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Mariano Fortuny – A Genius From Venice

Mariano Fortuny, A negative of the view of San Mark's Square from Punto della Dogana, beginning of the 20th cent., Fortuny Museum, Venice

Artists' Stories

Mariano Fortuny – A Genius From Venice

Well, I lied. Mariano Fortuny y Madrazo was not originally from Venice, as he was born in Granada in 1871, a son of the painter also Mariano Fortuny. However, he is considered a naturalized Venetian as he spent most of his life in Venice, dedicating his artistic talent and genius to the city.


Mariano Fortuny, A view on a Venetian canal from a gondola, beginning of the XX cent., Palazzo Pesaro Orfei - Musei Civici Veneziani, Mariano fortuny genius from venice

Mariano Fortuny y Madrazo, A view on a Venetian canal from a gondola, beginning of the 20th cent., Fortuny Museum, Venice

Following an early death of his father, Mariano and the family moved to Paris, where the boy studied fine art. Later, his mother moved the family to Venice: Mariano just turned 18 and quickly became a member of the Venetian high society. He frequented the intellectual and artistic circles, making friends with the poet Gabriele D’Annunzio, the actress Eleonora Duse, the writer Hugo von Hofmannsthal, the duchess Casati, the painter Giovanni Boldini, or even the prince Fritz Hohenlohe-Waldenburg. In this period he also met his future wife, Henriette Negrin, a Parisian who became his model, muse, and collaborator.

Set design

Mariano Fortuny Y Madrazo, Wagnerian Series: Parisfal, 1896, Palazzo Fortuny, mariano fortuny a genius from venice

Mariano Fortuny y Madrazo, Wagnerian Series: Parsifal, 1896, Fortuny Museum, Venice

Fascinated by Wagner, he decided to travel to Bayreuth, a visit which made his interests turn towards set design and lighting practices. He wanted to, precisely as Wagner did, unite music and the theatre sets. In 1900, he designed sets and costumes for the premiere of Tristan and Isolde in the most famous Milanese theatre La Scala, while at the same time he worked on an innovative lighting system which would free the stage from using direct light sources and make them more diffused, a project called “Dome”. Thanks to the financial support of the duchess Bearn, he managed to install his system in her private theatre in 1906. The design, which allowed to project colorful skies and clouds onto the stage, made a huge breakthrough and was taken up by various German theatres.


Mariano Fortuny, A model wearing Delphos dress and a stamped silken robe, c.1920, Museo Fortuny, mariano fortuny a genius from venice

Mariano Fortuny y Madrazo, A model wearing Delphos dress and a stamped silken robe, c.1920, Fortuny Museum, Venice

Yet, Mariano had already moved onto a new area. He began designing fabrics and stamped materials together with his future wife Henriette. It was the silk dress Delphos that they designed together in 1907, that made them famous worldwide. Marcel Proust described it as faithfully antique but markedly original. The popularity of his designs was so high that in 1919 he opened a factory in Giudecca island, where he worked on clothes made from a new material- cotton.

The museum

Mariano Fortuny y Madrazo, Portrait of Henriette, 1915, Museo Fortuny, Venice

Mariano Fortuny y Madrazo, Portrait of Henriette, 1915, Fortuny Museum, Venice

The family lived in the Palazzo Pesaro degli Orfei, today the Museo Fortuny, where Mariano could shut himself away from the world in his private library, where he worked on paintings, architectural models for theatres, photography and fashion design.

A view of the salon of Mariano Fortuny. Source: Museo Fortuny, mariano fortuny a genius from venice

A view of the salon of Mariano Fortuny, source: Fortuny Museum

After Mariano’s death in 1949, his palazzo was donated to Venice City and made a museum in 1975. Today you can see the eclectic collection of various objects amassed by Mariano, his paintings and models, and a collection of 20th-century Italian art.

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Magda, art historian and Italianist, she writes about art because she cannot make it herself. She loves committed and political artists like Ai Weiwei or the Futurists; like Joseph Beuys she believes that art can change us and we can change the world.


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