could ask: do objects define me, or do I define objects? Are objects really personal?
The YBA liked to shock and provocative works are one of their trademarks. Damien Hirst is probably the most (in)famous artist from the group. His animals preserved in formaldehyde or beautiful but quite disgusting works made of purposefully killed butterflies can make people cringe. Hirst said that he, “just wanted to do a zoo that worked… because I hate the zoo, and I just thought it would be great to do a zoo of dead animals, instead of having living animals pacing about in misery… I never thought of [the works] as violent. I always thought of them as sad. There is a kind of tragedy with all those pieces.”
Young Entrepreneurs
Tracey Emin and Sarah Lucas outside The Shop, 1993, photograph by Carl Freedman.
The YBAs are famous for their “can do” approach to marketing and showing their art. They organized their first show and made themselves famous. In 1993, Tracey Emin and Sarah Lucas opened “The Shop” in east London’s Bethnal Green Road. It was an artistic project as well as a business: the artists rented the space to sell their work. This kind of work characterizes another trace of the YBAs: experimentation.
We love art history and writing about it. Your support helps us to sustain DailyArt Magazine and keep it running.
DailyArt Magazine needs your support. Every contribution, however big or small, is very valuable for our future. Thanks to it, we will be able to sustain and grow the Magazine. Thank you for your help!
Magda, art historian and Italianist, she writes about art because she cannot make it herself. She loves committed and political artists like Ai Weiwei or the Futurists; like Joseph Beuys she believes that art can change us and we can change the world.
Photographer Robert Mapplethorpe shocked the world with his images of bondage, gay sex, female bodybuilders and naked black men. Technically brilliant or politically problematic, what do you think?
Piero della Francesca was not only an accomplished artist of the Early Renaissance, but also one of the greatest mathematicians of his day. His works...