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I Put a Spell on You – Vodou Art

Frantz Zephirin, Wedding of Dambala, 2007, Collection of Galerie Macondo, Pittsburgh, PA, USA. Image: Nottingham Contemporary, UK

Art State of Mind

I Put a Spell on You – Vodou Art

Vodou is one of the most misunderstood belief systems in the world. Derided by the Church and popular culture, in fact it is a fascinating system of ethics, culture, agriculture, cosmology, folklore and medicine. Its foundations are in the tribal religions of West Africa and it was brought to the West Indies country of Haiti, to the USA, and to the Caribbean and Cuba by slaves of African descent.

Vodou Art
Lam, Wifredo; Ibaye; Tate; http://www.artuk.org/artworks/ibaye-199706

Haiti has a reputation for natural disasters, poverty and violence, but in sharp contrast is the art of the urban and rural poor. These imaginative, visually intricate works reflect the rich history and culture of Haiti’s people.


Vodou (also known as voodoo, vodoo or voudon) is influenced by European Catholicism and folklore as well as the religion of Haiti’s first people, the Taino, who were almost wiped out by the first Spanish settlers. In vodou we see paintings, on board or canvas, tapestries, flags and sculptural forms – all specific representations of spiritual power.

Gerard Valcin, The Court of Agoue, 1985, Galerie Macondo, Pittsburgh, PA, USA, Image: Nottingham Contemporary, UK


In Haiti from the 1950s to the 1970s vodou was overshadowed by the terrible dictatorship of Francois Duvalier – Papa Doc. He used vodou as an instrument of terror, dressing his militia, the Tontons Macoutes, as the spirit of agriculture while his own costume evoked the vodou deity of death, Baron Samedi. Papa Doc, and his son Baby Doc looted the country and are reported to have killed 30,000 of their countrymen and women.

Vodou Art
Unknown artist, Damballa Vodou Flag, 1989, RISD Museum, Providence, Rhode Island, USA


But vodou is so much more than that grim chapter in Haiti’s history. It is a powerful phenomenon. Its supporters say it is neither good nor evil, but a way of channeling energy. It certainly was a way to champion and celebrate African heritage. And it was an impressive anti-colonial force, helping to establish the first autonomous black nation, after the 1791 Haitian Revolution.

Vodou Art
From Tarzan to Rambo: English Born ‘Native’ Considers her Relationship to the Constructed/Self Image and her Roots in Reconstruction 1987 Sonia Boyce born 1962 Purchased 1987 http://www.tate.org.uk/art/work/T05021


Modern artists continue to mine this rich seam of human experience, illuminating its value and relevance today.

Candy’s remote, rain soaked farmhouse clings to a steep-sided valley in rural Wales. She raises sheep, chickens and children with varying degrees of success. Art, literature and Lakrids licorice save her sanity on a daily basis.

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