Masterpiece Stories

Masterpiece Story: The First Cloud by Sir William Orchardson

James W Singer 9 October 2023 min Read

At first glance, Sir William Orchardson’s The First Cloud is a late Victorian domestic scene that appears to be tranquil, refined, and placid. However, at a second glance, the luxurious elegance exposes the hypocrisy, double standards, and bankrupted values of the privileged elite.

The First Cloud showcases a crumbling marriage as boredom, indifference, and apathy begin to infect its foundations. The marriage is a house infested with termites. It appears whole and intact until its rotted and crumbling interior collapses under its own weight and avalanches into disaster and despair. Sir William Orchardson’s The First Cloud is a little-known work of biting commentary. Let us explore an Orchardson masterpiece. Let us explore a Victorian marriage.

Social commentary can be the basis of great theater, literature, and painting. It has a long tradition bolstered by great painters like Hieronymus Bosch, William Hogarth, and Pablo Picasso. Sir William Orchardson’s The First Cloud comments on English society of the 1880s, and how greed, vanity, and pride corrupts the basis of marriage and what it means to be married. Famous writers like Edith Wharton, Henry James, and Anthony Trollope explored these corrupting influences throughout their books, such as House of Mirth, The Portrait of a Lady, and The Way We Live Now. Like its literary contemporaries, The First Cloud also explores the follies of arranged marriages.

The 1880s was a time of dynastic marriages when fashionable people married for mutually advantageous benefits. It was common for one spouse to be well-connected, titled, but poor; and the other spouse to be young and wealthy. The most publicized arrangements were the impoverished English lords marrying rich American heiresses. These Dollar Princesses or Buccaneers were either lauded or lamented as the sign of the times. Marriage amongst the aristocracy was heavily influenced by the bride’s fortune and by the groom’s social pedigree. Marriage was not a love-struck match but a financial transaction. Youth and boundless cash were traded for titled rank and privilege. Each partner had to bring something of value to the marriage. Love had no financial value.

Sir William Orchardson, The First Cloud, 1887, National Gallery of Victoria, Melbourne. Detail. Lady in late Victorian cream dress.
Sir William Orchardson, The First Cloud, 1887, National Gallery of Victoria, Melbourne, Australia. Detail.

The First Cloud depicts an elegant couple of conspicuous wealth. The lady on the left is wearing a fashionable cream dress of late Victorian design. It has a bustle with gathered fabric, a long train, and a low-cut neckline. Famous fashion designers such as Charles Worth and Jacques Doucet produced such gorgeous gowns. The lady’s dress could easily be an example of their work with its flowing fabric and rustling silks. She is the epitome of dressing à la mode. She is a Dollar Princess.

The lady has her back to the viewer. She is quitting the room, and walking away from her older husband. Her head is slightly tilted and her outline is delicately reflected in the hallway mirror before her. She is walking to her right as implied by her turned head, swayed shoulders, and draped fabric. She is seconds away from exiting the illuminated salon and entering the shadowed hallway. Soon, only her husband will remain in view by the fireplace.

Sir William Orchardson, The First Cloud, 1887, National Gallery of Victoria, Melbourne. Detail. Gentleman in black suit.
Sir William Orchardson, The First Cloud, 1887, National Gallery of Victoria, Melbourne. Detail.

In contrast to the lady, the gentleman is wearing mostly solemn and somber colors. He is dressed in a stylish suit of black with a white shirt and bow tie. He inelegantly holds his hands inside his pockets crumpling his vest and coat lapels. His profile is spoiled by his stance, and he does not appear composed or collected. His left-hand fidgets with the gold chain of his pocket watch. His eyebrows gather in a furrow marking his forehead with wrinkled lines. The gentleman is not calm and collected as his social position would require him. He appears drunk, jealous, or irritated from the collective appearance of his wide stance, his drooped head, and his slouching posture. No matter what his emotions may be, there is one thing that is for certain: his emotions are toward his wife. While she carelessly walks away from him, he is obsessing about her. The husband is not happy, and the wife is either indifferent or ignorant of the fact.

Sir William Orchardson, The First Cloud, 1887, National Gallery of Victoria, Melbourne. Detail.

There is an emotional vacuum in the center of The First Cloud. The two figures stand on opposite ends of the room like two actors on a wide stage. The gentleman is surrounded by heavy furnishings such as a white marble fireplace, two red velvet armchairs, and a beige wool carpet. Does the heaviness of his surroundings reflect the heaviness of his emotions?

Sir William Orchardson, The First Cloud, 1887, National Gallery of Victoria, Melbourne. Detail. Chair, table, and screen.
Sir William Orchardson, The First Cloud, 1887, National Gallery of Victoria, Melbourne, Ausralia. Detail.

In contrast, the lady is surrounded by light furnishings such as a gilt wood chair, a rosy teak table, and a cream wood screen. The objects reflect their owners and their owners’ separate spheres of existence. The objects are not intermingled as in other households. They are at separate ends of the room just like their owners.

Sir William Orchardson, The First Cloud, 1887, National Gallery of Victoria, Melbourne, Australia. Detail.

The couple’s marriage is pulling apart, and the furnishings reflect their growing separation as a large void in the middle of the room. The emptiness of the parquet flooring is the emptiness of their marriage. This is a Victorian marriage. This is an Orchardson masterpiece.

Get your daily dose of art

Click and follow us on Google News to stay updated all the time

Recommended

Marie-Denise Villers, Self-Portrait, 1802, Musée du Louvre, Paris, France. Detail. Masterpiece Stories

Masterpiece Story: Self-Portrait by Marie-Denise Villers

Self-Portrait by Marie-Denise Villers showcases the genius of a leading female artist of Napoleonic...

James W Singer 10 March 2024

Gerrit Dou, Dog at Rest, 1650, oil on oak panel, Museum of Fine Arts, Boston, MA, USA. Detail. Masterpiece Stories

Masterpiece Story: Dog at Rest by Gerrit Dou

Gerrit Dou’s Dog at Rest is a masterpiece of Dutch genre painting, perfect for both dog enthusiasts and art...

James W Singer 25 February 2024

Masterpiece Stories

Masterpiece Story: Self-Portrait with Thorn Necklace and Hummingbird by Frida Kahlo

The story of Frida Kahlo is narrated through her artworks. She left an indelible mark on the art world with her emotionally charged and...

Celia Leiva Otto 29 February 2024

Ramesses II, New Kingdom, 19th Dynasty, 1279–1254 BCE, granodiorite, Temple of Amun, Karnak Temple Complex, Thebes (Luxor), Egypt, Museo Egizio, Turin, Italy. Detail. Masterpiece Stories

Masterpiece Story: Ramesses II

The statue of Ramesses II is a masterpiece of ancient Egyptian sculpture that proclaims the royal majesty and prowess of Ramesses the...

James W Singer 11 February 2024